Studies

  • Events Calendar for July 2014

    Angela Nichols tiistaina, 1 heinäkuuta 2014 - 5:30pm
    Viestilaji:

    Banner by caitie of curtains opening to show a stage with the words OTW Events Calendar

    Welcome to our Events Calendar roundup for the month of July! The Events Calendar can be found on the OTW website and is open to submissions by anyone with news of an event. These can be viewed by event-type, such as Academic Events, Fan Gatherings, Legal Events, OTW Events, or Technology Events taking place around the world.

    • The Almost Human fandom believes that Fox's decision to cancel Almost Human was disappointing, but they want to send the boys out in a blaze of creativity! The Almost Husbands Fic Challange is a mini Jorian fic and art challenge, with open posting throughout July. Slash and close friendship pieces welcome.

      More about Almost Human on Fanlore

    • Westercon is the "West Coast Science Fantasy Conference" held annually in the western part of the United States. Westercon 67 will take place in Sacramento, California from 3-6 July 2014. In addition to workshops and panels, the program features special guests, a masquerade and costume ball, an art show, musical events, and a writers workshop.

      More about Westercon on Fanlore

    • Readercon is an annual conference or convention devoted to "imaginative literature" — literary science fiction, fantasy, horror, and the unclassifiable works often called "slipstream." Readercon features over 150 writers, editors, publishers, and critics, attracting prominent figures from across the U.S., and international. They are joined by some 600 of their most passionate and articulate readers for a long weekend of intense conversation. Readercon 25 is 10-13 July 2014 in Burlington, Massachusetts.

      More about Readercon on Fanlore

    • Wolf's Bane The UK's second Teen Wolf convention, will be in Birmingham 11-13 July. The weekend will be complete with Guest Talks, Photo and Autograph sessions, Evening Entertainment and lots of fun! Guests include Holland Roden, JR Bourne, Daniel Sharman, Adam Fristoe, Seth Gilliam, Charlie Carver, and Max Carver.

      More about Teen Wolf on Fanlore

    • DashCon is an event on where Tumblr fans can gather and meet. Tumblr is a community so full of love, support, and creativity, and DashCon will be a place where they collaborate and connect outside of their laptops in Chicago 11-13 July 2014.

      More about Tumblr on Fanlore

    • System Administrator Appreciation Day is held to show appreciation for the work of systems administrators and other IT workers. It is celebrated on the last Friday in July. The first System Administrator Appreciation Day was celebrated on 28 July 2000. There are many suggestions for the proper observation of the holiday, the most common being cake and ice cream, so if you're reading this, thank your SysAdmins!
    • Comic Con International returns to San Diego, California for its 45th year. This mult-media, multi-genre, multi-fandom convention features panels involving celebrities, entertainers, and creators from a diverse range of entertainment. Special events, autograph signings, an exhibition hall, and screenings of films and television episodes occur throughout the 4-day event. San Diego Comic-Con will run from 24-27 July.

      More about Comic Con International on Fanlore

    Calls for Papers this month come from:

    • “Manga Futures: Institutional and Fannish Approaches in Japan and Beyond” Manga Studies is now emerging as an important field of scholarship and criticism within Japanese Studies and Cultural Studies. Today’s students are not simply consumers of manga. They live in a convergent media environment where they occupy multiple roles as fans, students and “produsers” (producers + users) of Japanese cultural content. Many students are engaged in “scanlation” and “fansubbing” sites as well as the production and dissemination of dōjin (fan-produced) work. These practices contribute to manga’s global appeal, influence and ease of access, but also raise ethical and legal issues, not least infringement of copyright.

      Invited proposals include, but are not limited to, the following themes: Fan appropriations of and contributions to manga culture in Japan and beyond, Ethical and legal challenges in the production and consumption of manga, Institutional support for or criticism of manga culture, The use of manga in Japan studies and Japan language pedagogy, The future of “manga studies” – theory and methods.
      Due date for proposals: 13 July 2014

    Help out a researcher!

    This month we have received a request for research participation from Barbara Galiza, a masters student of Digital Culture & Society at King's College London. She is writing a thesis on the evolution of digital platforms used for fandom and is looking for participants to answer a survey. Her study was approved by the college's Research Ethics Office.

    If you have any questions about her research, she may be contacted at barbara.galiza [at] kcl.ac.uk. Her supervisor is Btihaj Ajana who may be reached at btihaj.ajana [at] kcl.ac.uk and by telephone at +44 (0)20 7848 1011, or by mail at:

    King's College London
    Room 222, 26-29 Drury Lane
    London WC2B 5RL

    The research results will be presented at the Digital Research in Humanities and Arts conference in September and her completed dissertation will be published online and shared with the OTW.

    If you have requests for research participation, please view our policy for inclusion at our website.


    The OTW encourages anyone to submit an event that's not already listed, and to check out the calendar throughout the year!

  • OTW Fannews: Fanfiction in the lexicon

    Claudia Rebaza sunnuntaina, 8 kesäkuuta 2014 - 4:43pm
    Viestilaji:

    Banner by James of a quill pen resting on a sheet of paper with writing on it

    • Gamescene hosted a paper on Fanfiction as Critical Play. "By allowing the larger fan community to access and interact with the fanfiction, the piece contributes to the larger agency of the fans over the source universe. This allows for more fans to participate in the remolding of a fiction that they did not create, examining societal, cultural, political, and personal themes through both the inherently subversive act of writing fanfiction, and through the content and themes contained within the individual fanfiction. The fanfiction writer employs concepts such as unplaying, reskinning, and rewriting in order to acknowledge and further explore the subversive elements of their version of the source. This makes fanfiction a form of critical play."
    • The Asian Age discussed Bollywood fanfiction. “'The joy lies in weaving new narratives with the characters you love,' says Aayat Malik, a DU student and Fanfiction writer whose present work-in-progress brings Harry Potter’s Patil twins to Mumbai after completing their magical education at Hogwarts, also incorporating characters from the recent Hindi movie, Hasee Toh Phasee...She goes on to point out how visiting many popular Indian entertainment websites brings to notice that the largest volume in terms of the sheer number and length of Fanfiction writings exists in the realm of Indian television."
    • Gizmodo explained design fanfiction. "There's actually an existing analog for this trend: Fanfiction. The comparison isn't as far flung as it seems. It's just where fanfic writers turn their own creativity upon existing characters and plot lines from their favorite books or TV shows, designers turn to their favorite Brands. Spec episodes of My Little Pony and ludicrous concepts for the next iPhone have a lot in common."
    • Various media outlets took note of the fannish terms, such as fangirl, being added to the dictionary by Merriam-Webster. The Times of India devoted some time to explaining 'shipping'. "Usually, fans will give a couple their own moniker, often a portmanteau of their names. X-Files fans liked to use Sculder or MSR (quite simply Mulder-Scully Romance). Any kind of relationship can be acknowledged. From the obvious 'will they, won't they' couples to inter-species intimacy, one rule of the shipping community is that if at least one person wants to see a certain pairing, then it's a legitimate ship. Nor is it limited to modern-day culture; you'll find sites dedicated to shipping the heroes and heroines of classic literature, such as Jo and Laurie in Little Women."

    What fanfiction terms have you learned about? Create some entries for them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • TWC's Top 10

    Claudia Rebaza torstaina, 8 toukokuuta 2014 - 5:00pm
    Viestilaji:

    Partial view of the TWC word cloud

    One of the OTW's projects is Transformative Works and Cultures (TWC), an open-access academic journal dedicated to fandom and fandom studies.

    But don't think that just because it's a peer-reviewed, scholarly quarterly with a bibliographic listing in the MLA bibliography of journals that the contents of TWC aren't for fans like you to enjoy!  Check out this sampling, ranked by number of DOI resolutions:

    1) "Why we should talk about commodifying fan work", by Nele Noppe. How would legalizing fanwork influence the question: should fan work be free?

    2) "Book Review: Boys' love manga: Essays on the sexual ambiguity and cross-cultural fandom of the genre"by Nele Noppe. "The focus of the book remains squarely on the fans of boys' love manga, which makes it relevant to anyone interested in fan studies."

    3) "Women, "Star Trek," and the early development of fannish vidding", by Francesca Coppa. This paper discusses how early female Star Trek fans structured the practices and aesthetics of vidding, in order to heal the wounds created by the displacement and fragmentation of women on television.

    4) "'The epic love story of Sam and Dean': 'Supernatural,' queer readings, and the romance of incestuous fan fiction," by Catherine Tosenberger. Tosenberger examines the literary, cultural, and folkloric discourses of incest and queerness as invoked by the show in order to argue that "Wincest" fan fiction is best understood not as a perverse, oppositional reading of a manly dudebro show, but as an expression of readings that are suggested and supported by the text itself.

    5) "Endless loop: A brief history of chiptunes", by Kevin Driscoll and Joshua Diaz. Driscoll and Diaz explore the confusion surrounding what chiptunes is, and how the production and performance of music connected to 80's electronic video game soundtracks "tells an alternate narrative about the hardware, software, and social practices of personal computing in the 1980s and 1990s."

    6) "Stranger than fiction: Fan identity in cosplay", by Nicolle Lamerichs. Lamerichs argues that "costuming is a form of fan appropriation that transforms, performs, and actualizes an existing story in close connection to the fan's own identity," and that "cosplay motivates fans to closely interpret existing texts, perform them, and extend them with their own narratives and ideas."

    7) "Repackaging fan culture", by Suzanne Scott. Scott argues that "the strategic definition of fandom as a gift economy serves as a defensive front to impede encroaching industrial factions" like FanLib and Kindle Worlds, and examines "the Seinfeldian roots" of the social taboo of "regifting," relative to fan culture.

    8) "Thirty political video mashups made between World War II and 2005", by Jonathan McIntosh. The creator of the famed Buffy vs. Edward remix vid explores subversive pre-YouTube remixes.

    9) "Book review: Spreadable media: Creating value and meaning in a networked culture, by Henry Jenkins, Sam Ford, and Joshua Green", by Melissa A. Click. "Readers with stakes in the tug-of-war between fans and industry will likely enjoy, and be invigorated by, the authors' arguments about spreadability."

    10) "The Web planet: How the changing Internet divided "Doctor Who" fan fiction writers", by Leora Hadas. Hadas explores how evolving participatory culture clashed with traditional fandom modes and came to a head over one Whovian fanfic archive, using the conflict there to argue that "the cultural logics of fandom and of participatory culture might be more separate than they initially appear."

    And if you want to move beyond the Top 10 articles on TWC, here's a word cloud of the most frequently used words taken from the titles of every article that TWC has published in its 6-year history.

    Would you like to help us generate even more words? Head over to Fanhackers to see how you can celebrate acafandom, meta, and more with us—or check out the TWC Submissions Guidelines for submitting your research or essay to the journal!

  • Events Calendar Post for April 2014

    Angela Nichols tiistaina, 1 huhtikuuta 2014 - 10:59pm
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    Welcome to our Events Calendar roundup for the month of April! The Events Calendar can be found on the OTW website and is open to submissions by anyone with news of an event. These can be viewed by event-type, such as Academic Events, Fan Gatherings, Legal Events, OTW Events, or Technology Events taking place around the world.

    • This month, bring us fannish April showers by digging out those old zines, memories of past cons, archived personal webpages, tales of shipwars and fannish events, works on slowly-decaying archives, and more! Upload your old works to the AO3 and tell your tales on Fanlore.

      More about April Showers on Fanlore

    • 2014 Supanova Conventions are kicking off this April in Gold Coast April 4-6 and Melbourne April 11-13.

      Comic-con, Australian style! Supernova is where the adoring public comes face to face with Supa-Star celebrities and the creative talent that inspire their imaginary worlds under one big roof. The event includes comic books, animation, science-fiction, TV/movies, toys, gaming, fantasy, technology, books, internet sites and fan-clubs, the result is an amazing atmosphere tailor made for expressing your inner geek and where getting into cosplay is an obvious thing to do. Notable Guests at both events include Peter Mayhew, Lucy Lawless, Gethin Anthony, and many more!

      More about Supanova on Fanlore

    • International Quidditch Association World Cup VII the IQA’s championship tournament is an international event featuring the best 80 teams in the sport, held annually since 2007.Quidditch is a co-ed contact sport with a unique mix of elements from rugby, basketball, and dodgeball. A quidditch team is made up of seven athletes who play with brooms between their legs at all times. World Cup VII will be held on April 5-6, 2014, at the brand-new North Myrtle Beach Park and Sports Complex in North Myrtle Beach, SC.
    • Conglomeration 2014 is Louisville, Kentucky's own fan-run multimedia science fiction and fantasy convention and has been held off and on since 2001. This year the convention will take place April 11-13 2014. It includes an Art Show, Game Room, Dealer's Room, Masquerade and more and features various science fiction and fantasy authors and artists as guests of honor.
    • Keen to add your fannish memories to Fanlore but not sure where to start? Need your hand held as you make your first wiki edits? Or keen to share your skillz as an experienced Fanlore editor? On Saturday, 19 April, beginning at 20:00 UTC come to the Fanlore chatroom for The April Showers editing party on Fanlore. You'll be able to get help making your first forays into editing Fanlore, toss around ideas for new pages, and ask questions. Everyone is welcome!
    • OTW's Open Doors committee will be holding two public chats on the import of the Yuletide archives to the AO3. The first will be held on April 26, at 4pm UTC.

      More about Yuletide on Fanlore

    A Call for Papers this month comes from Anime and Manga Studies Symposium. Papers are welcome on all aspects of Japanese popular culture and the worldwide anime/manga fandom's activities and practices. Participants in the Symposium will be able to meet leading scholars at the Anime Expo convention in Los Angeles, CA, on July 3-6, contribute to the developing "anime and manga studies" community, present their work to an interested and appreciative audience, and interact directly with anime fans from around the world. Presentations on transformative works and cultures have always been welcome at the Symposium. Submit abstracts by May 1, 2014.

    This month we have also received a request for research participation from Dr Emerald King of the School of Languages and Cultures, Victoria University of Wellington, New Zealand.

    The research results will be presented at the “Women and their Comics” symposium to be held at the Comix Home Base, Hong Kong in March 2014. Eventually the findings of the study will be used as the basis for a book project looking at costume in anime, manga and JRPGS.

    This study has been approved by the Victoria University of Wellington Human Ethics Committee and a consent form is available at the start of the survey, which can be accessed at the SurveyMonkey website.

    If you have any questions you may contact Emerald at +64 4 463 5293 during office hours: 9.00 am-4.30 pm (NZDT) Monday to Friday, or directly on +64 463 6467 during office hours: 10.00 am-6.00 pm (NZDT) Monday, Wednesday, Friday or via email: emerald.king [at] vuw.ac.nz

    If you have requests for research participation, please view our policy for inclusion at our website.


    The OTW encourages anyone to submit an event that's not already listed, and to check out the calendar throughout the year!

  • OTW Fannews: Doing the research

    Claudia Rebaza sunnuntaina, 30 maaliskuuta 2014 - 7:55pm
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    • Geek Anthropologist posted a video of Charlotte Fillmore-Handlon, a PhD Student at Concordia University, Montreal, presenting her paper on Fan Fiction, Fan Autoethnography, and Everyday Life. "I define fan fiction more broadly to include stories written both in and outside of fandom communities. In order to illustrate my argument, I will employ an autoethnographic approach, recalling my own experiences writing fan fiction as a young pre-teen. In light of the recent trend of positioning oneselves as an aca/fan (Academic/Fan) in fandom studies, I differentiate between fan fiction and fan autoethnography."
    • Video game scholar Victoria Hungerford wrote about The SwanQueen Fanfiction Community’s Non-Philosophy. "This paper hopes to explore what SwanQueen fans are doing and how fanfiction acts as a philosophy in itself, as a way to understand and interpret media production, representation, creative economies, culture, communication and existence. The SwanQueen community is a generative community that subverts dominant ideology while at the same time clinging on to some traditional notions of relationships as 'end game'...Fanfiction embodies fandom as a fundamental aspect of every day life and is political. The SwanQueen community is a non-philosophy community that tries to understand their relationship to one another, as well as their relationship to the greater OUT fandom, and the larger Geek, Nerd, Dork (GND) communities of the Internet."
    • Columnist Stephen Downes of Ireland's TheJournal.ie could have used some academic research when discussing why fanfic is making people nervous. From claiming that "FanFic is split evenly between the genders, with just as many girls as boys engaging in writing...although popular topics are largely split between sci-fi-fantasy (boys) and erotic-paranormal-fantasy (girls)" to saying that "it will be an interesting journey to see where we end up when the author of a story featuring Captain Kirk has never seen Star Trek", it is perhaps unsurprising that his conclusion is "FanFic’s impact on young people, in particular, is slowly rotating from the positive to the negative, as young readers stop reading, watching and learning from mainstream mediums and begin to solely enjoy and mimic FanFic."
    • Women Write About Comics wrote about some statistics on female comic fans. "Graphic Policy has been updating data, accessible via Facebook, for the past several months using data visualization with graphs and charts as part of their Facebook Fandom Spotlight series...This month’s post showed that women comics readers hit approximately 47% of all self-identified Facebook comics fans, which puts a very different spin female comics fans on the well-known 2012 survey completed after DC’s new 52 reboot saying that of the respondents saying that 93 percent of the respondents were male."

    What fandom research has grabbed you? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Transformative Works and Cultures releases No. 15

    Claudia Rebaza lauantaina, 15 maaliskuuta 2014 - 7:30pm
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    Banner by Diane with the outlines of a man and woman speaking with word bubbles, one of which has the OTW logo and the other which says 'OTW Announcement'

    Planning to see the new Veronica Mars movie? You may also want to check out the new issue of Transformative Works and Cultures (TWC)!

    TWC has released No. 15, Fandom and/as Labor, guest edited by Mel Stanfill and Megan Condis, both of the University of Illinois, Urbana-Champaign. The issue's seven articles, two Symposium pieces, roundtable, and three book reviews all relate to topics such as fan labor, gift culture, community, and work. A variety of fandoms get a turn in the spotlight.

    In a roundtable, scholars and an industry insider, Bertha Chin, Bethan Jones, Myles McNutt, and Luke Pebler, discuss the Veronica Mars Kickstarter campaign and its relationship to fans. TWC’s Symposium section features shorter, often personal essays that address particularly fannish connections. In the two essays that comprise this section, Tisha Turk argues that fandom’s gift economy should be understood as involving a wide variety of gifts, a complex system of reciprocation, and the use of gifts as a sign of their reception; and Joly MacFie remembers his time creating badges and zines during the punk era in the UK.

    Several peer-reviewed essays discuss specific media properties in relationship to fans and labor.

    • Bethan Jones discusses Fifty Shades of Grey, noting that pulling a piece of fan fiction off the Internet to publish it professionally means that the fan labor performed as the text was created and disseminated remains unacknowledged.
    • Christina Savage analyzes the TV show Chuck’s “save our show” campaign, placing it in the context of other such campaigns to show how fan labor is used strategically, in this case by ensuring the visibility of their campaign by engaging with sponsors and using hash tags.
    • Rose Helens-Hart, in an analysis of Tosh.0, analyzes how the show’s Web site encourages fans to use personal networks to spread the brand.
    • Matthias Stork analyzes the Glee fan-insider divide as fans were recruited to do work and promised access, only to later have this denied by the producers.
    • Bertha Chin’s analysis also deals with Web sites, fan-created ones; she analyzes Sherlockology and Galactica.tv in terms of gifting versus exploitation.
    • Giacomo Poderi and David James Hakken analyze modding a video game, using online posts made by users to illustrate how fan labor works.
    • Robert Moses Peaslee, Jessica El-Khoury, and Ashley Liles move out of the realm of the virtual and into the physical, as they analyze the motivations and work of fan volunteers at media festivals.

    Three reviews appear in this issue. Stephanie Anne Brown reviews Digital Labor: The Internet as Playground and Factory, edited by Trebor Scholz (Routledge, 2013); Simone D. Becque reviews Cognitive Capitalism, Education, and Digital Labor, edited by Michael A. Peters and Ergin Bulut (Peter Lang, 2011); and Anne Kustritz reviews Gaga Feminism: Sex, Gender, and the End of Normal, by J. Jack Halberstam (Beacon, 2012).

    The next issue of TWC, No. 16, will appear in June 2014. Bob Rehak will present a guest-edited issue on the topic of Materiality and Object-Oriented Fandom. TWC No. 17 (September 2014) will be an open, unthemed issue. Although it is too late to submit to that particular issue, we always welcome general submissions; in addition, two other special issues (European Fans and European Fan Objects and The Classical Canon and/as Transformational Work) are in the works and are still open for submissions. We particularly encourage fans to submit Symposium essays. Read the submission guidelines for details!

  • OTW Fannews: Corporate assembly fandom

    Claudia Rebaza keskiviikkona, 12 maaliskuuta 2014 - 7:19pm
    Viestilaji:

    Banner by Diane of a conveyor belt rolling the post title forward

    • Frontline featured a number of fandoms in its documentary Generation Like. "From the agency that’s leveraging the Twitter followers of celebrities like Ian Somerhalder (The Vampire Diaries) to make lucrative product endorsement deals, to the 'grassroots' social media campaign behind the Hollywood blockbuster The Hunger Games: Catching Fire, "Generation Like" explores how companies are increasingly enlisting kids as willing foot soldiers in their marketing machines."
    • A "Social Media Week" event featured a panel on “Fueling Social Fandom”. "'You think about fandom not as a one night stand everytime your show is on…it’s a long time relationship,' Fishman said, adding the most important thing for TV executives to do mirrors a relationship: listening."
    • Sugarscape is one of many sites featuring a fanfiction contest but this one is done piecemeal. "The idea is that every day when the story is updates, you'll have the chance to add the next paragraph all over again and by Sunday 23rd February, we'll have the full fan fiction. So even if yours doesn't get picked the first day, keep entering every time the story updates and you could see your writing up on the site!"
    • Kotaku used votes instead to create a 'Fan Built Bot' for Transformers. "Windblade is a rare female Transformer...Some people are vexxed by the idea of female Transformers...we do get an episode where most of the old-timey female robots are destroyed for being female, which doesn't seem nice. In the IDW Comics continuity, Arcee is the result of a failed experiment to introduce gender to Transformers. That doesn't seem nice either."
    • While some fan activities in the news seem more about recreation or transforming the format of a work, the question for many these days may be whether they're part of a corporate marketing effort and to what end.

    What ways of creating fandoms or fanworks have you come across? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Events Calendar for March 2014

    Angela Nichols lauantaina, 1 maaliskuuta 2014 - 10:58pm
    Viestilaji:


    Welcome to our Events Calendar roundup for the month of March! The Events Calendar can be found on the OTW website

    • To celebrate the OTW's Milestone Month we are hosting four events featuring a discussion on "The Future of Fanworks" with a variety of special guests.
    • March 8: Live chat with fan studies scholars on "The future of fanworks" from 1600-1800 UTC
    • March 15: Live chat with fans on "The future of fanworks" from 0200 - 0400 UTC
    • March 21-24: Q&A posts with copyright practitioners and scholars on "The future of fan works."
    • March 29: Live chat with entertainment industry representatives on "The future of fan works". Start time TBD
    • Check out more details here!

    We have four calls for papers coming up in the next month!

    • At Joss Whedon: A Celebration DePaul University's Media and Cinema Studies program will honor of the work of Joss Whedon featuring a roundtable discussions from scholars and fans of Whedon, speaking about his cultural impact, as well as analyzing aspects of his television shows and films. If you’re interested in speaking on a round table on Saturday, May 03, in Chicago please send a 200 word abstract by Mar 15.

      Read more about Joss Whedon on Fanlore

    • Subverting Fashion: Style Cultures, Fan Culture & the Fashion Industry aims to explore appropriations of fashion and style as creativity, self-expression, collective identity and rebelliousness in media and culture, as well as questioning these approaches both within and outside the fashion industry. 250-word proposals for 20-minute papers are needed on topics related to alternative fashion, style and performative identity in popular culture and the media. Papers from all disciplines and areas of research are invited. Abstract deadline: 20th March, 2014.
    • A Fantastic Legacy: Diana Wynne Jones Memorial Conference will celebrate the life, and contributions to children’s literature, fantasy and science fiction of a ground-breaking writer of British children’s fantasy. They are currently seeking papers on any aspect of Diana’s life and work. Participants are invited to submit 100-250 word abstracts for 20 minute papers by 28 March 2014

      Read more about Diana Wynne Jones on Fanlore

    • New Perspectives on Cinematic Spectatorship, Digital Culture & Space The journal Networking Knowledge is publishing a special issue on the ‘cinematic dispositif’ in light of the transformative effects of digital culture. Articles by postgraduate and early career researchers, which are 5,000 to 6,000 words long are welcome. Please send abstracts of up to 300 words along with a 50-word biography by April 1st 2014

    • The Events Calendar is here to inform and connect fans about upcoming fan events both face to face and online! We are always open to submissions by anyone with news of an event. Events come in many categories such as Academic Events, Fan Gatherings, Legal Events, OTW Events, Announcements of fanwork fests and challenges, or Technology Events taking place around the world and online. New ideas and categories are encouraged! If you know about any upcoming fan events please let us know!

  • OTW Fannews: Restricting fandom

    Claudia Rebaza torstaina, 27 helmikuuta 2014 - 8:06pm
    Viestilaji:

    Banner by dogtagsandsmut with a gavel resting across an open book with a pair of handcuffs nearby

    • OTW legal staffer Casey Fiesler has written a paper on “Remixers’ Understandings of Fair Use Online" which found that fans' understanding of fair use is often incorrect. “What the community typically believes and does can actually affect what is judged legal,” says Amy Bruckman, professor in the School of Interactive Computing at Georgia Tech and researcher on the study. “So it’s in their interests to have cohesion to craft codes of best practice.”
    • The Australian government has released a report on Copyright and the Digital Economy that supports the development of fair use, and specifically mentions fan fiction as a reason to adopt it. "Fair use in relation to quotation may provide more room for some artistic practices, including the sampling, mashup and remixing of copyright material in musical compositions, new films, art works and fan fiction. More broadly, some artistic practices based on appropriation, including collage, where images or objects are ‘borrowed’ and re-contextualised might be covered by fair use." (p.212)
    • When commercial entities get sold, or decide that a particular project isn't sufficiently profitable, fans can lose both the product and the work they put into it when it's shut down. "An enormous fan outcry began as the remaining [YoVille]players were the most dedicated the game had, and they didn’t want to lose everything they’d invested in their virtual lives. They threatened Zynga boycotts and made heartfelt YouTube videos pleading their case. Their response got the attention of the original creators of the game, Big Viking, and now there’s a new push to buy back the title from Zynga, rather than having it be killed outright."
    • Another problem is when businesses fight to restrict new technology that can help consumers influence those decisions. "Studios and broadcasters argued then that [recording] technology would end civilization as we know it. Instead, it opened up a universe of new opportunities. Just last week, my colleague Ryan Faughnder reported that the Fox comedy Enlisted may be saved from low-ratings death by a surprising surge in DVR and on-demand viewing."

    What legal and business stories have you come across that involve fandom? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Produces Fan Fiction Studies Reader

    Claudia Rebaza tiistaina, 25 helmikuuta 2014 - 9:39pm
    Viestilaji:

    Banner by Diane with the outlines of a man and woman speaking with word bubbles, one of which has the OTW logo and the other which says 'OTW Announcement'

    The OTW is proud to announce the release of The Fan Fiction Studies Reader. The brainchild of Transformative Works and Cultures editors Karen Hellekson and Kristina Busse, the reader is a reprint collection of many key works in the field of fan studies. The Reader is intended for classroom use, but it will also be of interest to people in the field of fan studies.

    All royalties for The Fan Fiction Studies Reader will go to the OTW. The OTW supported the project by paying fees for the essays' reprint rights. (In the case of many such anthologies, these payments are provided by the academic institutions that employ the editors.) Karen and Kristina have written a general introduction as well as brief overviews for each of the book's four sections. Because of their interest in open access publishing, Karen and Kristina have placed their introduction and the headnotes in the public domain, effective in 10 years' time.

    The essays, which are organized into four thematic sections, address fan-created works as literary artifacts; the relationship between fandom, identity, and feminism; fandom and affect; and the role of creativity and performance in fan activities. Fan works, considered as literary artifacts, pose important questions about the nature of authorship, the meaning of originality, and modes of transmission.

    The Fan Fiction Studies Reader is part of the University of Iowa's newly launched fan studies line. Their university libraries' special collections department also works with the OTW's Fan Culture Preservation Project, which preserves fanzines and other nondigital forms of fan culture.

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