The Organization for Transformative Works (OTW) is a nonprofit organization run by and for fans to provide access to and preserve the history of fanworks and fan cultures.
Fannish Endings, Gender and Sexuality, News of Note, Books, Television
NPR profiled the legacy of Elvis fan, Paul MacLeod. His tribute to Elvis's home, dubbed Graceland 2, has become his town's biggest visitor draw. "In 1990, he opened his house to visitors to show off his enormous hoard of Elvis memorabilia. But it soon became clear that the real attraction was MacLeod. YouTube videos give an idea why: MacLeod guided visitors through his house like a deranged carnival barker. He never stopped talking...MacLeod's devotion to 'the king' drove away his second wife and alienated his son. But it also transformed him from mere fan into what Elvis scholar Vernon Chadwick calls an outsider artist."
Comics, Commercialization of Fans, News of Note, Intellectual Property, Fanfiction, OTW Sightings
Jennifer Parsons wrote at Tech Dirt about fanfic written by one of the U.S. founding fathers. "Why fanfic? What made Madison decide to use existing characters to make his point rather than inventing his own characters like John Arbuthnot did for his own political allegory?...The easiest way to tackle these questions is to tell you an allegorical story. There once was a comic artist, 'Jim M.,' who wanted to comment upon the important issue of CIA torture. To make his point, he drew a three panel comic strip. In the first panel, Captain America is taking down a fanatical Nazi commander who tortured prisoners of war for the good of the Fatherland...In the second panel, Jim M. draws Captain America standing next to President Obama, who is casually observing that although the CIA did 'torture some folks,' the lapse can be excused because the torturers were patriots who loved their country. In the third panel we see Captain America's shadowed face as he walks away from a burning American flag."
Transformative Works and Cultures, Announcement, Journal Committee
TWC has released No. 17, a general (unthemed) issue comprising seven full-length critical essays, six Symposium essays, two interviews, and three book reviews. The works loosely gather into themes of form and content—the title of Kristina Busse and Karen Hellekson's editorial. The issue showcases a variety of investigations into a myriad of platforms. The issue features several essays that switch the focus from content to form and illustrate the importance of a range of different fan engagements. Fan fiction, fan films, fannish infrastructure, fan subs, and fan archives are all addressed in this issue.
Several peer-reviewed essays look at the way fan fiction engages with its source texts as well as its surrounding fannish cultures.