Music

  • Events Calendar for October 2013

    Von Claudia Rebaza am Sonntag, 29 September 2013 - 11:58pm
    Nachrichtenart:

    Banner by caitie of curtains opening to show a stage with the words OTW Events Calendar

    Welcome to our Events Calendar roundup for the month of October! The Events Calendar can be found on the OTW website and is open to submissions by anyone with news of an event. These can be viewed by event type, such as Academic Events, Fan Gatherings, Legal Events, OTW Events, or Technology Events taking place around the world.

    • Festivids is a yearly small-fandom giftvid exchange. It's modeled on Yuletide; every vidder signs up with fandoms they request, and fandoms they can offer. Each vidder receives a secret assignment and makes a giftvid for their recipient. The vids are posted anonymously in January, and after two weeks, the identities of the vidders are revealed.
      Signups to participate run from October 10 through October 20.

      More about Festivids on Fanlore

    We have six calls for papers this month.

    • Loncon 3 is looking for academic papers to reflect the history and population of London, the host city. The theme of the academic programme is ‘Diversity’. We will be exploring science fiction, fantasy, horror, and all forms of speculative fiction, whether in novels, comics, television, and movies or in fanworks, art, radio plays, games, advertising, and music. Submissions are due 1 October 2013 with notification by 31 December 2013. A 300 word abstract should be sent to emma.england[at]loncon3.org.
    • International Journal of Audience Research: “Masters of the Universe: World-Building and World-Exploring is interested in a mapping of specific communities and their rich relationships with world-building. Any medium (or combination thereof) that engages with story-worlds and world-building: examples include prose fiction, comic books, TV, film, theme parks. Proposals will be considered depending upon their validity for audience studies. Abstracts of 350 words are to be forwarded by October 31st, 2013.
    • In the contemporary media landscape the fan is an active player who participates, creates and collaborates in the construction of any type of media content. Through a multidisciplinary approach to Fandom Studies,V Congreso Internacional Latina de Comuncación Social in Tenerife, Spain aims to explore questions such as: What is the role of fans in the commercial communication of brands? In which ways can the fandom of a particular fictional work contribute to the expansion of the original text? What types of works and sources are used by fans in order to construct their own messages? The deadline for the submission of abstracts is the 31st October, 2013. If you are interested, please send a 300-word abstract with your name and university affiliation to jlozano@uloyola.es.
    • This special issue of Journal of Fandom Studies responds to the well-established and global subculture of fans of Korean popular music (K-pop) and Korean television drama (K-drama) and seeks to examine the uniqueness of K-pop and K-drama fandoms and their contribution to global fandom scholarship. Deadline for submission of Abstracts is 31 October 2013. For more information see the Call for Papers.
    • SW Popular Culture and American Culture Association Conference is looking for papers on any aspect of stardom or fandom and also, specifically on topics related to Doctor Who and Torchwood. Deadline for 250 word proposals is November 1st.

    The OTW encourages anyone to submit an event that's not already listed, and to check out the events calendar throughout the year!

  • OTW Fannews: Music fans in the limelight

    Von .Stephanie Chrystal am Freitag, 27 September 2013 - 7:05pm
    Nachrichtenart:
    Tags:

    Banner by Robyn of a singer in a spotlight with the post title 'Music Fans in Limelight'

    • The Jakarta Globe wrote about tribute performers in K-Pop fandom. "One group of Indonesian K-Pop converts have captured media attention through their unique display of fandom. The nine boys, aged between 14 and 23 years old, formed Boys’ Generation Indonesia, and have gained a cult following for their explosive Girls’ Generation tribute dance and song numbers." Although the fan group has been successful they haven't always been well received. “'Some people — boys, mostly — react unpleasantly towards what we do. But we accept it as another kind of support. Sometimes it hurts, but we just let it go.' Dafi added that the group does its best not to take criticism or prejudice personally, instead choosing to focus on the knowledge that what they are doing promotes Girls’ Generation to a growing fan base in Indonesia."
    • Writing about tribute performances in Chicago, WBEZ discussed bringing fans together together to build a nightlife in the city. "When creating a night that references the music, ideas, and persona of a specific artist or artists, a built-in audience is even easier to find than a standard club night. And in the case of someone like Kate Bush, it is a change to legitimize her significance with American audiences who are less likely to be recognized as major part of her fandom. 'Our primary hope is that we will reach those who adore and/or appreciate the music of Kate Bush and bring them together in a space of positivity and community,' Erbentraut said."
    • Business Insider noted how the landscape had changed since NSYNC had its heyday and looked at some examples of the fandom's activity online since that time. Citing memes, tumblrs, fanfiction and more, they concluded "[w]ith the alleged return of the popstars this weekend, remember fairweather fans: there are some who have been holding strong in the bandwagon, waiting for this moment."

    What music fandom stories do you know about? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Why is fandom important?

    Von .Ina am Samstag, 21 September 2013 - 5:15pm
    Nachrichtenart:

    OTW Fannews: Why is fandom important?

    • Writing about fandom in the Phillipines, Business World Weekender focused on its monetary value. "Foreign pop idols’ 'fan meets' are a fairly recent trend in the country. While 'fans’ days' are regularly held by local artists, only lately did foreign stars hit our shores to conduct their own 'fan service'." The article concluded "In the Philippines, fanaticism may still be a luxury. But whatever the reason -- awesome talent, psychological gratification, fulfillment of an inexplicable fantasy -- there are avid buyers. Like an expensive watch or a designer bag, the urge to spend is often irresistible -- irresistibility that will cause the fandom phenomenon to flourish."
    • Roddenberry heir, Rod, has finalized a new documentary on Star Trek fandom. Discussing Paramount's approach, he said "I feel that the powers-that-be have really lost that opportunity. I think they’ve gotten better in recent years, but I’d say for decades...they were sending cease-and-desist orders to fan websites that had photos of actors and Star Trek logos on them. That’s someone who is looking at the here-and-now and not thinking about the future. And those sorts of things went on for years and really upset me...I found boxes and boxes of personal correspondence from my father...[w]here he responded personally to fans who were sending in questions about the show. And that’s what strengthened the Roddenberry connection with them. In that we genuinely care. And the studio at that time, and not so long ago, really didn’t seem to."
    • The University of Wisconsin, Madison wrote about student Ashley Hinck's PhD research on fan activism in Harry Potter fandom. "In doing this research, I'm working against the idea that super fans are weird, crazy loners. For these fans, it is very serious and it has really important implications for who they are as political subjects, as citizens...People have always been fans of things, but organized fandom ... it's easier to hook up with other fans, too, because of the Internet. Fandom is just really motivating because it gives you a reason to connect to something, and then you can use that connection as a vehicle to get to other places...That deep connection is powerful."
    • Author J.M. Frey spoke about fandom from the inside and why it is important. "You build communities like those Archive of Our Own and Fanfiction.net, Tumblr and Deviant Art. You do good deeds in the name of the writers, actors, and shows that you love...You parlay your love into degrees, courses, conferences, academic readers, and text books. You call out work that is problematic and encourage creators to grow, to learn, to take an interest, to get better. You find things in my work that I might not have realized I put there and you play with them. It’s incredible."

    What stories do you have about why fandom is important? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: The visibility of gender

    Von Claudia Rebaza am Samstag, 21 September 2013 - 4:34am
    Nachrichtenart:

    Banner by Bremo with an eye and the post title

    • The rise in fandom visibility seems to be leading to an increasing media backlash about fans expressing themselves but women fare differently in these discussions. A particularly visible example was a BBC documentary on One Direction fandom which, despite hype focusing on fandom extremism failed to do well in the ratings. Writing about the coverage in The Conversation, academic Andy Ruddock stated "Far from being a story about poor deluded adolescents, the One Direction incident confirms that girls are major players in global media industries." Focusing on both their insight and their dismissal, he explains "Audiences use boy bands to create their own entertainment. The English group are just raw materials that teenagers fashion into cultures of emotion, identity and friendship. This is probably why Directioners are upset over the documentary: the world is poking fun at their work."
    • There has also been much discussion about fans rejecting casting choices across multiple franchises. But the tone of those discussions varies depending on who the fans might be. For example, an academic who was interviewed about fan influences doesn't discuss why there was a backlash against Ben Affleck other than to say "People who are into Batman don’t want the movies to be bad...They have a lot of emotional investment. They don’t want the character or story to be mistreated." He also concluded that to be recognized for one's fannishness by being brought aboard to market a franchise is "what every fan fantasizes about becoming."
    • Yet the arguments over Doctor Who casting involved claims that those who were upset about the choice weren't "true fans". "Undoubtedly, someone will argue that we are not the type of 'fangirl' they meant when discussing the 'inferior' fans that they’re happy to be rid of. We don’t, for instance, maintain a Tumblr of David Tennant or Matt Smith photos. But that shouldn’t matter. Everyone’s expression of enthusiasm about the thing they love should be accepted in geek culture. The Tumblr of photos is just as valid a way to express love of fandom as recitation of fandom trivia. After all, there are bound to be male fans out there who would be equally as drawn to the casting of a particularly pretty companion. And yet, their status as a 'fan' would not be similarly diminished or questioned. Enthusiasm is what makes a 'real' fan (if there is such a thing), not the particular way in which that enthusiasm is expressed."
    • Rejection of particular characters in shows has gained less attention, but at least one actor felt that the character's gender was critical. "I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable ideal of the archetypical female, she had become a kind of Rorschach test for society, a measure of our attitudes toward gender. I can’t say that I have enjoyed being the center of the storm of Skyler hate. But in the end, I’m glad that this discussion has happened, that it has taken place in public and that it has illuminated some of the dark and murky corners that we often ignore or pretend aren’t still there in our everyday lives."

    How do you see female fandoms addressed in the media? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: How to be a fan

    Von Claudia Rebaza am Mittwoch, 21 August 2013 - 5:24pm
    Nachrichtenart:

    Banner by Bremo saying a fan is someone who has found something they like

    • Morgan Davies wrote about the stages of becoming a Teen Wolf fan. "I used to creep downstairs after my parents had gone to sleep to plug my laptop into the dial-up cable in our family room and load all seventeen chapters of a story in different windows before scurrying back upstairs and reading them all in bed until three in the morning, always ready to snap the computer closed and pretend to be asleep in case anybody came looking. Some years later...I started telling myself that at some point I would outgrow fanfiction, and fandom in general...I kept telling myself this until I was around twenty, or twenty-one, and then I decided that persistent self-delusion wasn’t cute."
    • Being a fan is increasingly being seen as someone who is a producer themselves. Den of Geek collected examples of fan creations memorializing Doctor Who's 50th anniversary. The variety of ways to be creative and share with others keeps expanding.
    • Diana Uy wrote in Manila Standard Today about How to be a Kpop Fangirl, interviewing Gigi Melodias. "Melodias discovered some of her longtime friends through fangirl forums and concerts. In 2009, She collaborated with some of these friends to start FangirlAsia.com, the first online store of Kpop merchandise with its own domain in the Philippines. Today, FangirlAsia.com is owned by Melodias, her husband, and sister. With some extra help, this small band of Kpop fans also organizes artist events and gatherings for loyal Kpop fans."
    • At least in sports fandom howerver, the collecting aspect is a predominant form of fandom activity. Thom Lovero wrote about jerseys as a symbol of fandom. "The jersey has become the flag of sports -- the most powerful symbol of the connection between fans and their teams. 'You can’t do any more than wear a player’s number on your back to show that connection,' said Merrill Melnick, a retired sports sociologist at SUNY Brockport who specialized in studying fan behavior." But when things go sour, the jersey takes the brunt of fan anger. "'When the athlete does something to let them down, they can’t take them to court, so symbolically they burn a jersey,' Wann said. 'It’s like someone throwing a ring back in the face, as publicly as they could possibly cut off the ties to the athlete.'"

    What fan history stories do you know of? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Recognizing women

    Von Claudia Rebaza am Sonntag, 18 August 2013 - 5:52pm
    Nachrichtenart:

    One foregrounded female shape, a box maze, and numerous small male outlines

    • San Diego Comic-Con appeared to be yet another opportunity for some members of the media to notice that female fans exist in large numbers. The Mary Sue discussed a study showing that women dominated conversations about Comic-Con. "Proving once again that women can in fact be nerds, Networked Insights has analyzed the social media discussion of Comic-Con, and has determined that women are in the majority when it comes to discussing the event. Based on 3.5 million social media conversations, it appears that 54% of the people talking about SDCC related T.V. shows, actors, movies, comics, and other relevant topics were women."
    • Forbes provided anecdotal evidence of the same. "Heading to Comic-Con, I expected the massive convention crowd to be heavily male. After all, we’re told again and again that young male teens are the main demographic for these movies. Hollywood puts almost no effort into attracting women or young girls to their biggest blockbusters so why should very many girls make the expensive pilgrimage to San Diego? Instead, the place was swarming with women. It almost seemed like there were more women then men." The conclusion? "There’s a huge untapped market out there for female superheroes."
    • Of course when commercial works are targeted at women, it isn't always what one would hope. Starmometer posted about The K-Pop Star and I, which is described as "fan fiction from Lifebooks...a romantic novel that involves two different cultures" and appears to be a self-insert story for music fangirls.

    What sorts of things do you think the media misunderstands about fans? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Knowing your rights

    Von Claudia Rebaza am Mittwoch, 14 August 2013 - 4:50pm
    Nachrichtenart:

    Banner by Bremo reading This Image Has Been Removed for Copyright Reason

    • Microsoft has been in the news for its copyright decisions in the past few months. Shogun Gamer had a discussion about Microsoft's retraction of a DRM decision that would have limited game buyers' rights to share games and would have required people to be connected online daily, which also restricted who could use the content. Perhaps the earlier controversy informed their second decision to open up the X-box to development. "[T]he company is doing away with its unpopular publishing restrictions, opening the door for independent developers to create and release their own games on Xbox One without enlisting the aid of a publishing partner. That essentially turns every Xbox One owner -- from well known developers to your average Joe -- into a potential Xbox One game maker."
    • At PBS' Mediashift, Patricia Aufderheide discussed the case of a music copyright incident and its troubling outcome. "Baio warns fellow remixers everywhere that “fair use will not save you,” and “nothing you have ever made is fair use.” Whoa. Neither of these statements is true. Fair use is riding high in the courts. The fair uses of "Jersey Boys," who used clips from "The Ed Sullivan Show," were forcefully vindicated just a few weeks ago, and the litigious rightsholders were ordered to pay the defendants’ costs and fees. Georgia State University successfully defended a copyright lawsuit brought by greedy publishers, and got a court order for the publishers to pay over $3 million in attorneys’ fees and costs."
    • It's easy, however, to find cases of companies taking questionable actions, such as the movie subtitle fansite undertexter.se being raided by the police. The site contained user-submitted translations of movie dialog. "The copyright industry in Sweden has previously asserted threateningly that the dialog of a movie would be covered by the copyright monopoly, and that any fan translation – even for free – would be a violation of that monopoly." However, a similar case took place in Poland where "the charges were dropped and the expert opinion was that translating from hearing and sharing for free is not infringing the copyright monopoly. This is relevant as any EU court sets precedent all over the EU."

    What legal and technology stories have you seen that impact fan activities? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Audiovisual histories

    Von Claudia Rebaza am Sonntag, 4 August 2013 - 6:34pm
    Nachrichtenart:

    Picture of a cassette tape with post title caption

    • A few posts have recently discussed fannish audiovisual works. One was at Learned Fangirl which examined musical remix culture. "One advantage in analyzing the creativity surrounding Daft Punk’s Get Lucky is that the original visuals doesn’t matter to the re-imaginings at all. This allows the public to focus on the brilliance that is possible with just the reuse and re-purposing of the music." Addressing a frequent criticism, writer Raizel insisted "All of these works **are** transformative – all of them have the original and change it into something new and different. Instead of stripping away the economic value of the song, they have increased it. Fans found this song meaningful and 'made it their own', helping others find the fun as well."
    • At The Daily Dot, Gavia Baker-Whitelaw explored the evolution of fandom mixtape culture. "Fanmixes can be created as the soundtrack to a fanfic, but they’re just as likely to be like a normal mixtape: capturing a particular moment or mood. It’s just [rather] than being 'breakup songs of 2007,' the mood in question is more likely to be 'music on the theme of defeating Voldemort.'" The importance of new online platforms was cited as a breakthrough. "With the advent of playlist sites like 8tracks and Spotify, fanmixing has become a lot more accessible. Up until recently, mixes were mostly uploaded onto file-sharing websites and then posted to LiveJournal communities, meaning listeners had to commit to downloading the whole thing. Plus, there was the ever-present threat of copyright infringement (the boogeyman of fandom), so a lot of those communities were members only."
    • Polygon.com featured "an eight-minute CGI piece called The Lord Inquisitor: Prologue" which "represents a reaction, of sorts, to an official 2010 film called Warhammer Ultramarines, which failed to meet the hopes of many in the 40K community." While the creators hope to eventually make a 40 minute film that's financed by outside producers, they feel they are taking a fannish angle to the project. "'They take your favorite thing and they make it crappy. You get disappointed. You want something better, You realize that in order to do that you need to engage and spend your own time to make that happen. That is the fundamental thing our group is trying to prove...Hollywood has this money-driven agenda to produce things that sell. But fans can create things that are more in-depth, more challenging, more fun.'"

    What audiovisual histories do you know about? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Voices of dissent

    Von Julia Allis am Dienstag, 11 Juni 2013 - 10:35pm
    Nachrichtenart:
    • Journalists and bloggers who have come across only a few works about fandom have a tendency to make broad claims about those documents. Case in point, Irish Times writer Brian Boyd who says that the new fandom documentary Springsteen and I is "the first feature of its type to de-stigmatise fandom and celebrate it as a meaningful and healthy form of behaviour." However, fandom studies are going on continuously, as Canada's Metro notes in a recent feature on a graduate student who is researching female fans of Saskatchewan Roughriders. Not all examinations of fandom need to be a form of defense, either, since negative behavior can itself be informative to either fans or their culture at large.
    • For example, The Daily Dot put a spotlight on anti-fandom spaces: "The Tumblr Your Fave is Problematic (YFIP) has one purpose: making sure you have a list of all the uncool things—read: racist, homophobic, sexist, ableist, sizeist, transphobic—your favorite celebrity has allegedly done or said. Normally it flies under the fandom radar, serving its intended purpose as a resource for people looking for the other side of the endless waves of praise that fandom can bestow on its chosen heroes." The purposes behind it are varied. "[I]n an increasingly diverse, increasingly mainstreamed fandom, the number of cultural and political clashes is increasing all the time" and "The distinction between fan and critic, advocate and antagonist is widening but blurring with every baited reblog. And as anti-fandoms continue to grow along with fandom itself, it seems to be a divide that won’t be shrinking any time soon."
    • The Washington Post used sports fandom to discuss fans' monetary tributes to their favorite fannish objects. "[P]rompted by a question from his own fiancee — he’s actually thought a lot about why he felt so compelled to buy the quarterback an inexpensive gift from his registry, even though he still hasn’t bought wedding gifts for some of his closest personal friends." The fan replied that “'It’s no one else’s decision whether I buy a cake pan for a guy I’m never going to meet. And so what if he’s got 15 of them? I’m now a part of his cabinet. A little piece of me is part of that cake pan in his cabinet. It’s less about Robert than it is about the fans. We want to be a part of his life, just the same way he’s a part of ours.'”
    • On the other end of the scale Seoul Beats wrote about how some fans are deliberately disconnected from the sources of their fandom and points of fan congregation. "There does indeed seem to be a very large disconnect between the purported global aims of Hallyu, the Korean Wave, and the way that international K-pop fans are treated within K-pop fandoms. Specifically, despite the fact that K-pop companies are (and for the past few years, have been) essentially falling all over themselves to attract more interest from the farthest corners of the globe, when it comes to official K-pop fandom, international fans are, for the most part, just plain unwelcome and need not apply." The article examines discrimination in fan club memberships which affect the experiences fans can have as well as how the visibility of non-Korean fans can be limited.

    What interesting examinations of fandom have you come across? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: The role of fandom

    Von Claudia Rebaza am Freitag, 22 März 2013 - 11:06pm
    Nachrichtenart:
    • A post on fan site Fringenuity focusing on the life of a show after it ends contained a quote from actor Joshua Jackson. In it, he placed the work of content creators as a sort of prequel to the later life it lives in its fandom community. "I think there will probably be a lot of fan fiction. Maybe there will be even some sort of filmed addendum to the show or televised or podcasts or however it manifests itself, but I feel like the afterlife of Fringe is the test case for how modern cult shows are going to live on after they go off the air.”
    • The New York Times wrote about how fandom visibility doesn't just change the afterlife of a project, but perceptions about its current importance. "The sudden roar around 'Fast & Furious 6' reflects not only the unusual and overlooked strengths of the series, but also the value in Hollywood of cultivating an online fan base. Universal was able to light its Internet brush fire because it has spent years working to make fans feel a sense of ownership in the series."
    • The long-term effect of some fandoms could be seen in The Sydney Morning Herald's piece on a dance which "interprets the fan fiction spawned by the 2004 film Alien vs Predator." Writing about choreographer Larissa McGowan, the article states "What she does have is a killer instinct for what mash-up culture can bring to the world of contemporary dance. McGowan's 15-minute work Fanatic is an homage to two of sci-fi's enduring big-screen series and to the legions of rabid fans who obsess over Hollywood's war of the franchises, which began with Alien vs Predator in 2004. It was one of the hits of last year's Spring Dance festival at the Sydney Opera House."
    • The Chicago Reader discussed modern aspects of fandom in a look at the Beatles White Album. "What's really interesting is how spontaneously emergent it is. If you wrap a Beatles record in a plain white sleeve, a certain percentage of listeners will naturally use it as the platform for their own visual interpretations. Humans raised in the modern media-rich environment seem to almost instinctively want to interact with the cultural artifacts that they love by creating more artifacts in various media. The extent of that drive is only recently becoming clear, as the Internet has begun connecting creatively minded devotees of specific cultural properties into the massive, noncanonical content-generating hive mind known collectively as 'fandom.'" The article links to Fanlore when it concludes "The Japanese, who remain the gold standard for obsessive fandom, have a name for this: niji sousaku, literally, 'secondary creation.'"

    Link to your own definitions and descriptions in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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