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OTW Fannews: The role of fandom

A post on fan site Fringenuity focusing on the life of a show after it ends contained a quote from actor Joshua Jackson. In it he placed the work of content creators as a sort of prequel to the later life it lives in its fandom community. "I think there will probably be a lot of fan fiction. Maybe there will be even some sort of filmed addendum to the show or televised or podcasts or however it manifests itself, but I feel like the afterlife of Fringe is the test case for how modern cult shows are going to live on after they go off the air.”

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OTW Fannews: Fannish expectations

Peter Guttierez wrote in School Library Journal that "[T]here’s probably no single better way to teach online citizenship to young people than through their participation in organized fandom." To him this involved a behavior checklist because "fans must take into account not just the short-term value of making a point or having the last word, but their long-term relationships with their fellow fans." Some of them include "Am I “adding value” through this interaction, either to an individual or to the wider community? Or am I making this online conversation almost entirely about myself?" and "Am I considerate of others’ privacy and safety?"

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OTW Fannews: Fandom investments

In The birth of a fanboy, writer Larry Sukernik talks about the rationalization people use for their investments in something, as the seed that shifts them from consumer to fan. "[Once] you buy your first iPhone...you’re invested in Apple. Apple’s success is now your success, Apple’s failure is your failure. But why?" The reason is the continuation of the fandom product, because its loss will negatively impact your investment in it. "Not only does that leave you with an abandoned phone, but it also means that you made the incorrect phone choice. You made a bad decision, and you were wrong. Nobody wants to be wrong."

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OTW Fannews: What makes a fandom?

  • In reviewing a book on Twilight fandom for Religion Bulletin, writer Kelly Baker discusses how all her female family members pondered the novels. "We read them, we talked about them, we criticized them, and we reread them. Despite the bad prose and melodramatic storyline, something about the books managed to appeal to all of us. What was it about the series that drew us in? What kept us reading? Why did we all hate Breaking Dawn? What vision of the world did we consume by embracing this fantasy? What did fandom suggest about us and the series?"
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OTW Fannews: Technology and Legal Matters

  • A piece in the New York Times examined how technology, and those creating it, are censoring the Internet. "The New Yorker found its Facebook page blocked for violating the site’s nudity and sex standards. Its offense: a cartoon of Adam and Eve in the Garden of Eden. Eve’s bared nipples failed Facebook’s decency test. That’s right — a venerable publication that still spells “re-elect” as “reëlect” is less puritan than a Californian start-up that wants to “make the world more open.”" The article cites numerous companies at fault, the most influential being Google. "Until recently, even the word “bisexual” wouldn’t autocomplete at Google." While some cases are a matter of cultural conflict, others show corporate influence. "How do you teach the idea of “fair use” to an algorithm?"
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