Entertainment Industries

  • OTW Fannews: Legal and Technology

    By Claudia Rebaza on Monday, 22 October 2012 - 8:09pm
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    • Publishers Weekly reported on a panel at the Frankfurt Book Fair that focused on technology and fanfiction. Publisher Anna von Veh discussed various aspects of fan fiction including"'beta readers,' those that offer feedback and response on writing placed online 'to be commented on by others and improved.' She particularly noted the disclaimers placed on fan fiction by its creators to make sure the derivation of the properties is acknowledged and she likened it to 'a performance, an art more like theater, where you take a script and do other things to it; these properties are a starting point.'" Representatives from Wattpad also discussed the popularity of fanfic on their site. "Wattpad has released new online tools that allow its members to write on their phones, 'for a generation that lives online, through their phones, writing is part of their entertainment, it’s a hobby and with fragmented times, when the inspiration comes you can write, right on the spot.' Now 30% of Wattpad’s uploads come from iOS devices."
    • Although it's not clear that fanfic content was discussed in Frankfurt, those at the Ada Initiative were concerned about what can occur at technology conferences when discussions of porn take place. "A brief explanation of why pornography and sex are off-putting to women and LGBTQ people of any gender: Most pornography shown in this situation assumes that the audience is male and heterosexual, and sends the message that everyone who is not a heterosexual man is not the intended audience. Also, shifting people’s minds towards sex often triggers people to view women as sexual objects, in a context in which women want to be treated as humans with a shared interest. But showing pornography and talking about sex in public are not necessarily a “women not wanted” sign. Women are using open tech/culture to create erotica by and for women, and to have open discussions about sexuality in general." The post cited the OTW's Archive of Our Own as "designed and created by a majority women community, and hosts erotic fan fiction written by women among many other fan works."
    • Speaking of the archive, in a post about fanfiction, blogger A. Nolen makes three mistaken assertions about the A03. In the first Nolen lumps together the OTW with Wikipedia as co-creators of the AO3, and secondly proposes that the invite system was instituted to create exclusivity for the site (rather than to maintain the site's stability during unpredictable surges in use). The most troubling assertion suggests that the OTW's purpose for the archive is to create marketable works from its content. The Archive is noncommercial, as are the fanworks posted thereon, and the Archive doesn’t claim any “development” rights, whatever those are. As our Terms of Service explain, “The OTW does not claim any ownership or copyright in your Content. Repeat: we do not own your content. Nothing in this agreement changes that in any way. Running the Archive, however, requires us to make copies, and backup copies, on servers that may be located anywhere around the world.”

    If you're a fanfiction writer, or have your own conference experiences to share, why not do it in Fanlore? Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews for 29 September 2012

    By Claudia Rebaza on Sunday, 30 September 2012 - 12:07am
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    Here's a roundup of legal and technology stories that might be of interest to fans:

    • A steady stream of announcements show that quite a few companies are chasing the fan market. For example Chatwing.com sent out a press release to announce the Chatwing chat box for anime fan fiction writers. The Nico Nico Seiga image sharing website announced they would start hosting "user-submitted manga along with officially-serialized titles." Unfortunately some companies are not getting on the bandwagon. The Escapist reported that Lord of the Rings fans were starting petitions to save a game mod. "'[The Middle-Earth Roleplaying Project] is a Lord of the Rings total conversion for The Elder Scrolls V: Skyrim made, non for profit, by volunteers in their spare time,' the petition reads. 'We, the undersigned, call upon Warner Bros. Entertainment to lift the cease and desist from MERP and allow the developers to continue as they were with no hindrance.'"
    • Various countries have been instituting or proposing restrictive laws on what can be posted online. Malaysia's Evidence Act, known as Section 114A prompted protests among Malaysian sites "similiar to the way hundreds of American sites and countless users protested the Stop Online Piracy and Protect IP Acts (SOPA and PIPA) in January." The concern was because "'if allegedly defamatory content is traced back to your username, electronic device, and/or WiFi network, Section 114A presumes you are guilty of publishing illicit content on the Internet.'" The Phillipines' Cybercrime Prevention Act of 2012 has extended their libel law to forestall cybersex. "'It does outlaw porn online,' Raissa Robles, the South China Morning Post’s Manila correspondent, told the Daily Dot via Twitter. 'Some netizens here r[sic] concerned even sending each other explicit pics could violate law.'"
    • Commercial interests are an additional problem for digital goods users or creators. Market Watch talked about the uncertain rights of survivors to their loved ones' digital media collections. Meanwhile NPR reported on efforts to extend Rights Of Publicity. "[T]he very first case where the right of publicity was recognized even for the living was not until the 1950s. Up until then, there was a right of privacy. There was an ability to prevent...the use of your name or image in advertising during your life against your wishes. But once you had given up your right of privacy, there was nothing that allowed you to market your name or image." But it's often not the celebrities who are asking for more rights. "[W]e have an expansion of this right of publicity, and it's really being driven...by corporations that have acquired the interests of dead people."

    If you're an anime fan, a fan of dead people, or have something to say about user rights online, tell it to Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW

  • OTW Fannews for 20 September 2012

    By Claudia Rebaza on Thursday, 20 September 2012 - 4:16pm
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    The Links Roundup posts are getting a new name! The Communications Committee has been using the #OTWFannews hashtag for them at Twitter for a while as it's a more distinctive name for the series and a clearer name for their content. OTW Fannews is meant to be a selective look at discussions of fandom, and issues affecting fans, in both traditional and non-traditional media venues. It also includes interviews where OTW staffers and volunteers have taken part, or discussions of the organization appear.

    Here's a roundup of women in fandom stories that might be of interest to fans:

    • CNN's Geek Out! blog ran an excerpt from Rob Salkowitz's book on the commercial side of pop culture. "Many of today’s best online comic and fantasy-genre news sites and discussion groups were started by, and remain powered by, women. Today, there are increasing numbers of proud girl geeks of all ages; I count myself fortunate to be married to one. Crowds at conventions and even some comics stores now reflect a much more equal gender balance. As for the comics industry itself, not so much." He concluded that the future of comics was likely to favor women. "Typically, female comics fans who speak out on this issue from a feminist perspective are roundly and rudely shouted down, sometimes from the podium. It’s hard to imagine a more self-defeating strategy for the long-run health of the industry. Women today are the loudest and most compelling voices in fandom; young girls are making some of the most popular self-published comics. Decades from now, Twilight will be fondly remembered (or ironically inflected) nostalgia for millions of middle-aged women, some of whom will be able to look back on the shared communal experience of sleeping out for days at Comic-Con and having had the time of their young lives."
    • Tracey Sinclair at Fanboy Unleashed wrote about a recent round of geek credential checking and declared "There seems increasingly to be the idea that there is some level of arcane knowledge required to be a ‘proper’ geek, but only, of course, if you have a vagina. Nobody’s calling the guy dressed as Thor a fake – hell, it wouldn’t matter if he couldn’t spell Thor, nobody would think to question that he belonged there. But there is still an ingrained suspicion that girls aren’t really geeks – or, if they are, they should look a certain way, and dress a certain way. Dare not to fit into a category you had no input in defining, and you’re a ‘fake’." Writing for the St. Louis Post Dispatch, Aisha Sultan makes it clear that this treatment is not limited to geek fandoms or to adult women.
    • Certainly women tend to get little support from content creation companies. While Ashley Eckstein's Her Universe company provides a stereotypically feminine product -- fashionable clothes -- her observation of the sexism behind the dearth of such material was all business. "'I think we are now starting to wake up and say 'no, we don’t want to deal with this anymore' and if we do speak up, people will listen and it’s becoming more accepted to like sci-fi from a social standpoint,' said Eckstein. 'We finally opened our mouths.'...According to Eckstein, a number of companies told her that female fans just aren't interested in and don't buy science fiction and similarly themed merchandise...'We said we'll prove you wrong,' asserted the actress, 'and we did.'"
    • Some people seem to feel that if they can't stop the presence of women, they can stop voices supporting them from being heard. The Daily Dot reported that Sam Killerman's Gamers Against Bigotry website was hacked. "Where 1,500 people once pledged to curb their sexist, racist, Ableist, and homophobic language during gaming, hackers have inserted NSFW images like Goatse. Killerman said he’s been unable to restore the pledge page permanently, but users are continuing to sign it in the gaps between takedowns." Fortunately, panels at conventions are a little harder to disrupt, such as the Sexism in Anime Fandom panel at Otakon (no transcript available).

    If you've been a woman in fandom, share your experiences at Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links roundup for 26 August 2012

    By Claudia Rebaza on Sunday, 26 August 2012 - 9:30pm
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    Here's a roundup of fanfiction stories that might be of interest to fans:

    • MTV's recent announcement of a fan fiction contest for Teen Wolf fandom has had some fans contacting the OTW with concerns about the contest rules. While the content restrictions are pretty wide ranging, OTW Legal Chair Rebecca Tushnet notes that the language does not throw up the kind of concerns seen a few months ago in an audio contest hosted by Random House. She writes:

      "Crucially, it specifies that the rules apply to your entry, and don't require you to say that "all my fanworks are done only with permission" the way Random House did, so it has no effect on your ability to create other Teen Wolf fanworks. Here's the relevant language:

      Entrant shall retain all copyright in and to his/her Essay; provided, however that entrant agrees that by entering into this Contest he/she is granting Sponsor (and any and all of Sponsor’s subsidiaries and affiliates and affiliated broadcast stations and networks, successors and assignees and licensees) the non-exclusive, worldwide irrevocable right and license, but not the obligation, to exhibit, broadcast, copy, reproduce, encode, compress, encrypt, incorporate data into, edit, dub, superimpose, rebroadcast, transmit, record, publicly perform and distribute and synchronize in timed relation to visual elements, the Essays and/or any portions or excerpts thereof....

      This language is broad in what it lets MTV do with your entry, because MTV might not be sure exactly how it's going to deal with the winners. But the language is not broad in what it claims: you just gave MTV a license, and you can't take it back, but that's pretty much the minimum that MTV needs to be confident that it can promote the winning entries.

      One possibility is that they might incorporate your story into a later actual script, whether the story wins or not. A far more likely scenario: a submitted story is broadly similar to a storyline they were going to do anyway. In either case, this language prevents someone who submits a story from successfully suing MTV saying "you used my submission in your canon!" But this is probably a fair trade from the fan's side, though if you wrote for TV you might start to worry about what happens to your salary if this becomes common."

      In short, "Random House treated fan fiction like a foreign and risky thing it wanted to control, but there are alternatives even for official producers engaging with fans."

    • At least some in the press are not eager to see more fanfiction making its way across professional borders. In The Independent, columnist John Walsh acknowledges "It wouldn't do to be sniffy about works of fiction that feed off others. Literary history is full of important works that are shameless retellings of others." However there is still panic afoot. "But we might begin to wonder what has become of readers. Once they were content to read a book, enjoy the plot and feel warmth or dislike for the characters. Now, increasing numbers are driven to invade the book's pages, wrestle the characters away from their creator and provide their own plot twists. Most, of course, are wholly unequipped to write their own novel or to handle prose with much grace or vividness. But what happens if, in the free-for-all of online publication, a spin-off book starts to eclipse the original from which it derives?"
    • Sometimes, though, those original authors are interested when they have inspired others to create, as is the case with poet Sarah Kay whose work inspired a Teen Wolf fanfic hosted at the AO3. "A friend of mine forwarded me this link and it took me a while to figure out what was going on...this particular entry seems to be a piece based on the TV show “Teen Wolf.” The catch? This author finds a connection between some of the characters on the show and my poem “B.”...I have never seen Teen Wolf before, so I don’t know anything about any of the characters referenced, but the general concept of fan fiction fascinates me."

    If you're writing for yourself, others, or fanfic contests, why not include yourself in Fanlore? Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links roundup for 12 June 2012

    By Claudia Rebaza on Tuesday, 12 June 2012 - 10:59pm
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    Here's a roundup of legal news stories that might be of interest to fans:

    • Some good news on the net neutrality front is that The Netherlands and Chile are the first two countries that have enacted "firm net neutrality laws" which are designed to prevent "ISPs from blocking or slowing down different types of internet traffic. It also stops ISPs from charging extra to access specific websites or services."
    • Less happy is the case of Braindeadly, a British World of Warcraft commentator, who discovered he will no longer be able to do his commentaries because "when he signed a contract with Machinima, the video game network on YouTube, he signed for life." His is not the first such case. "In an interview with the Daily Dot last year, Household Hacker manager Justin Matthew said YouTubers, especially the younger ones, get taken advantage more often than not when it comes to fine print in contracts...'Some YouTubers overlook the fine print because they are so happy to be signed and I think some people could have gotten a better deal if they had a manager.'"
    • Of course some people with managers still run into legal trouble as in the case of artist Richard Prince, who is fighting a legal ruling of over copyright infringement. Prince's legal team is arguing that his work is transformative and thus fair use. "'What the court missed unfortunately in the trial court level with Richard Prince,' Rutledge says, was 'the work that he has made using imagery including some from Patrick Cariou's photographs says something different, something new.'" The case is one to watch because "[i]t's rare for fair use lawsuits in the visual arts world to get to court at all, and that's why everyone is watching the outcome in Cariou v. Prince." That includes "the search engine Google, which filed its own friend of the court brief in the case. In order to help you find what you're looking for on the Internet, Google has to copy a lot of copyrighted material — without commenting on it at all. Google's lawyers say a narrower reading of fair use could be 'dangerous' to the company's business model."
    • For artists and crafters concerned about copyright infringement in regards to their artwork, a free booklet titled Know Your Rights is available from Interweave.com, an art and craft media company. While the company writes from the standpoint of preventing copyright infringement of its own works, it does address specific questions that craft hobbyists and resellers sometimes ask, such as the crafter's own copyright or use of images on social media sites such as Pinterest. Registration is required to download it.

    If you're a fannnish crafter, World of Warcraft player or interested in net neutrality and copyright matters, why not contribute to Fanlore? Additions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup — on transformativeworks.org, LJ, or DW — or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links Roundup for 30 May 2012

    By Camden on Wednesday, 30 May 2012 - 7:14pm
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    Here's a roundup of group gathering stories that might be of interest to fans:

    • The Walt Disney Archives and Disney fan club D23 is putting on a show called Fanniversary. The presentaton is "a celebration of movies, TV shows, attractions, characters and all things Disney that are celebrating milestones in 2012. It’s a roughly 90-minute presentation filled with rare and never-seen-in-public clips, audio, photographs, art and more, touring the country for the first time ever." The six city tour had already sold out when it launched.
    • Another fannish event in Southern California was centered on bronies, and the first ever local meeting got an extensive write-up in The Los Angeles Times. "Stephen Thomas, from Claremont, became something of a brony celebrity when he based his senior high school physics presentation on 'MLP' last year. A video shot in the classroom and posted online quickly went viral; it has racked up nearly 1 million views. Thomas, now at Cal Poly Pomona, said he’d been concerned initially about reaction from his schoolmates. 'I wondered if I’d be a laughingstock for admitting how much I liked the show,' he said. 'But people didn’t think it was silly or dumb.'" They plan to hold their first convention in November.
    • Sequential Tart wrote about yet another Southern California gathering, this one academic and business oriented, Transmedia, Hollywood 3: Rethinking Creative Relations. Unfortunately, one of the panels that was perhaps of particular concern to fans, "Working on the Margins: Who Pays for Transformative Works of Art?", was rather inconclusive. "One of the audience questions posted to the question website asked the panelists to actually address the questions posed in the title of the panel. I had been enjoying the panel, but as soon as that question popped up on the screen, I reflected on it. I'm not sure that the panel addressed the question at all. They talked about their personal experiences, and Mike Farah was pinned down on a question about where Funny or Die pays for stuff, but even then the answer was not super informative. I came away from the panel wondering who indeed pays for transformative works of art and multimedia projects like those being mentioned at this conference? How do some of these people make a living? Where is the profit in things done for free and / or by the Average Joe?"
    • Finally in France a conference on "La Culture du Fan Symposium" was held, which took a more fan-focused approach to some of the same issues, featuring a panel on fan-subbing, brand fans, opera fans, an examination of the term "acafan" and a panel looking at "cultural policy and copyright law in fan production...[and] how fan activity had now entered the political arena, with their practices increasingly monitored by media producers."

    If you're a fan of Disney, My Little Pony, or have your own fan gathering stories, why not contribute them to Fanlore? Additions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup — on transformativeworks.org, LJ, or DW — or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links roundup for 4 April 2012

    By Claudia Rebaza on Wednesday, 4 April 2012 - 4:05pm
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    Here's a roundup of stories on fanfic in the spotlight that might be of interest to fans:

    While newspapers across the globe have featured stories over the past decade on local authors with fanfiction pasts (or presents), the case of former Twilight fanfic, Fifty Shades of Grey has sparked considerable media coverage over the past month, prompting discussion in a variety of areas and hundreds of news stories and blog posts.

    • Some of the early discussion focused on the apparently surprising idea that women like to read erotica, which sent at least one journalist into a panic. Fortunately, the stories prompted some people not surprised by this amazing news to discuss the business of erotica publishing and promote the genre, or "debunk sexist stereotypes about women and technology" by noting how "the removal of the gatekeepers of publishing has huge implications for publishing; but it also has huge implications for gender equality. The women in Twilight fandom who formed their own publishing houses followed in the footsteps of pioneering female-run digital publishers like Samhain, Ellora’s Cave, and Torquere Press, who founded their businesses as romance writers and fans. The success of each of these digital publishers proves that women can not only be their own gatekeepers, but that they have the technical skills to thrive in the process."
    • Other takes suggested that "what’s really groundbreaking about this book and future film – [is] the mainstreaming of fetish. The popularity of this novel has made it okay to talk about erotica as a real literary genre and admit to our own desire to see more than just two types of sex- the vanilla and the grotesque." Others counter that the book's real appeal is that it's a Cinderella story in a cynical age. In Fanfic as Iconography, a romance blogger looks not at the genre but the archetypes in the book and finds herself "[t]hinking about how this giant hit might offer a different model for alpha heroes, I wondered what else romance writers, agents and publishers might learn from it."
    • Paid Content's question about how the novel's success "raises interesting questions about crowdsourcing and copyright" suggested that fan fiction's often collaborative, communal process is in contrast to the single author model of professional remuneration. Author Jami Gold, a former fanfic writer herself, echoed this ethical rather than legal concern. "Without its association with Twilight, the story wouldn’t have received 20,000 reviews (on fanfiction.net) and gained those fans to begin with...She then had her fans, from back when the story was free, buy up copies...and post hundreds of reviews all over the internet. Boom. Instant best-seller...And all she had to do was use someone else’s characters and fanatical fandom ties to get there." This discussion was further explored in a series of posts on Dear Author, including one featuring Rebecca Tushnet from OTW's Legal Committee. Some authors, such as Jim Butcher (who cites Mercedes Lackey's earlier action) has decided "fanfiction is to be licensed as derivative, noncommercial fiction under the Creative Commons (CC) umbrella" with the intention being that "You can’t make money from fanfic based on Jim’s work" and requesting that fans utilize a CC disclaimer on their work.
    • Other stories focused on changes in the publishing industry, both the ones leading up to Grey's marketing success, and what will likely follow given the visible successes of self-published authors. "Ethical objections of fan fiction aficionados over James’s alleged appropriation of copyrighted material, and her breach of fan fiction writers’ most sacred tenet — Thou Shalt Not Publish For Profit — have been drowned out in the rush to find the next “mommy porn” contender in online media outlets once considered outlaw territory and beneath contempt by legit publishers." A recent post at publisher Tor asked if "America may be ready for traditionally published works of fan fiction?" but this is clearly an international matter. "“With the smallest of publishers able to release an e-book to a worldwide audience, hits hit bigger, faster, and simultaneously around the world.”
    • Finally, some articles sought to trace the origins of the book's success, which has moved from a publishing coup to a film sale, with coverage of the book appearing as an alternate cover story to The Hunger Games. While one might question "why fan fiction’s stigma persists" given its ubiquity, perhaps fittingly, the latest news is that Grey will soon have its own derivative works: a parody derived from tweets will be making its way into print soon. And at least one online site has offered recipes tied to the book.

    If you are a Twilight fan or create fan works why not write about it in Fanlore? Additions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup — on transformativeworks.org, LJ, or DW — or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links roundup for 23 January 2012

    By Claudia Rebaza on Monday, 23 January 2012 - 7:51pm
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    Here's a roundup of stories on legal actions that might be of interest to fans:

    • Many fans who were not already aware of the proposed SOPA and PIPA bills in the U.S. legislature became aware of them along with much of the rest of the online community after last week's blackout day of protest in which numerous sites, including those of the OTW, either went dark or sported banners in opposition to the bills. Individual fans also blacked out their own sites or, like blogger Serena Wilken at the Huffington Post, wrote about how fandom might suffer if this legislation was enacted.
    • Some fans have already been affected by anti-piracy efforts. The Wall Street Journal reported that "The Federal Bureau of Investigation shut down Thursday one of the world's most popular file-sharing websites, MegaUpload.com, and announced the arrest of four of the people behind it in a global crackdown against the suspected online pirates." Online locker services are heavily used by fans engaged in transformative works such as podfic recordings, music videos, collections of artwork, or even single story fan fiction downloads intended for eReaders. The sites targeted by local law enforcement were located in various countries, a demonstration of the international scope of U.S. enforcement efforts.
    • Unfortunately, government actions against "piracy" are only part of how fandom may be impacted by legal activity. In a disappointing ruling on January 18, the same day as the Internet blackouts, the U.S. Supreme Court ruled that works in the public domain could be put back under copyright. While the change is intended in part to standardize international copyrights, and thus equalize the standing of foreign creators under U.S. law, this change will also affect numerous artists, musicians and other creators utilizing works previously in the public domain.

    If you are concerned about copyright or use file sharing services, why not contribute your experiences to Fanlore? Additions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup — on transformativeworks.org, LJ, or DW — or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links roundup for 6 January 2012

    By Claudia Rebaza on Friday, 6 January 2012 - 5:12pm
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    Here's a roundup of stories on intellectual property issues that might be of interest to fans:

    • Last month Crunchyroll.com reported that in a countrywide effort, police in Japan "arrested 30 people on suspicion of using file-sharing software" calling it "the largest simultaneous enforcement by the Japanese police against illegal uploaders ever." Tech entrepreneur Andy Baio concluded that young voters may be key to changing the criminalization of remix culture, and dubbed the current efforts against "piracy" as a new Prohibition. Certainly industries that have a stranglehold on entertainment distribution are able to keep increasing costs to fans and the effects are not limited to the young. A pop music critic writing about the rising cost of rock fandom noted "I’d love to continue the path I’ve been following since early adolescence, when my full membership in the rock-lover’s club began. But I’m just not sure I can afford it anymore."
    • The Electronic Frontier Foundation recently filed exemption requests to the DMCA which "asked for legal protections for artists and critics who use excerpts from DVDs or downloading services to create new, remixed works." These exemptions build on and expand exemptions that EFF won last year. "In drafting the requests, EFF had the invaluable assistance of the Samuelson Law, Technology & Public Policy Clinic at the University of California, Berkeley, and the Organization for Transformative Works."
    • A post at TorrentFreak discovered illegal downloading being done by employees at major studios such as Sony, Universal, and FOX. "We aren’t the only ones to come up with the idea of revealing the BitTorrent habits of copyright advocates. Yesterday, the Dutch blog Geenstijl exposed how someone at the local music royalty collecting agency Buma/Stemra downloaded a copy of the TV-show Entourage and video game Battlefield 3." The company's response suggested that their IP-addresses were spoofed, an unlikely but welcome explanation since "if it’s so easy to spoof an IP-address, then accused file-sharers can use this same defense against copyright holders."
    • To those interested in learning more about these issues some recent book reviews noted fans' stake in the discussion. The Times Higher Education in the UK discussed Fan Fiction and Copyright: Outsider Works and Intellectual Property Protection (citing the OTW's Rebecca Tushnet) and The Learned Fangirl reviewed Free Ride: How Digital Parasites are Destroying the Culture Business, and How the Culture Business Can Fight Back.

    If you are interested in intellectual property issues such as fair use and the DMCA why not contribute to Fanlore? Additions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup — on transformativeworks.org, LJ, or DW — or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links roundup for 2 January 2012

    By Claudia Rebaza on Monday, 2 January 2012 - 8:12pm
    Message type:

    The Futures of Entertainment conference was held at MIT over November 11-13 and several panels dealt with fan topics. Videos of conference panels are now available. One was of "Collaboration? Emerging Models for Audiences to Participate in Entertainment Decision-Making". The panelists were Jamin Warren, whose interest is in video games, Seung Bak whose business streams international films, and C. Lee Harrington, a sociologist who has studied soap opera fans and is focusing on aging audiences.

    • The panel began by discussing how fans are influencing corporate decision makers, starting with the case of the Hoover corporation to partner with soap fans to protest the cancellation of All My Children. They also touched on fan subbing communities, and how foreign content such as Korean dramas or telenovelas from Latin America have language barriers to their distribution. Bak said that 80% of his site's content is subtitled through crowd sourcing. This led into a discussion of content creation tools being given to video game communities.
    • There is more of a focus on international audiences for products that are flops in their home countries since they may become popular in other locations and to other audiences. Bak said that although 80% of his site's content was Korean in origin, his audience of users is only around 30% Asian, with 15% being Hispanic, 15% African American and 30% Caucasian. Harrington mentioned that age may be a factor in content reception since older audiences do not generally see participation as part of their role as media consumers. Warren agreed, noting that games need to be marketed based on what people like to do with the games, rather than their demographics.
    • Another topic broached was how credit is given to participants outside the business model. Warren cited Defense of the Ancients and the complications for games in how the copyright law applies to them, as well as their team-based authorship. There was then a discussion about fan-curation experts, and different paths for fans to follow, whether to professional work or simple play. Warren mentioned that professionals also need to be able to balance their creative work and their need to work for clients. The panel concluded by circling the issue of how valuable audience contributions can be solicited and rewarded.
    • An example of solicitation and rewards to an audience can be seen in the Worldbuilder experiment announced by Angry Robot. "In January, when we publish...Empire State, we’ll be inviting fan creators everywhere to visit...and create their own works of art based in the Empire State universe. These creations can then be uploaded to a dedicated website, and distributed under a Creative Commons license. The best of these will be featured in a number of “Best of” anthologies (with most of the proceeds going to the creators)."

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