The Organization for Transformative Works (OTW) is a nonprofit organization run by and for fans to provide access to and preserve the history of fanworks and fan cultures.
Business Models, Entertainment Industries, Fandoms, Intellectual Property, Remix, Television, News of Note
OTW's ally organization, Public Knowledge, is sponsoring a contest for remixers. In an effort to highlight the problem of consolidation in the U.S. cable industry, they are asking remixers to "[t]ake one or more of the recent highly publicized customer service calls with Comcast (or go to town with one of your own experiences) and let your imagination go to work. We want to see remixes, mashups, autotunes, interpretive dances -- whatever you think of to broadcast these real customer service calls with Comcast." If you win, "Public Knowledge will pay your last Comcast bill, up to $200, and spread the word about your creation." Visit their post for more details.
Strategic Planning, Spotlight
Greetings from the Strategic Planning committee!
The Strategic Planning committee is beginning to move into a new and exciting phase of our process. As we gear up to attend the Board retreat in early October, we are concentrating on finishing off our information-gathering process so that we can bring as much data to the Board as possible. To that end, we have been busily finishing up our interviews and surveys of the remaining OTW committees and workgroups. We’re also taking the month of September to touch base with committees we surveyed more than six months ago. Being prepared for the Board retreat is our main priority at the moment, but we are also continuing to work on reports and hope to have fresh reports for OTW supporters to read soon after the retreat!
Books, Fannish Endings, Gender and Sexuality, Television, News of Note
NPR profiled the legacy of Elvis fan, Paul MacLeod. His tribute to Elvis's home, dubbed Graceland 2, has become his town's biggest visitor draw. "In 1990, he opened his house to visitors to show off his enormous hoard of Elvis memorabilia. But it soon became clear that the real attraction was MacLeod. YouTube videos give an idea why: MacLeod guided visitors through his house like a deranged carnival barker. He never stopped talking...MacLeod's devotion to 'the king' drove away his second wife and alienated his son. But it also transformed him from mere fan into what Elvis scholar Vernon Chadwick calls an outsider artist."