Business Models

  • OTW Fannews: Fandom Misunderstandings

    By Kiri Van Santen on Sunday, 20 July 2014 - 5:28pm
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    Banner by Lisa of a street sign that has been knocked down and is pointing arbitrarily.

    • Attack of the Fanboy put a spotlight on gender segregation in gaming tournaments. "Keeping a few tournaments specifically aimed at females is not an ideal situation, but it does allow a woefully underrepresented part of the population a chance to compete on a professional level. To use the IeSF’s own justification for the initial segregation, many major sports use this method as well. Technically women are allowed in the NBA, but due to various reasons none have been placed on a team. That is why the WNBA exists, to allow a group who would be left out, a chance to compete professionally."
    • While some companies recognize their sport is 'for girls', at The Globe and Mail, Amberly McAteer discussed how many just don't get it. "It’s not just professional baseball that thinks women need extra motivation to support the home team. An official women’s T-shirt from the Pittsburgh Penguins went viral on Twitter because it declared that the wearer 'wants the stick' and loves to 'puck.' Because, of course, women are sex objects. Thanks for your sexist contribution, hockey. The Jays Shop, too, carries mildly insulting women’s gear: sequined tanks, 'meet you in the dugout' deep-vees. The only jerseys available in women’s sizes are indeed the players widely believed to be 'cute,' while the men’s section offers exponentially more."
    • A theater company in Charleston, South Carolina created a play about "the dark side of Twilight fandom". "'Kate & Sam Are Not Breaking Up' is a darkly humorous send-up of Twihard culture and celebrity obsession, with a side of gunplay and a dash of Stephen King's Misery thrown in...The lights come up on Kate and Sam waking from unconsciousness, bound and helpless in the apartment of a crazed superfan named Bill (Andre Hinds). It quickly becomes clear that Bill wants tween America's favorite couple to get back together, and he won't let them go until they do. But the situation really goes to hell when 15-year-old Becky...moderator of the fansite ghostforest.net, shows up and starts laying down the law."
    • A CNN report on manga brought about a heated reaction from fans as well as The Comic Book Legal Defense Fund. "As Japan prepares to implement a new law which bans the possession of child pornography but exempts manga and anime, CNN released an over-the-top sensationalist video report this week that demonstrates a profound lack of knowledge about the formats. Much of the report by Tokyo correspondent Will Ripley is devoted to undercover footage of an Akihabara manga shop, which Ripley calls 'a place that caters to young people.' (In fact manga is read by people of all ages.) Over mostly-blurred footage, Ripley describes “magazines and videos so graphic, so sexually explicit, we turned our undercover cameras off.' ...at least one of those blurred-out covers that was too much for CNN’s delicate cameras actually wasn’t pornographic at all.”

    What troubling fandom issues have you come across? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom Legal Topics

    By Claudia Rebaza on Tuesday, 10 June 2014 - 4:23pm
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    Banner by Sidhrat of a pair of glasses laid on an open book

    • The Age reported on a lawsuit involving the founders of The Writers Coffee Shop. "The lawsuit asks the court to recognise that TWCS is an ongoing partnership and, as a partner, Pedroza is entitled to 25 per cent of the profits. Pedroza and Beebe are seeking...'to trap funds not yet paid by Random House'" as a result of their rights purchase for Fifty Shades of Grey. The plaintiffs claim that Amanda "Hayward, 'fraudulently' restructured TWCS under the guise of tax minimisation, without the knowledge of the partners, so payments from the Random House deal, signed in March 2012, flowed exclusively to herself."
    • A post at Screen Invasion suggested that companies using Amazon's Kindle Worlds were setting a precedent for the “potential market” factor of fair use. However, it is the pornier side of fanfiction that is likely to be unaffected. "TV’s GG can show a blush-worthy encounter between Chuck and Blair in his limo’s spacious backseat...but Kindle Worlds can reject a GG fanfic that describes a similar tryst based on the author’s word-choice. Ergo, sites featuring only blue fan-fiction do not impact the same market(s) as their un-obscene peers." This argument tracks to the case involving The Wind Done Gone, since part of that legal argument was that there was no lost revenue because Margaret Mitchell's estate would never have licensed such a work.
    • Evergreen State College's student newspaper posted an open letter from faculty about threats to academic freedom involving a parody theater piece about Disney content. "On Monday of week eight, without consulting the faculty sponsors, Dean Reece issued a written request to fundamentally alter the script, with indication that the college would prevent the students from using campus facilities to perform the script as written." The letter cited the fair use aspects of the work and their belief that a fear of legal action was behind the effort to alter the performance.
    • TIME looked at aspects of One Direction fanfiction following a high-profile fanfic book deal. "Jamison also notes that the idea of making money from fanfiction — something long seen as dubious among fans, even as recently as 50 Shades of Grey — doesn’t seem to be so strange to younger and newer fanfic writers...After all, it’s much less legally thorny to file off those serial numbers when the inspiration is reality: changing the names of a boy band doesn’t risk overstepping the fair use of someone else’s creation. And besides, it’s a time-honored tradition. As Jamison says: 'Every fiction author bases their characters on real people.'”

    What fandom-related legal issues have you heard about? Create some entries for them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: The fandom business

    By Claudia Rebaza on Tuesday, 3 June 2014 - 4:12pm
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    Banner by Robyn of the post title with $ signs as S's laid over a photo of world currency

    • Fan conventions range from small to large, fan-run to commercial, but increasingly conventions are big business. ICv2 wrote about data from the online ticketing platform Eventbrite. They found "sustained year-over-year growth of 20% or more since 2007...But what’s most interesting is that the dollars generated by cons...[are] in some cases, triple digit revenue increases from 2011-2012 and 2012-2013." Also interesting is that while "[o]ver half of fandom events on Eventbrite between 2011 and 2013 are categorized as gaming events...anime and comic events drove 70% of gross ticket sales."
    • Attendance is up so much at some cons that tickets are scarce. As an article in The Examiner pointed out, "Gen Con is having difficulty keeping up with the tremendous growth of its attendees. Thing is, it's not just limited to Gen Con. The geek population is exploding so quickly that popular events that service all kinds of fandom can no longer keep up." Writer Michael Tresca suggested that "Gaming event organizers will need to consider investing the money they are raking in from increased fandom back into the convention by expanding the number of days, expanding the number of locations, or holding multiple iterations of the con."
    • The Beat expanded on the ICv2 piece, discussing how Wizard convention revenues were up 188%, yet Wonder Con hadn't made enough money for San Francisco, leading to its departure. "It may not be the greatest convention if you operate a five-star hotel or Michelin starred restaurant, or you’re a City Hall lobbyist who represents those types of interests. Whether it’s true or not, the perception is that the heavy geek demographic spends a majority of its disposable income inside the walls of WonderCon."
    • Some of that disposable income is going to artists, providing an entirely new way to make a living. Newsarama explored how the rise of the appearance fee is turning guests into con employees. "Just a few years ago, the standard was that a convention would fly and hotel a creator, and slide him a free artist alley table as compensation for a con appearance. Now...[r]ates typically start at about $500 on the low end, and can quickly rise to $5000 or $10,000 for top-tier talent...If you want a genuine Dr. Who (Matt Smith) or a lady-killer Thor (Chris Hemsworth), the fee can be $100,000, plus perhaps a few Van Halen-esque riders as well."

    What examples of the changing fandom business have you seen? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Gendered fandom friction

    By Claudia Rebaza on Friday, 9 May 2014 - 4:27pm
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    Banner by Erin of characters from My Little Pony facing off against one another.

    • At Antenna, Myles McNutt argued for the need to focus on male fandom. "Blue Mountain State has connected with young audiences outside of the metrics and discourses most easily visible and counted within the television industry." By this, McNutt means that "the vast majority of the Kickstarter contributors—over 3,200 as of April 16th—are male. This matches the series’ demographic appeals...but diverges from how we typically imagine fan engagement...we rarely consider those audiences as the type of fans who would go so far as to pay to see a series resurrected. That kind of organized fandom has more commonly been associated with women, as part of a broader feminization of fan culture—over half of the Veronica Mars kickstarter backers were women, for instance, despite the fact that Kickstarter’s membership is predominantly male."
    • While the advantages of gender-balanced fandoms are obvious to some marketers, researcher CarrieLynn D. Reinhard discusses fractured fandoms. "This project explores the tensions in the fan discourse surrounding the My Little Pony: Friendship is Magic movie Equestria Girls. Producer Hasbro operates an official Facebook page for My Little Pony that was used to market the movie. With each post, fans’ comments demonstrate the tensions within the fandom and to this film. These tensions demonstrate the range of subsets of the fandom due to its cross-gendered and cross-generational nature. The discourse and resulting fractured fandom highlights the issue of 'appropriateness' in reception of children’s programming."
    • Megan Farnel wrote about gendered disputes in Sherlock fandom. "[I]t’s not like the argument that Moffat is more than a tad sexist is a new one, or anything, but I find the form it takes here particularly compelling. Does he truly think he’s fooling anyone by saying that an episode involving a scene that so clearly mocks slash-fiction writers, calling them 'out of their mind' and arguing they are not 'serious' enough, comes to us from the ACD canon?" Instead "I think a lot of it comes down to labour and gender. This move on Moffat’s part at once allows him to use the canon of the show to respond to the fans he deems not ‘serious’ enough, while also deeming their engagements with the show as any meaningful form of labour worth forming a dialogue with."
    • Of course, sometimes gendered friction can be quite local when, as Toronto Life published, discovering your spouse's explicit fanfiction. "What to do depends largely on where you found it. If the pages were tucked away in a drawer, buy her some sexy lingerie, then rise to the occasion, but don’t mention your discovery. If she left the story open on the kitchen table, take it as an invitation to discuss her rather specific sexual pinings. Be open, accepting and prepared to spice things up in the bedroom (or bathroom or kitchen)."

    What examples of gendered fandom friction have you seen? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Discussing fandom

    By Claudia Rebaza on Friday, 21 March 2014 - 1:29am
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    Banner by Erin of a message form with the OTW logo on a megaphone and a form saying 'You:Discussing Fan: Fandom' with a send button next to 'OTWFannews'

    • Not Another Teen Wolf podcast posted about their interview with OTW legal staffer Heidi Tandy. Among other things "We learn about the Organisation for Transformative Works and the basic legality behind being a fan creator. We also reminisce about the early days of the internet, when there was a lot of scaremongering surrounding fanfiction in terms of copyright. Why was AO3 started – what was the initial gameplan? Why did a resource like AO3 become necessary?”
    • Although the NATW podcast chat spent only a bit of time on copyright, Copyrightuser.org posted the video ‘Copyright & Creativity’ to make "copyright compelling to creators and average Internet users, trying to demonstrate that it is not just a set of rules but an interesting world worth exploring. To this end, we approached leading copyright experts and sent them a short questionnaire about the relationship between copyright, creativity and technology, with the idea of writing an accessible script based on their answers." The site is "an independent online resource aimed at making UK Copyright Law accessible to creators and members of the public. The goal is to provide answers to the most pressing concerns creators have about copyright, helping them understand their rights."
    • Heidi Tandy and recent OTW academic chat panelist, Anne Jamison, were at South by Southwest discussing fanworks. The importance of internet platforms in allowing non-celebrities to develop their own fandom took a different tack on creativity. When asked, "What is the secret sauce to creating good content?" BuzzFeed’s EVP of Video, Ze Frank replied that content "must represent a part of your individual identity better than you can talk about it. Second, your content needs to be an emotional gift, and should make your audience feel a certain way. And third, your content should provide a social role of information. Frank continued by explaining that your content should prove an argument that people have been having all along or play a part in real world conversation."
    • Joystick ran an article exploring the fandom of Twitch Plays Pokemon. "Taylor started doing Internet research in the 1990s, and turned to video games in 1999. Her studies resulted in books such as Play Between Worlds and Raising the Stakes, which explore virtual worlds, MMOs and e-sports. Those examinations bear relevance to Twitch Plays Pokemon, as the same elements of extended narratives and player curation could be found in the earlier days of EverQuest."

    What stories have you come across about storytelling platforms? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom milestones

    By Claudia Rebaza on Friday, 14 March 2014 - 12:26am
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    Banner by dogtagsandsmut of a black & white highway with the OTW logo and ribbons across the post title of Fandom Milestones

    • On March 1, Three Patch Podcast released an episode with Development & Membership Chair, Kristen Murphy, as a guest. They discussed the formation of the OTW and the AO3's million fanwork milestone. Asked about the AO3's popularity she replied, "I think there are a lot of different factors that have helped it become popular. One is that a lot of people just like the features of the Archive, which is awesome! I think another factor is the way fandom has spread out to new platforms, some of which are not very conducive to posting fanworks. Like, if you mostly interact with other fans through Twitter, but you’re a fic writer, you’re going to need someplace other than Twitter to post your fic. There’s something really cool about the fact that fans are spread out in all these different places — Twitter and Tumblr and journals and forums — but there’s this place in the middle where so many of us come together to share our work." (No transcript available).
    • The OTW wasn't the only one celebrating a big milestone in February as Japan's online art community Pixiv passed 10,000,000 registered users. Crunchyroll reported on their celebration activities and listed the top tagged fandoms on the site.
    • RocketNews24 looked at how artists were responding to the gold medal won by figure skater Hanyū. "[F]ans are having fun making their own Photoshop creations including “Hyōjō no Prince-sama”(Prince-sama on Ice)."
    • The music group Emblem got some attention for promoting a fan's story about them on their Wattpad account which Just Jared dubbed 'official fan fiction.' "The guys – Wesley and Keaton Stromberg, and Drew Chadwick – each have their own stories written about them and will be updating it every week!"
    • As Vintage Books was announcing that Fifty Shades had passed the 100 million sales mark, Wired asked if a new publishing model was at hand when it comes to fanfic. "For decades, it was understood that fanzines and amateur press associations were where writers—particularly in genre fiction and comics—got their chops...It’s easy to argue 50 Shades of Grey is an outlier, that its success isn’t indicative of a larger trend. However, since its publication in 2011, the lines between literary and fan publishing have continued to blur."

    What fandom milestones have you seen? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Corporate assembly fandom

    By Claudia Rebaza on Wednesday, 12 March 2014 - 7:19pm
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    Banner by Diane of a conveyor belt rolling the post title forward

    • Frontline featured a number of fandoms in its documentary Generation Like. "From the agency that’s leveraging the Twitter followers of celebrities like Ian Somerhalder (The Vampire Diaries) to make lucrative product endorsement deals, to the 'grassroots' social media campaign behind the Hollywood blockbuster The Hunger Games: Catching Fire, "Generation Like" explores how companies are increasingly enlisting kids as willing foot soldiers in their marketing machines."
    • A "Social Media Week" event featured a panel on “Fueling Social Fandom”. "'You think about fandom not as a one night stand everytime your show is on…it’s a long time relationship,' Fishman said, adding the most important thing for TV executives to do mirrors a relationship: listening."
    • Sugarscape is one of many sites featuring a fanfiction contest but this one is done piecemeal. "The idea is that every day when the story is updates, you'll have the chance to add the next paragraph all over again and by Sunday 23rd February, we'll have the full fan fiction. So even if yours doesn't get picked the first day, keep entering every time the story updates and you could see your writing up on the site!"
    • Kotaku used votes instead to create a 'Fan Built Bot' for Transformers. "Windblade is a rare female Transformer...Some people are vexxed by the idea of female Transformers...we do get an episode where most of the old-timey female robots are destroyed for being female, which doesn't seem nice. In the IDW Comics continuity, Arcee is the result of a failed experiment to introduce gender to Transformers. That doesn't seem nice either."
    • While some fan activities in the news seem more about recreation or transforming the format of a work, the question for many these days may be whether they're part of a corporate marketing effort and to what end.

    What ways of creating fandoms or fanworks have you come across? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fanwork transitions

    By Claudia Rebaza on Wednesday, 5 March 2014 - 9:18pm
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    Banner by Lisa of a leaf transitioning from green to red

    • Even while fanfic writer Bianca Bernardino is seeing her work turned into film, another author is turning to fanfic of her own work. As L.J. Smith explained last year, "[E]ven though I have written the entire series, I don’t own anything about The Vampire Diaries. And from now on, the books will be written by an anonymous ghostwriter, just as Stefan’s Diaries are. It will say 'Created by L. J. Smith' on the cover, but I am not allowed even to change a word in the ghostwriter’s book." Instead, Smith has released the first of a series through Amazon's Kindle Worlds.
    • J.K. Rowling's changing views on relationships in Harry Potter led to articles across the Internet, from The Washington Post to The Wire recording fan reaction. But blogger Lucy Softich reminded readers that "it doesn't change anything." "It was also really interesting when she told us Dumbledore was gay, but it didn’t really affect the story. It didn’t add subtext that wasn’t already there, or validate any arguments. Authors decide how to write their books, yes, but once they’re published, they can’t change anything...Fanfiction, on the other hand, can do anything. It can take the smallest interaction between characters, and turn it into a shipping war. It can take the merest hints, and create new and unexpected plot-twists. It can highlight things everyone else overlooked. And unlike books, its not permanent."
    • While more people trying out fanfiction are pleasantly surprised by the experience, Emma Cueto at Bustle suggests that the real problem is that too many people don't understand what it is. "Look at the book (and movie) The Hours, which was inspired by Virginia Woolf’s Mrs. Dalloway. Isn’t it just meta-fanfic where the book that inspired the fan fiction is also part of the story?...It just happens to be very well done and rooted in a literary great, so no one bothered to notice. Then there are shows like Once Upon a Time that put a new spin on fairy tales, or Sleepy Hollow and Dracula that grew out of classic novels...Don’t tell me that isn’t just fan fiction with a budget."
    • Kendra Mack at Open Source focused on the importance of participation in fanwork communities. "But female fans have long participated in (and led) fan communities before this RW shift, remixing and making new meanings from fictional texts. Henry Jenkins has written about the influence of television fan fiction writers in the 1980s, many of whom were women...This practice of fan refocalization continues today with shows like Adventure Time, a (personal favorite) cartoon with two male character leads that has many fans creating derivative fiction and art focused on the secondary female characters. The show also received positive fan reaction and high ratings after airing an episode in which the gender of all the characters are reversed, not to mention a slew of fan art and fiction involving the gender-swapped heroines."

    What fanwork transitions do you think should be remembered? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Marketing to women

    By Claudia Rebaza on Monday, 3 March 2014 - 1:22am
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    Banner by Bremo of a smiling Frank Sinatra passing a group of excited fangirls

    • There have been discussions in the media over past months that suggest that a significant reason for the erasure of women in fandom is that companies have no interest in marketing to them. This was made explicit in an article on io9 which discussed the fear of TV network executives that their cartoons had too many female fans.
    • Even targeting stereotypical female interests seems difficult for marketers to do, leaving women's fashion options lacking for years. Perhaps that's why this feature on a history of fangirl fashion in Elle seems to be more a collection of random female fan photos than an exploration of the creative fashion statements seen at fan gatherings.
    • Part of the problem may be the general disapproval expressed when women come up with their own ways of enjoying fandom. Even when commercial entities use many of the same ideas it's somehow different when fans do these things for themselves. This attitude may be a factor in why even some fannish people resist becoming fans.
    • The Shipping News focused on what such disapproval said about wider society. "[I]t’s not the fans that make it all about sex, it’s everyone else...we just like to see people fall in love. Sure, sex is a part of that – a super fun part that we enjoy immensely – but anyone that has read over 80,000 words to get to a kiss, knows that porn is just a side effect...they have got to stop assuming that slash fandom is synonymous with sexual deviancy. Slash fandom encompasses A LOT of different things, so the fact that they are obsessed with the part that is porn says more about them than it does about us."

    What issues involving female fandom have you come across? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Restricting fandom

    By Claudia Rebaza on Thursday, 27 February 2014 - 8:06pm
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    Banner by dogtagsandsmut with a gavel resting across an open book with a pair of handcuffs nearby

    • OTW legal staffer Casey Fiesler has written a paper on “Remixers’ Understandings of Fair Use Online" which found that fans' understanding of fair use is often incorrect. “What the community typically believes and does can actually affect what is judged legal,” says Amy Bruckman, professor in the School of Interactive Computing at Georgia Tech and researcher on the study. “So it’s in their interests to have cohesion to craft codes of best practice.”
    • The Australian government has released a report on Copyright and the Digital Economy that supports the development of fair use, and specifically mentions fan fiction as a reason to adopt it. "Fair use in relation to quotation may provide more room for some artistic practices, including the sampling, mashup and remixing of copyright material in musical compositions, new films, art works and fan fiction. More broadly, some artistic practices based on appropriation, including collage, where images or objects are ‘borrowed’ and re-contextualised might be covered by fair use." (p.212)
    • When commercial entities get sold, or decide that a particular project isn't sufficiently profitable, fans can lose both the product and the work they put into it when it's shut down. "An enormous fan outcry began as the remaining [YoVille]players were the most dedicated the game had, and they didn’t want to lose everything they’d invested in their virtual lives. They threatened Zynga boycotts and made heartfelt YouTube videos pleading their case. Their response got the attention of the original creators of the game, Big Viking, and now there’s a new push to buy back the title from Zynga, rather than having it be killed outright."
    • Another problem is when businesses fight to restrict new technology that can help consumers influence those decisions. "Studios and broadcasters argued then that [recording] technology would end civilization as we know it. Instead, it opened up a universe of new opportunities. Just last week, my colleague Ryan Faughnder reported that the Fox comedy Enlisted may be saved from low-ratings death by a surprising surge in DVR and on-demand viewing."

    What legal and business stories have you come across that involve fandom? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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