Fannish Histories

  • OTW Fannews: Featuring Fangirls

    By Claudia Rebaza on domingo, 7 December 2014 - 7:32de la tarde
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    Banner by Robyn of multiple female symbols reading 'OMG' on pink background and saying

    • Supernatural 's 200th episode focused on fangirls. Showrunner Jeremy Carver said “'Over the past couple of years we’ve seen a real, real swing in the number of 13, 14, and 15 year old female [fans] — girl who have been watching the show — and I for one have been really struck by at Comic Con this year [how] most of our questions seemed to come from young women,' Carver said. 'And they were really funny and really smart, and they were going toe-to-toe with the boys, and we were like ‘We’ve got to give these women a platform and a voice and a point of view. It just felt like a way to give back.'”
    • Reactions to the show differed. This ranged from acknowledging the change in fangirl portrayal to pointing out how there are still gaps in their portrayal and complaints about the episode's overall message. "But in the end, that comes as pretty damn condescending. Fans – readers – are going to have their own interpretations no matter what. They’re going to imagine what their favorite characters had for breakfast, fill in the blanks that the author didn’t get in, and wonder about the possibilities, because that’s in the very nature of fiction...Virgil didn’t need Homer’s permission to write fan fiction about Aeneas, and Milton certainly didn’t ask God for permission to write a twelve-book fan fic about Satan." At least one outlet noted about Season 10 that fanfiction was giving the Demon Dean storyline a more "emotionally satisfying conclusion."
    • At Highbrow Magazine, Sandra Canosa wrote about the importance of teenybopper fangirls. "Fandom does not exist solely within a vacuum, especially in today’s Internet age. There are legions of sites, Facebook groups, and Twitter conversations that, while born out of fandom, often develop into meaningful bonding moments between girls. Belieber and Directioner forums combine threads of celebrity gossip with conversations about love, relationships, and understanding one’s own body in a communal space largely between and within other like-minded girls. By actively participating in an audience fan culture, teens can also find meaningful experiences outside the realm of the commercial machine."
    • At The Daily Californian Rosemarie Alejandrino wrote about the evolution of fangirling. "Back in the olden days — circa 2006 — there were no Twitter Q&As or follow sprees. If you wanted to interact with your favorite star, you had to wait at your desktop computer for three hours while a blog.tv livestream buffered on your Dell family computer, slurping instant noodles while popping in and out of spam-ridden chat rooms for the chance of a shout out from your favorite boyband."

    What do you think perfectly captures fangirls? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom and Publishing

    By Janita Burgess on miércoles, 3 December 2014 - 5:45de la tarde
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    OTW Fannews Fandom and Publishing

    • Transformative Works and Cultures editors Kristina Busse and Karen Hellekson were interviewed by fan studies scholar Henry Jenkins about the book they published earlier this year, The Fan Fiction Studies Reader (the book's royalties go to the OTW). Said Jenkins, "And that brings us to the second thing that the focus on 1991-92 as the birth of fan studies may get wrong. The Fan Fiction Studies Reader is focused in expanding this time line in important ways, calling attention to the kinds of writing on fan fiction that existed prior to Enterprising Women or Textual Poachers, work that often came out of the second wave of feminism and was also embedded in the fan community itself. Many of these essays have been out of print or scattered across obscure journals so there is an enormous contribution in bringing them together again, reframing them for contemporary readers, and reappraising their contributions to the early development of this field."
    • School Library Journal discussed the manga landscape and reasons for its resurgence in the U.S. They include "a selection of titles that includes some long-lived classics, a few series that started during the manga bust and have endured, and a handful of new series that launched in the past few months. After each title is the number of volumes published in Japan (to give a sense of the length of the total series) and a note as to whether it is complete or still ongoing."
    • The Kernel featured a long look at fangirl influence on book publishing. "These fans, most of them women, began by claiming ownership of their fanworks to an unprecedented degree. Then they spent the waning years of Twilight fandom forming small publishing presses and setting up shop as editors, designers, marketers, and writers to publish and sell the works of fanfiction they loved...And they did it all amid a tremendous amount of negative pushback from all sides—most of all from members of their own community."
    • At Reading Today Online, assistant professor Jayne C. Lammers wrote about studying a fanworks community. "In particular, I studied adolescent literacy in an online forum called The Sims Writers’ Hangout...[which] was an online space for fans of the videogame The Sims to gather and support each other’s writing of Sims fanfiction—multimodal, digital texts that pair images taken in the video game with narratives authors write...Over its five-year existence, The Hangout had more than 12,000 members, mostly adolescent females, from all over the world who posted over 660,000 messages on a variety of Sims-related and community-building topics to establish an online network of readers and writers."

    What are your favorite works about fandom and fanworks? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom From End to End

    By Janita Burgess on lunes, 24 November 2014 - 5:44de la tarde
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    OTW Fannews Banner Fandom End to End

    • In a post for The Guardian, Erin Riley talks bout the ethics of sports fandom. "Ethical issues may be particularly acute in horse racing, but being a sport fan can regularly involve navigating an ethical minefield. For some fans, it’s the relationship between their particular code or club and gambling. For others, it’s the decisions made by the management of their team that don’t sit well with their values. It can be an appointment of a particular player, the sacking of a coach or the attempt to cover up a scandal. There are almost as many different responses to these issues as there are issues themselves. Fans are forced to figure out a way to respond that weighs the values they hold against the teams or sport they love."
    • On the flip side, at Hardwood Paroxysm, the discussion is about how fannishness changes over time. "It’s something for us to look forward too, a way to spend time with and connect to our friends and family, and generally just a way to remove ourselves from the real world for a certain number of hours a week. And part of why it’s so appealing, besides the reasons listed above, is that spectacle aspect of it. Here are these people that, through the genetic lottery (and hard work as well), are able to do things the vast majority of the human race could never dream of...Everyone wants to be tall and strong and in shape, because life is so much easier when you have those three things working for you."
    • The Baltimore Sun featured the century-plus appeal of Sherlock Holmes fandom. "Watson's Tin Box began in Ellicott City in 1989 and is considered a scion society of the Baker Street Irregulars. Its named recalls the box where Watson collected his reports of Sherlock's investigations." One of its founders, "Churchill put together the original collection of artifact boxes, one for each story, that recall details of the story. Some items are antiques, period pieces that reflect Sherlock's times: period checks, blank telegram forms or hotel bills. Other things are 'genuine faux originals.' If he couldn't find a letter or a ticket, he'd create it."
    • Scholar Lori Morimoto looked at more recent developments involving fandom memes and official production. "And it’s this cover that I find all but impossible to discuss through frameworks of appropriation and clearly defined fan-producer identities and relations. A cursory glance at Mizutama’s Twitter images demonstrates the meme’s affective appeal to her, and in this sense its inclusion in the official book cover art seems as much sly in-joke as appropriation. Indeed, the decentralized context of the book’s production – produced by the longtime publisher of both Arthur Conan Doyle works in Japanese and the long-running Hayakawa Mystery magazine, written by Holmes aficionado Kitahara, and illustrated by present-day Sherlock fan Mizutama – begs the questions of where we locate ‘production’, and how we might conceptualize ‘monetization’ here."

    From fandom history to fandom passions, Fanlore is there for it all. Add your contributions!

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Looking Back

    By Kiri Van Santen on lunes, 27 October 2014 - 4:26de la tarde
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    Actress Alyson Hannigan posing with her doubles from the Buffy episode Doppleganger

    • Romance writer Keira Andrews discussed how attitudes toward fandom and fan fiction have changed over the years. "Fandom was Fight Club, and we didn’t discuss it with showrunners or actors... Sometimes I really miss the days of having our own secret world, but that horse is out of the barn and galloping out of sight... I honestly think that you have to be a fan to understand fandom. Many people know about fandom now, but they’re still Muggles, if you will. Or maybe Squibs."
    • Celebuzz ranked pop music fan base names. "In the world of pop fandom, it is de rigueur to name the fan base to which you belong (or to have your chosen idol name it for you.) Over the last several years, we have seen groups with nicknames like Little Monsters, Beliebers, and Arianators grow into power and change the way we talk about musicians and their fans."
    • On PasteTV, Amy Glynn talked about how binge-watching Buffy got her through her divorce. "All I wanted was a timeout from my own reality; a break. I wasn’t expecting a breakthrough. But a Joss-curated trip back to growing up showed me some interesting stuff about adulthood. It was also the first step back to my 'real' life, or whatever was going to be real from here on out. The first time around, Buffy made me laugh. This time, it made me see."
    • Keidra Chaney of The Learned Fangirl reviewed rock critic Gina Arnold's book about the 1993 album, Exile in Guyville. "[I]t’s about the culture and mindset of the early 90′s indie rock scene in Chicago and beyond, the hyper-masculine, hyper-obsessive club dubbed 'Guyville' by Phair and others at the time. It’s also about the changes in technology and culture that have changed what it means to be a part of the indie rock scene as a performer or a fan in the past 20 years."

    What changes have you seen in your fandom? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Cons, Cons, Cons

    By Claudia Rebaza on viernes, 15 August 2014 - 6:12de la tarde
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    Banner by Robyn with the post title over a blurred photos of fans at a convention

    • As many cons are opening their doors this month, SDCC continues to draw a lot of media attention. Vox wrote about its evolution. "Please understand: I don't think anyone is wrong to love Hall H...But when the only pursuit our films have is awesomeness, and humanity is leeched out of so many of them, it's not hard to look at all of the marketing here and wonder whether it's time to stop asking for the 90th iteration of the same old thing and, instead, hope for something new...There's a beauty and purity to the expression of love that is fandom, but Hollywood has figured out a little too well how to channel that in events like Comic-Con. We are invited, over and over again, to keep paying homage at the same temples, to the same gods. We celebrate, and we celebrate, and we celebrate, but we forget all too often to create."
    • Early fanzine publisher Maggie Thompson spoke about cons and comics. "You get people who just huff and huff, but there are more comics dealers today, certainly, than there were in 1976! And the people putting on the convention have always made an effort to promote the comic books that are part of that outreach. At the Eisner Awards, I heard people commenting bitterly, ‘Ooh, they’ve got all these celebrities, the comics people aren’t good enough.' And I’m going, you know what? These guys are fans too! Samuel L. Jackson’s a comic book fan. Jonathan Ross is a London celebrity host of a talk show, but that doesn’t mean he’s not a fan. And it’s one of the things that I love, because it’s the common love that brings us all together. "
    • NPR's Monkey See blog discussed SDCC and anxiety. "And the first thing I learned — confirmed for myself, really — is that Comic-Con is much, much less weird than a lot of people who don't attend it make it out to be. I encountered so many contemptuous tweets about it in absentia, so many assumptions that this was, at best, some kind of Weirdo Dude Ranch where, for once, freaks have the opportunity to be among their own. And I'm not saying there's none of that, particularly if among freaks and weirdos you count those who would wryly attach that label to themselves. It is, quite clearly, a haven. But I dare you to watch and conclude that the extreme football fan tailgaters profiled therein — who tend to be tagged as extreme in their enthusiasms but not socially derided — are less weird than the people of Comic-Con."
    • The L.A. Times saw MTV's fandom awards at SDCC as the next step in marketing. "Despite all of its efforts, it's unclear whether Hollywood will ever figure out how to harness fan enthusiasm — be it through social media, Comic-Con, or any other avenues — in a way that consistently translates into profits. 'Veronica Mars' fans may have brought the long-canceled show to the big screen with their Kickstarter donations, but, despite all the talk of the revolutionary power of crowd-funding, the movie ultimately proved a box office dud, grossing just over $3 million. As former Variety editor-in-chief Peter Bart wrote last week on Deadline.com, 'One studio chief told me recently that all social marketing represents is a road map for spending less money while still failing to find an audience.'"

    What are your favorite cons? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Remembering the past

    By Claudia Rebaza on domingo, 13 July 2014 - 5:54de la tarde
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    Banner by Bremo of a timeline showing different fannish platforms starting with Geocities and ending with AO3

    • At The Atlantic, Courtney Klauser discussed her education in social networks thanks to fandom. "Looking back, I most miss the personal anonymity; an online existence without photography or video, a time when it was normal not to use your real name, when people could interact without demographic data being harvested for advertisers or shuffling people into neat demographic categories in the name of improved user experience...Yet the online world where I first encountered the pleasures of fan culture no longer exists at all."
    • Corinne Duyvis wrote at YA Highway about lessons learned while roleplaying. "My absolute biggest hobby as a teenager was online X-Men roleplaying...Roleplaying wasn’t fanfiction like most people know it, but it’s probably the most apt comparison—and that’s why it baffles me when people dismiss fandom as a waste of time for writers, or even call it actively damaging. It’s often the exact opposite. Without fandom, I wouldn’t be writing today. I wouldn’t have a shiny hardcover on shelves as of this month."
    • Author Peter David re-posted a poem about fandom he'd published in 2001 about the spread of fandom online. "And the Grynch straight away fashioned 'Fandom Dot Com/ By fans and for fans,' said the Grynch with aplomb/ The fans, they just loved it, they flocked by the ton/ And they told all their friends, and they came on the run/ Created new websites and posted the things/ On Star Wars, Godzilla, and Lord of the Rings/ The theory, you see, was by acting as one/ The fans would not ever be put on the run/ By studio lawyers with frozen-fish faces/ Subpoenas and letters and leather briefcases."
    • Elizabeth Minkel wrote in New Statesman about changing times. "It might be easy to forget that a little more than a decade ago, Warner Brothers was yanking down Harry Potter fan sites without warning, particularly those that 'sent the wrong message', like speculating that a character could be gay. Now media corporations are actively trying to create the kind of spaces for fan engagement that mimic the volume and enthusiasm of what’s historically been built from the bottom-up – organic celebrations of (and critical space to examine) a book or movie or television show or band. Now we’ve got 'official fan fiction partners' of a book or a movie, and even corporate-sponsored incentive – rewards, like access to special content, that sort of thing – to create more content in their spaces."

    What parts of fandom history do you remember? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Personal journeys

    By Claudia Rebaza on martes, 8 July 2014 - 4:56de la tarde
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    Banner by Sidhrat of a butterfly moving through stages of growth

    • At The Mary Sue, Elisabeth Flaum discussed her return to fandom. "In the beginning, I was not a fan. I liked stuff – Firefly, Star Trek, Lord of the Rings – but the tween who freaked over Bon Jovi and baseball grew up and moved out...Then I met the Doctor. Suddenly, in my late thirties, I was binge-watching a television show. I was pining over fictional characters – and I was writing my own stories for them when the official versions ran out. I was making costumes and going to conventions. I was lit up, inspired, excited as I hadn’t been by anything since childhood."
    • Bleeding Cool posted a story by artist Ale Bodden about receiving encouragment from artists at New York ComicCon. "For thirty minutes I stood in front of this artist as a nervous wreck, and I was right: when he returned that book to me it was all different. My twitches seem to leave and I was left with much more passion and more focused than ever on what I love. Not much could match the levels of satisfaction I felt at the moment, or the happiness I still feel."
    • The Hindu discussed the journeys on which fanfic takes characters. "Jointly referred to under the cutesy moniker Arshi, several fan fiction stories feature the two in a passionate Mills and Boons-esque love affair. This is all the more scandalous when juxtaposed with the original soap’s furtive glances and coy flirting. Moreover Khushi has far more 'You go girl!' moments than the show ever afforded her. Saima, an avid IPKKND fan fiction writer, explains that fan fiction aimed to correct the show’s victimisation of the female protagonist. 'Khushi was treated so badly by everyone including her family when she and Arnav eloped. Fans waited patiently for everyone to ask for her forgiveness but the show started up an envy angle that again positioned Khushi as a victim.'"
    • Moultrie News discussed the growth of a national soccer fan club in the U.S. "The American Outlaws are a nationwide brotherhood of super fans that support the United States National Soccer teams with a feverish passion...There are 144 official chapters nationwide with more than 50 new chapters added since September. When members travel into new cities from out of town, their welcomed into the town’s Outlaw chapter like members of an extended family." They are also at the World Cup. "Look closely in the U.S. fan sections at the games in Brazil and you’ll see the Holy City Outlaws scarfs waiving through the air. The Outlaws back home applaud their brothers in the stands the same way they cheer for their boys on the field."

    What special fandom moments are part of your journey? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Shining a Light

    By Claudia Rebaza on miércoles, 2 July 2014 - 4:03de la tarde
    Message type:

    Banner by James of a foggy view of trees

    • OTW Fan Video & Multimedia Committee Chair Tisha Turk gave an interview on "the past, present and potential future of vidding and remix culture, and the murky status of fair use – at least when it comes to monetized remixes on YouTube" as well as her own start as a vidder. Discussing copyright claims on fanwork, she said "One possible analogy would be, if I were making a quilt out of various bolts of fabric I purchased, and I cut these pieces, and I piece them together, and add the backing, and I make this lovely quilt, and the people who made the fabrics show up and say: 'I want a cut.' Or: 'You can’t have the profit, I made the fabric, so hand it over.’"
    • The Fandom Post discussed activism around female characters in Star Wars fandom. "Were we wrong to point out our concerns about the first cast photos? Wrong to express dissatisfaction over the lack of Leia in the first wave from the Disney Store? Wrong to share our disappointment that the Star Wars Rebels announcements included the women last and their action figures won’t happen until the second wave? Perhaps if only one of those things had happened, downplaying the outbreak of concern would make sense. It’s never just one thing, though...Staying silent and hoping for the best isn’t the way to create or support change. We need to speak up each and every time."
    • A post at Teleread expressed concern at how site changes can affect writer and reader interaction. "Nobody should have to deal with that kind of abuse, thick skin or not. And it’s sad that it seems to be coming more and more common. It’s in the same vein as the writer who received rape threats for criticizing a comic book cover. How obnoxious our culture has become. We’ve seen time and again that some people use anonymity as a license to be as nasty as they possibly can. It would be great if Fanfiction.net could restore the ability for authors to block anonymous reviews altogether if they wanted. At the very least, the default for reviews after 36 hours should be rejection, not acceptance."
    • A New York Times interview with showrunner Damon Lindelof explored the long-term effects of fan reaction. "Initially, for Lindelof, this kind of fame was very attractive — he interacted eagerly with the fan base of 'Lost,' stoking their expectations and ruminations about the show’s labyrinthine plot...'The longer you tell a story, the larger the stakes have to be,' he says. 'It’s no longer satisfying to say: Are these people who crashed in this plane going to make it out O.K.? Are they going to fall in love? Are they going to live? Are they going to die? It’s like no, are they going to save the world?' In the end, they did save the world, but the way they did it left some faithful viewers unhappy. Cuse has made his peace with this; Lindelof still hasn’t."

    What aspects of fandom do you want to shine a light on? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Uncomfortable Topics

    By Claudia Rebaza on domingo, 15 June 2014 - 3:57de la tarde
    Message type:

    • At Buzzfeed, Alison Vingiano wrote about the history of trigger warnings. "By the early 2000s, the term had found its way to LiveJournal, where it was used on fan fiction. Gaby Dunn, a writer and early adopter of Tumblr and LiveJournal, said when she was using LiveJournal around 2001, fan fiction communities warned one another of explicit content but seldom used the phrase that has been adopted today. 'When we’d write fan fiction on LiveJournal, we might say, ‘This includes a rape storyline,’ or something, but that phrase [‘trigger warning’] was never used.'"
    • Australia's Star Observer wrote about the Queermance festival "Despite the demographic of those attending, [organizer] Lang stressed Queermance was a queer festival, and most of the authors and industry professionals speaking on panels and delivering workshops came from the queer community. The strange dynamic this created, where queer industry professionals were addressing a mostly-straight audience, was a topic of conversation for festival attendees." Speaking about the ethics of this difference, he argued "'truthfulness' [was] more important when it came to representations of marginalised groups...'I know some of them do feel it’s escapism and why can’t we write the fluffy, romantic stories where men are in touch with their feelings and all that… Can you idealise men? Yes. Can you idealise men to the point where it’s no longer realistic and attainable, and is that desirable? I don’t know.'”
    • A post at Gender Focus by Amy Imhoff discussed Gender, Power and Violence in Fandom. "[W]e wonder why some male geeks want women to be pliable creatures, affirming their life choices by agreeing with them at all times or existing for their visual, sexualized pleasure. If you dare to defy these stereotypes, you are automatically a total bitch who can’t take a joke, needs to lighten up, shouldn’t be upset because any male attention is good attention, or are being dramatic. Even Felicia Day mentioned in her blog post that as a result of her championing the #YesAllWomen hashtag, she knows she’ll get numerous unfollows and trolls bloating the comments by insisting that feminism = hating men."
    • A post at Smart Bitches, Trashy Books also touched on#YesAllWomen and fan conventions. "It took me me a while to see how BayCon, Smart Bitches, and other places, real and virtual, where we share our passions and our stories, intersect with #yesallwomen. They are, in essence, the same thing - flawed, messy spaces in which people struggle to find community, hope, and liberation. They are places in which we gather for support. They are places in which we gather to have our stories heard, and they are places where we struggle to understand our history and create a vision of the future."

    What fandom debates have you heard about? Create some entries for them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fannish Histories

    By Kiri Van Santen on miércoles, 4 June 2014 - 5:49de la tarde
    Message type:

    fannish histories

    • The New York Daily News was one of several media outlets reviewing a book about Bob Dylan fans. "These anecdotes are juicy enough and artfully told, but they don’t get at the heart of what makes Dylan fandom different from other kinds of fandom. The Beatles, the Ramones, Neil Young and Madonna, just to name a few, have all inspired similar obsessions. Hyperactive tape trading, for one, certainly isn’t unique to Dylan fans. Just ask any Deadhead. It’s only when Kinney turns to the Dylanologists that have devoted their lives to ferreting out the meanings behind Dylan’s music and art — rather than collecting his grandmother’s candy bowls — does he get at what makes Dylan so singularly attractive, and infuriating."
    • While quite a few sites highlight fan art, Hypable's look focused on the fan as well as the work. "I don’t think there was ever a time in my life when I didn’t spend all day watching TV. It started with Cartoon Network and as I grew up it moved on to sitcoms, crime shows, medical shows, sci-fi… I always loved making manips, I started when I was about 10 years old. I didn’t have photoshop back then so I used Paint to crop pictures and it could take a few days to crop one. Then my uncle gave me a CD with Photoshop and made my life 100 times easier and my manips 100 times better."
    • K-Drama Stars also did a fannish profile of a Nigerian fan whose homesickness was eased by fandom. "Oky thinks that American television has a lot to learn from k-dramas in terms of the way they portray romance. Less can be more when it comes to creating dramatic romantic tension. 'They can express it more PG,' she said...Watching the dramas made her more curious about Asian culture, which she knew little about when she first moved to America. Now, she is learning the Korean language and has plans to visit South Korea next year."
    • Club Jade looked at the history of women in Star Wars fandom. "I have been very lucky in that I did most of my fandom growing up in spaces that were heavily female, from the early ship-war days to Club Jade to the fanfic community. That’s not to say jerks don’t happen in such spaces – the Star Ladies invented Attack Pattern Clinique back in the days of AOL chat rooms for a reason – but for the most part I ‘grew up’ in fandom areas where women and their contributions were unquestioned, where the idea that Star Wars needs more women was simply a given."

    What's your fannish history been? Write about what you've seen on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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