Technology

OTW Fannews: Giving people what they want

Slate wrote about how badly the DMCA affects accessibility of technology from ebooks to online videos. "[P]ublishers, video programmers, and other copyright owners lock down digital content with digital rights management technology designed to limit users’ ability to access, copy, and adapt copyrighted works to specific circumstances. And copyright owners frequently fail to account for the need to adapt DRM-encumbered works to make them accessible to people with disabilities.

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OTW Fannews: Privacy and preservation

Salon warned consumers that entertainment driven by data gathering "won't end well." Author Andrew Leonard described how much Netflix knew about his viewing experience with a particular show: "I hit the pause button roughly one-third of the way through the first episode of 'House of Cards,'...Netflix, by far the largest provider of commercial streaming video programming in the United States, registers hundreds of millions of such events...Netflix doesn’t know merely what we’re watching, but when, where and with what kind of device we’re watching. It keeps a record of every time we pause the action — or rewind, or fast-forward — and how many of us abandon a show entirely after watching for a few minutes...Netflix might not know exactly why I personally hit the pause button...but if enough people pause or rewind or fast-forward at the same place during the same show, the data crunchers can start to make some inferences."

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OTW Fannews: Fandom investments

In The birth of a fanboy, writer Larry Sukernik talks about the rationalization people use for their investments in something, as the seed that shifts them from consumer to fan. "[Once] you buy your first iPhone...you’re invested in Apple. Apple’s success is now your success, Apple’s failure is your failure. But why?" The reason is the continuation of the fandom product, because its loss will negatively impact your investment in it. "Not only does that leave you with an abandoned phone, but it also means that you made the incorrect phone choice. You made a bad decision, and you were wrong. Nobody wants to be wrong."

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OTW Fannews: Do it yourself edition

TechDirt discussed the new site DMCAInjury.com, which was set up to keep track of bogus DMCA takedown requests. Those who file such claims could face punishment for those actions under section 512(f) of the DMCAbut so far it's happened rarely and with difficulty. Keeping track of accidental or malicious takedown requests might spur more cases against those filing them, or "at the very least, perhaps it will create a useful dataset to explore the nature and frequency of bogus DMCA takedowns."

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OTW Fannews: Technology and Legal Matters

  • While 2012 is now behind us, some of its legal developments may catch up to us in 2013. TechDirt warned that a proposed copyright small claims court "may have a bigger impact than the DMCA." Because prosecuting users is generally so expensive for rights holders, they're looking for other ways to target those they consider guilty of infringement. "We see a lot of the bullying and trolling that takes place in the informal copyright system, where overreaching DMCA takedown notices and cease and desist letters are common. As many people reading this may know, bogus copyright claims are regularly misused to takedown otherwise legal content. So we have to balance the need of independent creative people to get 'justice' for their works being wholly misappropriated by bad actors, while keeping life sane for average internet users."
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OTW Fannews: Legal and Technology Stories

  • News about a Google TV that interprets its viewers' behavior to recommend shows to them raises questions about how useful such a technology would be, and to whom, not to mention the privacy matters involved. "James McQuivey at Forrester Research said consumers will accept these privacy tradeoffs if they see an advantage to the new style of television. 'If you ask people, of course they will say no,' McQuivey told AFP, while noting that millions have accepted this type of tracing by connecting their TVs to Xbox consoles with Kinect motion detection where 'the camera is tracking you all the time'...But he said companies should be prepared to develop privacy policies to avoid government intervention."
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The Rebellious Pixels Chain of Takedowns

Last week remix artist Jonathan McIntosh had a troubling story to tell which put a spotlight on the current problems facing transformative works creators. In our current environment of automated copyright claims and the layers of entities users may have to go through to assert fair use rights, it takes real dedication sometimes to be heard.

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OTW Fannews: Threats to or from fandom

  • Slate wrote about a recent hacking attack on Tumblr, reporting on how the target was a fandom. "The original target appears to have been the 'brony' tag on tumblr...The first Tumblrs that were infected...used the brony tag, and from there, it seems, thousands of other Tumblrs fell victim, including those belonging to USA Today, the Verge, and Reuters. In a press release announcing today’s attack...GNAA insults brony culture with racist, inflammatory language typical of trolls, before mentioning an upcoming 'brony-removal drive.' The group claims to have infected 8,600 individual Tumblrs with the worm."
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    OTW Fannews: Technology and Legal Matters

  • A piece in the New York Times examined how technology, and those creating it, are censoring the Internet. "The New Yorker found its Facebook page blocked for violating the site’s nudity and sex standards. Its offense: a cartoon of Adam and Eve in the Garden of Eden. Eve’s bared nipples failed Facebook’s decency test. That’s right — a venerable publication that still spells “re-elect” as “reëlect” is less puritan than a Californian start-up that wants to “make the world more open.”" The article cites numerous companies at fault, the most influential being Google. "Until recently, even the word “bisexual” wouldn’t autocomplete at Google." While some cases are a matter of cultural conflict, others show corporate influence. "How do you teach the idea of “fair use” to an algorithm?"
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