News of Note

  • Advies Duitse rechter versterkt groeiende kloof aansprakelijkheid van Amerikaanse en Europese web hosts

    By .Helka Lantto on Wednesday, 27 October 2010 - 6:17pm
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    Duitse rechters hebben aangegeven dat ze misschien video hosting bedrijven zoals YouTube zullen dwingen om proactief op zoek te gaan naar muziekvideo's die inbreuk maken op auteursrecht en deze te verwijderen, in plaats dat houders van auteursrechten en de rechtenorganisaties eerst een verzoek moeten indienen vóórdat video's worden verwijderd.

    Dit komt bovenop de veroordeling van drie YouTube executives in Italië afgelopen februari, waar de uitspraak van het Italiaanse gerecht een duidelijke implicatie inhield dat elke gehoste video vooraf gescreend zou moeten worden.

    Hoewel de Duitse auteursrechtenorganisatie GEMA eind augustus het kort geding verloren heeft, waarin ze vroegen om de toegang tot bepaalde video's te blokkeren, is dit een schrale troost voor Duitse web hosts. De uitspraak werd gedaan op de grond dat een kort geding niet toepasselijk was, omdat GEMA al lange tijd wist dat de video's beschikbaar waren op YouTube. De rechter in de zaak heeft GEMA uitgenodigd een uitspraak in een bodemprocedure te vragen, met daarbij de mededeling dat zo'n aanvraag kans van slagen heeft. De rechter verklaarde dat "er goede redenen zijn te menen dat YouTube inderdaad een plicht heeft illegale uploads op te sporen."

    GEMA heeft begin oktober aangegeven dat zij van plan zijn een bodemprocedure te starten.

    Volgens sommige juridische waarnemers is het advies van de Duitse rechter het laatste in een reeks voorbeelden van een groeiende kloof tussen de manier waarop vergelijkbare wetten worden geïnterpreteerd in Europa en de VS, waar YouTube en andere bedrijven worden gedekt door de "veilige haven"-bepalingen van de Digital Millennium Copyright Act (DMCA). Web hosts in Europa lijken een groter risico te lopen aansprakelijk te worden gesteld voor acties van gebruikers die plaatsvinden voordat ze een verzoek tot verwijdering ontvangen.

  • German court opinion reinforces growing gap between liability faced by US and European web hosts

    By .Helka Lantto on Wednesday, 27 October 2010 - 6:16pm
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    Written by Tanaqui

    German courts have indicated that they may force video hosting companies such as YouTube to proactively search out and delete music videos that infringe copyright, rather than requiring copyright holders and rights collection agencies to submit takedown notices before videos are removed.

    This comes on top of the conviction last February of three YouTube executives in Italy where the ruling of the Italian court included a clear implication that every hosted video should be pre-screened.

    Although German rights collection agency GEMA may have lost an application for an emergency order at the end of August 2010 asking for access to certain videos to be blocked, this is small comfort for German web hosts. The ruling was made only on the basis that an emergency order in itself was inappropriate, as GEMA had known for a long time that the videos were available on YouTube. The presiding judge in the case invited GEMA to ask for a ruling in regular proceedings, indicating their claim was likely to be successful in that event. He is reported as stating that "There are some good reasons to think that YouTube indeed has some duty to take care of detecting illegal uploads."

    GEMA indicated at the start of October 2010 that it does plan to file a new suit.

    According to some legal observers, the opinion of the German court appears to be the latest of several examples of an emerging gap between the way similar laws are being interpreted in Europe and the US, where YouTube and other companies are covered by the "safe harbor" provisions of the Digital Millenium Copyright Act (DMCA). Web hosts based in Europe appear to be at greater risk of being held liable for users' actions prior to receiving takedown notices.

  • 24/7 DIY 2010: Collective Action program posted online

    By .fcoppa on Wednesday, 13 October 2010 - 11:39pm
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    The 24/7 DIY Video Summit organized by USC's Institute for Multimedia Literacy has produced a new feature-length program of the latest in DIY video, including fanvids, amvs, prvs, machinima, lip dubs, literal videos, videoblogs, and YouTube videos. The show, 2010: Collective Action was shown at the Hammer Theatre in L.A. on October 5, 2010 and featured a keynote talk by Henry Jenkins. The video program is now online and parallel events are being scheduled at locations around the country.

    Vidding fandom is represented in the program by kiki_miserychic's "I'm on a boat," Obsessive24's "Piece of Me," and Hollywoodgrrl's "Art Bitch." A fuller program of vids, as well as of each of these other genres - amvs, prvs, etc. - will appear on Henry Jenkins' blog over the next few months. OTW Board member and Vidding Committee chair Francesca Coppa curated the vidding section; Tim Park curated the anime music videos; Jonathan McIntosh curated the political remixes.

    24/7 DIY 2010: Collective Action from IML @ USC on Vimeo.

  • RPF Goes Mainstream - Just In Time for U.S. Elections

    By .fcoppa on Friday, 8 October 2010 - 8:33pm
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    The Boston Phoenix is hosting a political slash challenge! In their article, Move over, Kirk/Spock: time for politislash, the paper asks for readers to submit art or stories featuring political slash pairings, and give as examples, "Is Obama turning to Biden for comfort in the aftermath of Rahm’s betrayal? Have Carly Fiorina and Maxine Waters shared a tender moment or two? Can you picture some proper Blair-on-Brown action? " (Of course we can.)

    Editor Sara Rosenbaum notes, "We've put out the above call to our readers here in Boston -- but we really want submissions from slash fandom, too. This isn't a make-fun-of-slashers deal; it's more in the spirit of a crack prompt. So please, help us out."

    Submissions of 400 words (fiction) or 300-dpi jpg (art) should be sent to letters@phx.com by October 22.

  • Remix (and Response)

    By .fcoppa on Wednesday, 6 October 2010 - 8:32pm
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    Political remixer Jonathan McIntosh released a new political remix video, Right Wing Radio Duck.

    And Glen Beck responds (rather hilariously, with a paranoid theory about Jonathan's "federal funding" - though apparently with some comprehension of and support of fair use!):

  • Calling All European Vidders!

    By .Helka Lantto on Tuesday, 28 September 2010 - 6:10am
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    Written by Natacha Guyot

    The organizers of 2008's Vidukon are currently trying to put together a second European vidding convention. If you think you might attend such a convention (or be willing to help them put it on!) please fill out their poll. Help is crucial and is encouraged from both vidders and vid-watchers.

    OTW's international staff are excited about this opportunity for gathering vidders on the European side of the ocean. International vidders will benefit from such an event, even if they are actually creating in 'mainstream' fandom. No matter how the Internet has made 'worldwide' access easier for many, vidders' presence can still remain scattered.

    A second European vidding convention would be a chance for vidders to discover others' works, and through vids, new fandoms. (For instance, French shows like Clara Sheller or David Nolande became known through vids; vids about the first brought about discussion with Brazilian fans, and a vid about the second sparked some American watchers’ interest, and a lot of conjectures about the TV series itself.)

    Gathering people, works and history on an international scale remains an important goal for the OTW and its various projects, from the Archive of Our Own to the various parts of the Vidding Roadmap. We are committed to building a community and archive for fic, art, and vids that goes beyond fandom and language boundaries. You can help us make this happen by volunteering.

  • Australian Censorship Filter Unlikely To Be Implemented

    By .Helka Lantto on Thursday, 16 September 2010 - 4:51pm
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    I'm Helka, a member of OTW's International Outreach (IO) committee. In an effort to bring more international news to our members, the OTW has asked IO to work with the Communications team. The following story was written by IO member Tanaqui.

    A scheme for mandatory ISP-level censorship in Australia looks unlikely to succeed, despite the Labor government promoting the proposal having retained power in Australia's recent parliamentary elections. The filter, proposed by Labor before the elections, would have likely prevented Australians from accessing most R-18+ content, including fanworks hosted outside Australia on archives such as an Archive of Our Own (AO3).

    Electronic Frontiers Australia (EFA), which campaigns to protect and promote the civil liberties of computer users, launched a campaign against the filter, the unfortunately-named It's Time to Tell Mum (which came under fire for sexist content). However, the EFA now believes that this filter legislation would not be passed in the House of Representatives, let alone make it through a hostile Senate because the new government could not muster enough support for the filter among the Greens and independents who make up its partners.

  • Fan Studies 101

    By .fcoppa on Tuesday, 14 September 2010 - 6:38pm
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    Transformative Works and Cultures editor Karen Hellekson's article , “Fan Studies 101,” originally published in the Winter, 2009 issue of the Science Fiction Research Association Review, is now available online at the SFRA site and as a downloadable .pdf.

  • Links Roundup for September 11, 2010

    By .fcoppa on Saturday, 11 September 2010 - 3:43pm
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    * Miguel A. Pérez Gómez of the University of Seville has written what we think is the first Spanish-language academic article on vidding, Fan-Made Vids: Una introducción al vidding, los song vids, el recut, los mash-ups, el fan edit y otros artefactos audiovisuales. The full-text is available online.

    * YouTube Ads Turn Videos Into Revenue. The New York Times reports that increasingly, marketing and ad revenue is trumping copyright fears at big entertainment companies. They're letting clips and other videos stay up rather than issuing takedowns. While this may be good news for fans (depending on how you view advertising on your not-for-profit content), the article also notes that YouTube continues to be interested in developing "professional, long-form content" and is increasingly less interested in hosting amateur video.

    * Bookforum (registration is free) reviews Lewis Hyde's new book, Common As Air. Anxiety Over Influence: Copyright extensions are depriving the culture at large. Hyde is the author of 1983's The Gift, a book whose concept of "gift culture" is very popular among fans. Bookforum describes Hyde's new book as, "a resourceful call to arms... against the encroaching power of copyright fascism." The review is terrific and well worth the two seconds it takes to register at the site. (Thanks to mikesgrrrl for the link.)

  • Fan Response to Salon Article

    By .allison morris on Wednesday, 8 September 2010 - 11:28pm
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    OTW News recently highlighted Salon's discovery of (movie) fanart (created by men). Fanartist Betty Anne not only contributed to the discussion there but also chose to share a more formal response, now available on Transformative Works and Culture's Symposium blog.

    Among the points Betty Anne makes:

    The difficulty in categorizing fanart is that there isn’t even a good definition for most art being created today — labels like “post-post-modern,” “contemporary art,” or “new modern” are just that: labels intended to help people niche themselves.

    Read more over at TWC's Symposium Blog!

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