Academia

  • Copyright Week: Open Access

    By Claudia Rebaza on Wednesday, 15 January 2014 - 7:24pm
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    Copyright logo set on a yellow pixelated background

    The week of January 13-18 is being used by a number of legal advocacy organizations in the United States as a week of action to speak out about potential changes to copyright law. The dates were chosen so that the week's conclusion on Saturday the 18th coincides with the anniversary of the SOPA/PIPA blackout in which many organizations and companies, large and small, worked together to protest this misguided legislative proposal.

    On each day this week, organizations will focus on a different aspect of copyright. Today we are focusing on Open Access. Different entities define Open Access differently, but among its core principles is that the results of publicly funded research should be made publicly available, for free, online and in usable form. Open Access doesn't necessarily mean that everything in the world should have to be available for free--and the OTW supports the ability of fans to decide who should see their work and how their work can be used. But the OTW also believes that platforms should exist on which scholarly material is available and easily usable and quotable at no cost.

    The OTW has walked the walk of this philosophy for five years with its publication Transformative Works and Cultures (TWC). Its editors and volunteers offer their services for free, as do all the OTW's staff, and they are committed to ensuring that the journal's content can be accessed by all. As TWC editor Karen Hellekson has written, the academics who have tried to move away from paywalled sites for academic research and print publications have found many barriers in their way.

    "When I fill out forms, surveys, and index submission forms related to TWC and its practices, it becomes clear how strongly the print model affects every aspect of what is considered the norm for publishing. I skip entire sections: I don’t know the number of subscriptions because we don’t use a subscription model. I can’t estimate readership because many of the user accounts are obviously spam accounts, and plenty of readers never create a user ID. We don’t offer different levels of access to different people. We don’t have office expenses because we don’t have an office, instead using freeware OJS to shepherd copy through the publication process. I can’t estimate readership for an essay because our copyright permits the author, or anyone else, to repost, which bleeds off readers and thus they aren’t counted by the software. We have no income from reprint or author fees because we don’t charge those fees. All the questions meant to assess readership and subscriptions are, with an open access model, nearly impossible to estimate. Ironically, the traditional journal-publishing world seeks to maximize impact by minimizing access, even though study after study has shown that people are far more likely to read and cite publications available in full online."

    This week marks a year since the death of Aaron Swartz, an activist committed to the principles of Open Access. At the time, the OTW's Fanhackers editor, Nele Noppe, wrote a post about why fans should be concerned about this issue, and how the about-to-launch Fanhackers project represented the OTW's commitment to this issue on behalf of fans and academics.

    "[W]e're launching a new project to expand our efforts toward making research truly useful and relevant beyond the borders and acafannish audience of TWC. We'll experiment with concrete ways to make research on fans more accessible and usable, encourage researchers to publish their work in an open way (no easy task when the closed print model carries prestige, which in turn can be used toward promotion and tenure), and give any support we can to other projects that share those goals.

    In 2008, Aaron Swartz articulated the feelings of many when he wrote in his "Guerilla Open Access Manifesto" that keeping academic research behind pay walls is "a private theft of public culture" that should be resisted by all means necessary, especially by the researchers who can actually access all those locked papers. We call on all academics whose research is relevant for fans to make sure that their results can actually reach the people who need information."


    For more about this week of action, visit the Copyright Week site, where links are being collected to various posts, whitepapers etc., and users and organizations are encouraged to endorse the principles. Participating organizations include Public Knowledge, Creative Commons, library associations, Ownership Rights Initiative, iFixit, and Wikimedia among others.

  • OTW Fannews: Fandom in classrooms & history

    By Claudia Rebaza on Sunday, 15 December 2013 - 8:37pm
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    Banner by caitie of the post title written in chalk on a green chalkboard

    • A post on the New York Times' Learning Network discussed students confronting 'what ifs' in classwork. "In this lesson, students will discuss how they 'read' their favorite television shows in order to make predictions about what will happen, then apply these skills to speculate about what happens to literary characters after their favorite novels or plays end. Finally, they will use the inferences they gain through close reading to create imagined futures for these characters in comic strips, next chapters, letters, journals or videos."
    • Fandom scholar Henry Jenkins' hosted an exploration of comics fandom in Poland on his blog. "In the 'Participatory Poland' report a group of Polish aca-fen makes a preliminary attempt towards defining the specificity of an Eastern European country’s participatory culture shaped both in the communist and post-communist periods. By placing the development of selected fan-based activities against a broader socio-historical background, we are trying to capture the interplay between the global and the local context of participatory culture, as well as take preliminary steps towards making its Polish branch available for academic research."
    • Pinboard creator Maciej Cegłowski gave a presentation titled "Fan is a Tool-Using Animal" on fandom communities online and their use of bookmarks. He discussed his interest in having fans come to his site after observing their intriguing use of Del.icio.us, but due to their attachment to the site he had no luck until the site changed enough to drive fans away. He also spoke about the importance of fandom culture and its endurance over time. "Part of the reason our television sucks less than it used to is because people are more sophisticated about the way they watch them...fandom analyzes this stuff to death and deconstructs it...and this percolates back into the culture." (Audio only)
    • The University of Iowa, which houses Open Doors' Fan Culture Preservation Project, released a video about the Doctor Who fanzines in their Special Collections & Archives to celebrate the show's 50th anniversary. Although there is no transcript available, the post description includes a mini guide to the collection.

    What academic explorations of fandom have you come across? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Events Calendar for December 2013!

    By Angela Nichols on Tuesday, 3 December 2013 - 12:00am
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    Welcome to our Events Calendar roundup for the month of December! The Events Calendar can be found on the OTW website

    As this will be the final Events Calendar post of the year we'd like to encourage everyone to submit events for 2014 as our calendar's looking a little bare!

    In addition to face-to-face events we are also open to entries about online events, such as announcements of fanwork fests and challenges, as well as our usual categories of fan-related conventions, academic or technology events.

    New ideas and categories are encouraged! If you know about any upcoming fan events please let us know!

    • Con+Alt+Delete is a brand new anime convention in Chicago, Illinois! C+A+D is happening December 13-15, 2013 at the Sheraton Hotel in Lisle, Illinois. If you love Hetalia, Fullmetal Alchemist, Dragon Ball Z, Yu-Gi-Oh, Lolita Fashion, Homestuck, My Little Pony, Sci-Fi, or Video Games this is the event for you. Cosplay is encouraged!
    • If you are looking to supports charities, such as Toys for Tots and to attend a holiday themed anime, comic and cosplay convention look no further than Holiday Matsuri in Orlando, FL on Dec 13-15.
    • Comic Fiesta is Malaysia’s largest and longest-running animation, comics and games convention. Comic Fiesta is the first and biggest non-profit convention of its kind in Malaysia, organised by a group of passionate individuals brought together by one common goal, and powered by a massive community of professionals, amateurs and enthusiasts of all age groups. It's being held 21–22 December 2013 at Kuala Lumpur Convention Centre.
    • A holiday that has worked its way into several fandoms (and built up one of its own), Festivus, will once again be celebrated worldwide on December 23rd. Originally created by Daniel O'Keefe in the 1960s, the holiday gained mainstream popularity after being featured on the television sitcom Seinfeld.

      More about Festivs on Fanlore

    We have one call for papers for December

    • Lunds University is hosting the Producers and Audiences, International conference 2014 They are looking for submission in the three areas of enquiry in media, communication and cultural studies: relations between producers and audiences; theories, methods and practices; and creative content for contemporary mediascapes. 300 word abstracts in English are due by December 9th 2013.

    The OTW encourages anyone to submit an event that's not already listed, and to check out the events calendar throughout the year!

  • OTW Fannews: Playfulness and IP

    By Claudia Rebaza on Thursday, 14 November 2013 - 5:28pm
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    Banner by Erin of Lawrence Lessig holding a light saber by the logo for the EFF, facing off against the logo of Liberation holding up cash and a DMCA notice.

    • The University of Buffalo hosted a lecture by intellectual property scholar Madhavi Sunder titled Learning by Doing. Sunder says. “'Copyright owners have tolerated much fan activity on the theory that lawsuits can turn fans’ love to hate. But the emergence of an ‘experience economy’ may lead some owners of cultural property to reconsider their laissez-faire attitude toward play'...But, Sunder says, that impulse raises caution flags about 'the commoditization of fundamental human experiences and play.'...And because IP law is 'fundamentally about promoting knowledge and learning,' Sunder says, lawyers need to be careful to protect that goal, even when they are asked to help corporations turn such play into a commodity to be bought and sold.'"
    • One place rife with automated takedowns, which are particularly likely to be issued indiscriminately, is YouTube. Fortunately, as NPR put in its story title Record Label Picks Copyright Fight — With The Wrong Guy, IP scholar Lawrence Lessig had a video of a lecture taken down due to a small music clip within it. "At first, YouTube took it down. But being a copyright attorney, Lessig knew his rights. He was entitled to use these clips in a lecture under a legal doctrine known as fair use...Liberation Music eventually backed down. But Lessig decided to invoke another part of the copyright law, 'which basically polices bad-faith lawsuits,' he says — threats made fraudulently or without proper basis. Lessig is suing Liberation Music because he wants labels to stop relying on automated systems to send out takedown notices."
    • As vidders well know, hosting sites for their fanworks tend to be more limited than those for other media, and they have often booted fan content entirely when the sites changes their marketing focus. The latest site to evict fan videos is Blip.tv, which deleted content within the past week. The OTW has some tips about alternatives for video makers and the top pick is Critical Commons. Though academic in nature, they welcome fanworks, support fair use, and provide a good alternative to commercial sites such as Vimeo and YouTube. The site already hosts some key works that are part of vidding history.
    • A new software program, Plotagon, offers a way to create a paint-by-numbers fanwork. "Available for Mac and PC, the basic 'city' version of Plotagon software is free and includes five actors and six environments. To create a Plotagon movie, users simply choose characters and an environment, type a script, add a few stage directions and press 'play.' Plotagon movies can be shared online and viewed at Plotagon.com/movies." Properties include Alice in Wonderland and Pride and Prejudice.

    What fanwork and intellectual property stories have you seen? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Events Calendar for November 2013

    By Angela Nichols on Friday, 1 November 2013 - 10:43pm
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    Welcome to our Events Calendar roundup for the month of November! The Events Calendar can be found on the OTW website and is open to submissions by anyone with news of an event. These can be viewed by event type, such as Academic Events, Fan Gatherings, Legal Events, OTW Events, or Technology Events taking place around the world.

    • There will be a fan event for The Hobbit on November 4 in 13 movie theaters around the world. There will be a live Q & A and exclusive footage shown in participating theaters. This will also be live streamed

      More about The Hobbit on Fanlore

    • Supanova is Comic-con, Australian style! From November 8-10 in Brisbane and 15-17 in Adelaide fans and creative talent that inspire their imaginary worlds meet under one big roof.

      More about Supanova on Fanlore

    • Join tens of thousands of fans from November 22-24 as they converge at Austin Comic Con 2013 Wizard World Convention in Austin, TX to celebrate the best in pop culture.
    • 50 years ago the first episode of Doctor Who premiered on The BBC. The sci-fi series will be celebrating its anniversary on November 23. A special 90 minute episode, The Day of The Doctor, will be airing on tv and shown in 3D cinema's around the world. Find a theater near you to celebrate with fellow Whovians!

      More about Doctor Who on Fanlore

    • DarkoverCon is a small and personal science fiction and fantasy convention held every year over Thanksgiving weekend for the last 36 years. Besides several full tracks of science fiction/fantasy programming and a full track of Steampunk programming.

      More about Darkover on Fanlore

    • The Fan Studies network will be having its very first symposium at the University of East Anglia, on Saturday 30th November 2013. The Fan Studies Network 2013 Symposium will feature over 30 speakers on several topics related to fandom.

    The OTW encourages anyone to submit an event that's not already listed, and to check out the events calendar throughout the year!

  • Buy a book and support the OTW!

    By Claudia Rebaza on Wednesday, 30 October 2013 - 5:43pm
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    Looking for something new to read? Want to support the OTW? Here's a way to do both!

    Cover of the book 'Fic: Why Fanfiction Is Taking Over the World'

    Smart Pop Books is the publisher of Fic: Why Fanfiction Is Taking Over the World, a new book edited by Anne Jamison and featuring contributions from several current and former OTW staff members, including an essay about the Archive of Our Own.

    From now through December 31, if you order the book from Amazon through this referral link, Smart Pop will donate a percentage of the proceeds to OTW. They have generously offered to double Amazon's usual affiliate rate, which ranges from 6-8% depending on sale volume, so OTW will receive 12-16% per book.

    From the book's summary:

    Fic is a groundbreaking exploration of the history and culture of fan writing and what it means for the way we think about reading, writing, and authorship. It’s a story about literature, community, and technology — about what stories are being told, who’s telling them, how, and why.

    With provocative discussions from both professional and fan writers, on subjects from Star Trek to The X-Files and Buffy the Vampire Slayer to Harry Potter, Twilight, and beyond, Fic sheds light on the widely misunderstood world(s) of fanfiction — not only how fanfiction is transforming the literary landscape, but how it already has.

    Here's the referral link again. Thank you to Smart Pop Books and Anne Jamison for this opportunity, and as always, thank you for supporting the OTW. Happy reading!

  • OTW Fannews: Criticizing Fandom

    By Claudia Rebaza on Saturday, 26 October 2013 - 5:52pm
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    Banner by caitie of 3 figures at a table holding up cards with scores on them.

    • Entertainment Weekly kicked off a new pop-culture-related column with a look at TV show finales and cited former OTW board member Francesca Coppa. "Mentally, it is difficult to imagine someone from the 50s declaring themselves a 'fan' of a TV show the way someone self-identifies as a 'Fan' of Walking Dead or Vampire Diaries or Firefly or, hell, NCIS: LA. This is partly because we inaccurately agree that TV wasn’t as good in the ’50s and partly because we assume people in the ’50s had better things to do...But modern fandom has roots in that time period. Francesca Coppa’s fascinating essay 'A Brief History of Media Fandom' (available in the Fan Fiction and Fan Communities in the Age of the Internet) traces our contemporary idea of media fandom — fan clubs, fanfiction, fan conventions — to a pair of TV shows from the 1960s: Star Trek and The Man from U.N.C.L.E."
    • As a possible example of the fan complaints cited in the EW piece, Hypable jumped on the criticism by Once Upon a Time fandom about poor marketing efforts by its network. "ABC has had to pull back the Once Upon a Time season 3 cast photos due to unexpected fandom backlash. Once Upon a Time fans love their show and its characters, and have reportedly responded so negatively to the season 3 cast photoset that ABC has pulled the photographs from their press site."
    • The EW piece was not flattering to fandom, but writing in Flavor Wire Jason Diamond dismisses Jillian Cantor’s Margot as fanfiction, as if that were equivalent with poor taste. "Shalom Auslander, in 2012′s Hope: A Tragedy, wrote a book that I consider in even poorer taste, placing a still-alive Anne Frank in the modern-day attic of somebody’s house, trying to squeeze humor from this Philip Rothian plot device. Like Cantor, and unlike Mangum’s album or Quentin Tarantino’s fictional Jewish revenge film Inglourious Basterds, his book upset me because it trivialized, rather than made moving art in tribute to, the real lives of Holocaust victims."
    • Perhaps this negativity explains why, in this ABC piece Cafe Tacvba Fans Downplay Their Fandom, though the reporter concludes otherwise. "Eager to collect fandom statements on what makes a Cafeta fan a real, super, ultimate fan, I flew into New York City from Miami to attend its Monday night concert. Being a fan for the past 15 years and this probably being my 25th time going to a Cafe Tacvba show, I thought I was a super fan. But after talking to folks, I wonder if I'm committed enough to call myself one. There, I was not able to find anyone who would even self-identify as a "super fan"...Turns out Cafe Tacvba fans are so devoted to them, they believe they are not worthy of their fandom. They downplay their devotion, because proclaiming they are Cafe Tacvba super fans would entail great responsibility."

    What fandom criticisms have you seen? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Examining fanfiction

    By Claudia Rebaza on Thursday, 24 October 2013 - 7:46pm
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    Banner by Erin with a woman looking through a magnifying glass at the center with fan-related words behind her

    • One of the clear signs that fanfiction has arrived is the frequency with which new books and articles come out about it. To some, the fact that there is a considerable amount of academic study on the topic comes as a surprise. "By reading fanfiction, one’s interpretation of the original work (i.e. the canon) is expanded to incorporate new ideas, depending on whether you accept or reject the fanfic author’s vision. This is where we get widely accepted theories of fanon from. What this then leads to is a 'flattening', so to speak, of the original source. As fanfic culture flourishes, the consumer’s interpretation of an anime becomes much more deeply personal. This effectively breaks down the barriers that generally arise when we go from interpreting a text to actively taking it in as a creative influence."
    • While quite a few documentaries about fandom have been created, fewer focus on fanworks. Thus Slash is of particular interest. "Fan fiction writers, and especially so the writers of slash fiction, need to be confronted on their own terms. There's a low-fi quality at work here. Something very cobbled together, and in a strange way, dangerous. Dangerous in that sexy way that something can be when you don't quite know where it's coming from or what its intentions are...You will never feel the titillation of the unknown, that tiny tingle of ecstatic fear, when you see a glossy, studio-produced 50 Shades of Gray movie. It will be clean and polished and filled with pretty people who blush appropriately anytime the conversation goes south of the anatomical equator."
    • Morgan Davies' post on The Toast is briefer but also attempts to examine the history of slash. "As many other people have pointed out before, slash is much more about women and female sexuality than it is about men or male sexuality, for all that the characters on the page (or, well, screen) are male, and in possession of biologically male genitalia. As my friend Caitlin wrote in a Tumblr post on the subject, 'any understanding that slash is only meant to or required to depict real world relationships is a false understanding of what slash is.'"
    • The relevance of fanfiction to other parts of people's lives is also becoming a point of discussion. Ethan McCarthy does so in Patheos, suggesting that non-fans should consider where meaning comes from. "Readers are taking a more active role in determining a work’s meaning through interpretation. This broader cultural context can help us understand why fan fiction has taken off the way that it has. In fan fiction, meaning has less and less to do with the 'original' story, and more and more to do with the subjectivity of the fan’s imagination. The original story is left at the mercy of the fan’s own assumptions, interests, and yes, sometimes perversions. While the reader’s role in interpretation is important and shouldn’t be undervalued, the Christian doctrine of creation teaches us that meaning does finally inhere in the creator’s intentions."

    What sort of consideration do you see fanfiction getting? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Transfomative Works and Cultures releases No. 14

    By Claudia Rebaza on Sunday, 15 September 2013 - 8:41pm
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    Transformative Works and Cultures (TWC) today released general issue No. 14. The Open Access Gold online multimedia journal has collected scholarly essays, personal essays, and book reviews that seek to bridge fan and academic writers and readers. TWC is published under the umbrella of the nonprofit fan advocacy group Organization for Transformative Works.

    This issue will celebrate the anniversary of TWC’s founding issue in September 2008. Looking over their five years, general editors Kristina Busse and Karen Hellekson describe how the journal has expanded in focus and responded to changes within fan cultures and fan studies alike. They describe how how the issue “indicates our own expansion to include ever-wider arenas in which fans engage even as we remain focused on the communities and activities that gave rise to this discipline and to this journal in the first place.”

    The essays in this issue range from the past to the future, from focus on specific fan engagements and fandoms to general Internet structures and linguistics. Juli J. Parrish's "Metaphors We Read By: People, Process, and Fan Fiction" and Simon Lindgren’s "Sub*culture: Exploring the Dynamics of a Networked Public" looks for useful model to describe fan communities while Craig Norris and Lori Hitchcock Morimoto look at international media reception and fan tourism. Finally, Emily Regan Wills and Kevin Veale study particular aspects of large fandoms, The X-Files and My Little Pony: Friendship Is Magic respectively. In all the essays, the relationships among fans, fandom, and the fannish objects are central as is the awareness of geographic and temporal differences.

    The Symposium section allows fans and academics to offer shorter ideas and readings. Here the journal offers two personal responses: Whitney Philips describes her enjoyment and investment in Troll 2 and Shannon K. Farley looks over her personal scholarly history to establish the connection between fan fiction and translation studies. Mel Stanfill and Katherine E. Morrissey address recent fannish debates, especially in the wake of the Kindle Worlds announcement, to discuss the role of artistic and communal ownership and the definitions of fan and fan works themselves.

    The issue concludes with the reviews of three important books, Accordingly, we include in this issue Melissa Click's review of Henry Jenkins, Sam Ford, and Joshua Green's Spreadable Media, Josh Johnson's review of Patricia Aufderheide and Peter Jaszi’s Reclaiming Fair Use, and Amanda Retartha's review of Anne Morey's important Twilight collection Genre, Reception, and Adaption in the Twilight Series.

    For 2014, TWC has planned two themed issues, "Fandom and/as Labor" (guest edited by Mel Stanfill and Megan Condis) and "Materiality and Object-Oriented Fandom" (guest edited by Bob Rehak), as well as No. 17, a general nonthemed issue slated to appear September 15, 2014.

  • OTW Fannews: Collective action

    By Claudia Rebaza on Wednesday, 22 May 2013 - 6:02pm
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    • Fans and the general public are becoming less tolerant of corporate overreaches in copyright claims. A crackdown on Etsy vendors marketing Firefly-related hats caused sufficient outrage that one outlet selling the licensed hats decided to donate its profits to a Firefly charity. Yet as The Mary Sue pointed out, at least part of the anger was because now that "Fox has actually decided to license merchandise based on the ten year old television series" they're "taking shots at the smaller, unlicensed retailers that have been serving the market niche they’ve been ignoring."
    • Other overreaches garnered an even larger response, prompting the enforcement-happy Disney company to change an upcoming film title. "[T]he Internet flipped out in response to the news that Disney had filed several applications to trademark the Mexican holiday Día de los Muertos, which is the subject of an upcoming Pixar film. The freak out-age is completely justified: Trademarking Día de los Muertos would be exploitative, appropriative, and disrespectful of Mexican culture, plus it’s just downright insane (owning trademark to a holiday? C’mon, Disney). Luckily the massive amount of criticism got Disney to back off."
    • Collective action seems key. Research fellow Nicholas Theisen wrote about copyright in relation to manga and scanlations as well as examining issues surrounding fair use. "[M]edia companies quite often bully individuals and smaller companies into abdicating fair use rights simply by virtue of being able to spend more money on lawyers and on legal means of protecting one’s IP." This doesn't affect just fans but also scholars. "[I]t has become standard practice for publishers of comics scholarship to demand that authors get express written permission for each and every image to be reproduced, even though a work of scholarship is an obvious example of fair use." The problem is one that doesn't even reach litigation. "Scholars regularly lament this state of affairs, yet there is little pushback, because, at the end of the day, if you don’t get the permissions, your book doesn’t get published, and if your book doesn’t get published, the likelihood of your getting tenure plummets. The practice of publishers is likely never to change unless people at some point say “no,” at very real risk to themselves and their careers."
    • The new U.S. H.R. 1892 bill would amend the DMCA to require that circumvention be in aid of copyright infringement to be unlawful. This would fix a number of issues, including the OTW's need to get an exemption for vidders every three years. U.S. fans to whom these exemptions are important might want to contact their representatives in support of the bill.

    What collective action have you seen bring about a success for fans? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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