Fan Conventions

  • OTW Fannews: Writers of all stripes

    By Claudia Rebaza on Wednesday, 19 March 2014 - 10:13pm
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    • Author Robert Jackson Bennett wrote about how to define fans and how that related to his role as a content creator. "I happened to meet a much more established writer than me...I brought up the sort of weird alienation I felt...I knew in my head that I was writing stuff for everyone, for all kinds of people, something that’s applicable to humanity in general rather than people like me, but it was still odd to see it right in front of me, these people I wasn’t like, and know that I was writing for them. He looked at me and said, 'That’s because they’re not you’re[sic] people. They’re not. Don’t make the mistake of thinking that they are.'"
    • ComplexTech posted an interview with author Clive Thompson, who may have some insight for Bennett. "[T]he cognitive benefits of the Internet require social work. That turns out to be a problem for the 10 percent of the population who regards social work with absolute horror...If you pie-chart them, a lot of the negative pieces about the Internet are written by novelists." However, he thinks some writers are the ones to watch. "[T]he world of fan fiction is the most technologically explosive thing I've ever seen in my life. Every single technology that has come along, fan fiction people have come along and colonized it and stress-tested it and found the most amazing things...If you're ever wondering about a future technology, just drop what you're doing and find out what fan fiction people are doing with it...whatever it is, it's the future."
    • Such discoveries aren't likely to come from fanfic-for-hire, as Amazon is commissioning authors to launch fandom lines. Orion Books Editor Jo Gledhill advised fanfic writers to know what makes them happy. "[D]ecide whether you actually do want to find a mainstream publisher! It’s not for everyone. If you love writing and you love the support network of fan fiction, don’t think of it as a stepping stone. It’s a huge community with millions of readers, you’ll get some fabulous advice and feedback as your writing develops."
    • Here & Now focused on the value of that network in a story about Harry Potter fan. "Esther Earl was diagnosed with cancer at the age of 12, and died in 2010 shortly after her 16th birthday. But in that short time, she developed a network of friends through social media, blogging and YouTube videos. She was a devoted fan of the Harry Potter books and was an active member of the Harry Potter Alliance. At LeakyCon, a convention for Harry Potter enthusiasts, Esther met young adult author and vlogger John Green, who would become a friend. Green dedicated his best selling book “The Fault In Our Stars” to her and said that she was an inspiration for the novel."

    What stories and posts about fanfic writing have been important to you? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Transformative Works and Cultures releases No. 15

    By Claudia Rebaza on Saturday, 15 March 2014 - 7:30pm
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    Planning to see the new Veronica Mars movie? You may also want to check out the new issue of Transformative Works and Cultures (TWC)!

    TWC has released No. 15, Fandom and/as Labor, guest edited by Mel Stanfill and Megan Condis, both of the University of Illinois, Urbana-Champaign. The issue's seven articles, two Symposium pieces, roundtable, and three book reviews all relate to topics such as fan labor, gift culture, community, and work. A variety of fandoms get a turn in the spotlight.

    In a roundtable, scholars and an industry insider, Bertha Chin, Bethan Jones, Myles McNutt, and Luke Pebler, discuss the Veronica Mars Kickstarter campaign and its relationship to fans. TWC’s Symposium section features shorter, often personal essays that address particularly fannish connections. In the two essays that comprise this section, Tisha Turk argues that fandom’s gift economy should be understood as involving a wide variety of gifts, a complex system of reciprocation, and the use of gifts as a sign of their reception; and Joly MacFie remembers his time creating badges and zines during the punk era in the UK.

    Several peer-reviewed essays discuss specific media properties in relationship to fans and labor.

    • Bethan Jones discusses Fifty Shades of Grey, noting that pulling a piece of fan fiction off the Internet to publish it professionally means that the fan labor performed as the text was created and disseminated remains unacknowledged.
    • Christina Savage analyzes the TV show Chuck’s “save our show” campaign, placing it in the context of other such campaigns to show how fan labor is used strategically, in this case by ensuring the visibility of their campaign by engaging with sponsors and using hash tags.
    • Rose Helens-Hart, in an analysis of Tosh.0, analyzes how the show’s Web site encourages fans to use personal networks to spread the brand.
    • Matthias Stork analyzes the Glee fan-insider divide as fans were recruited to do work and promised access, only to later have this denied by the producers.
    • Bertha Chin’s analysis also deals with Web sites, fan-created ones; she analyzes Sherlockology and Galactica.tv in terms of gifting versus exploitation.
    • Giacomo Poderi and David James Hakken analyze modding a video game, using online posts made by users to illustrate how fan labor works.
    • Robert Moses Peaslee, Jessica El-Khoury, and Ashley Liles move out of the realm of the virtual and into the physical, as they analyze the motivations and work of fan volunteers at media festivals.

    Three reviews appear in this issue. Stephanie Anne Brown reviews Digital Labor: The Internet as Playground and Factory, edited by Trebor Scholz (Routledge, 2013); Simone D. Becque reviews Cognitive Capitalism, Education, and Digital Labor, edited by Michael A. Peters and Ergin Bulut (Peter Lang, 2011); and Anne Kustritz reviews Gaga Feminism: Sex, Gender, and the End of Normal, by J. Jack Halberstam (Beacon, 2012).

    The next issue of TWC, No. 16, will appear in June 2014. Bob Rehak will present a guest-edited issue on the topic of Materiality and Object-Oriented Fandom. TWC No. 17 (September 2014) will be an open, unthemed issue. Although it is too late to submit to that particular issue, we always welcome general submissions; in addition, two other special issues (European Fans and European Fan Objects and The Classical Canon and/as Transformational Work) are in the works and are still open for submissions. We particularly encourage fans to submit Symposium essays. Read the submission guidelines for details!

  • OTW Fannews: Fandom accomplishments

    By Claudia Rebaza on Monday, 24 February 2014 - 6:22pm
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    • Transformative Works and Cultures editor, Karen Hellekson, will be delivering one of the Academic keynote presentations at the 72nd meeting of WorldCon in London. She will discuss a range of Doctor Who fan videos, including those that recreate missing episodes and re-frame post-2005 episodes.
    • Legal staffer Heidi Tandy will be presenting at South by Southwest on Tuesday, March 11 at 10 AM at the Austin Convention Center in Austin, Texas. Together with professor Anne Jamison, she will be discussing Why Fanfic Is Taking Over the World
    • The 5th annual Digital Media and Learning Conference, themed “Connecting Practices,” calls for learning organizations and institutions to pursue “extreme collaborating" and will be attracting hundreds of technologists, educators, activists and researchers to the Fairmont Copley Plaza in Boston, Massacussets on March 6-8. Among the projects being highlighted is an "online fan fiction community that brings together readers and writers to create, read and review fiction works, fostering mentoring relationships that advance writing and intergenerational learning."
    • The speedrunning site Speed Demos Archive has been holding an annual winter livestreamed speedrunning marathon called Awesome Games Done Quick which has been raising money for cancer research. This year, they raised over a million dollars for the Prevent Cancer Foundation. As LibertyVoice noted "The non-stop game-fest continued for seven days straight and then kept going for bonus games."

    What fan accomplishments do you think should be remembered? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Events Calendar for February 2014

    By Claudia Rebaza on Sunday, 2 February 2014 - 5:54pm
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    Welcome to our Events Calendar roundup for the month of February! The Events Calendar can be found on the OTW website

    • XenaCon, The official Xena Convention, is a "must attend" for any Xena fan! Meet fellow fans and special guests in Burbank, CA February 7-9

      More about Xena: Warrior Princess on Fanlore

    • Popular and American Culture Studies: Yesterday, Today & Tomorrow With a mission to "promote innovative and nontraditional academic movement in Humanities and Social Sciences celebrating America’s cultural heritages," The Southwest Popular/American Culture Association's 35th conference will be in Albuquerque, New Mexico February 19-22nd.
    • Like slash? Then Escapade is where you want to be February 28th-March 2nd! Escapade has been celebrating slash for over two decades! The fan designed convention and includes an art show, dealer's room, panels, a zine library and a songvid show.

      More about Escapade on Fanlore

    We have four calls for papers for coming up in the next month!

    • Call for Papers: Twitter, Celebrity and online public identity

      Contact and submissions to: Sarah Thomas skt [at] aber.ac.uk

      The ongoing adoption of Twitter as a tool for communication, broadcasting and interaction has meant that the social media platform has emerged as a significant site for re-thinking some of the key relationships between celebrity, performance and the presentation of the self. This CFP seeks short articles for Celebrity Studies Journal Forum section that explore Twitter and its usage beyond its status as a ‘new’ platform (that positions its singular significance through comparison with traditional representational media).

      The special issue of the journal will incorporate the style and ethos of Twitter in the submissions: Abstracts should be 140 words and are due on February 28.

      The short articles should begin with reference to a specific Tweet that sparks the analysis within the rest of the article. The final word count for the article will be between 750 and 1,500 words, depending on the number of accepted submissions.

    • Call For Papers: New Directions in Sherlock, Sherlock Holmes

      The BBC "Sherlock" is now one of the most commercially and critically successful series of all time. This one-day symposium focuses on the series to look back at its roots in Conan Doyle’s stories, and examines its treatment of a range of issues including race, gender, terrorism, and international relations.

      The fruits of this symposium will lead to the publication of a special journal issue dedicated to the series. Please email your 200-word abstract for a 20-minute presentation and 50-word biography to ue_tom at hotmail.com by February 28.

      More about Sherlock on Fanlore

    • CFP: FanPhenomena: Fan Studies & Fandom

      The Popular Culture Association of Australia and New Zealand (Popcaanz) is devoted to the scholarly understanding of everyday cultures. Proposals for both panels and individual papers are now being accepted for all aspects of Fan Studies, including, but not limited to, the following areas: Fan Fiction, Fan/Creator interaction, Diversity in Fandom, The Internet and Fandom.

    • CFP: Fan Phenomena: Rocky Horror Picture Show

      Now accepting abstracts to be considered for a new book Fan Phenomena: The Rocky Horror Picture Show from Intellect Press. The Rocky Horror Picture Show (Fan Phenomena) title will examine the film’s fan culture, its essential role in creating the midnight movie, audience participation, and cult film cultures, as well as other areas of influence and social impact. Abstracts, along with CV or resume, are due March, 3rd 2014 and should be 300 words long.

      More about The Rocky Horror Picture Show on Fanlore

    The Events Calendar is here to inform and connect fans about upcoming fan events both face to face and online! We are always open to submissions by anyone with news of an event. Events come in many categories such as Academic Events, Fan Gatherings, Legal Events, OTW Events, Announcements of fanwork fests and challenges, or Technology Events taking place around the world and online. New ideas and categories are encouraged! If you know about any upcoming fan events please let us know!

  • OTW Fannews: Fannish practices

    By Claudia Rebaza on Friday, 24 January 2014 - 12:58am
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    • The San Francisco Examiner reported on gay fans' annual Buffy celebrations. "It was the geeky gay holiday party of the year. 'Gay men love the show because it shows strength in places that don't follow stereotypical societal or heterosexual norms,' Byrd said. 'When getting to know people, I typically out myself as a die-hard 'Buffy' fan. Rarely has a gay person not seen at least one episode of the show.' The article quotes media and religion scholar Anthony R. Mills who suggests "'Real-life practices like attending conventions and screenings create important social interactions; the continuous re-watching of episodes, both communal and individual, functions as religious ritual.'"
    • Blogger Sean Kleefeld observed the similar behavior of television and comics fans. "It's not uncommon now for not only fans to get together to watch in groups, but there are even bars and restaurants that host Scandal viewing parties. Comics, by contrast, have long been seen as a solitary pursuit. After all, part of the nature of reading is that the individual is free to take in the narrative at their own pace." However the viewing behavior of fans was different from casual TV viewers. "Taking in the story is, despite the pacing being at the discretion of someone other than the reader her/himself, an intensely personal experience. Even if everyone in the room is sharing that same experience. It would be like you and all your friends reading a copy of the same comic at the same time -- you're all seeing the same story, albeit with slightly different pacing, but the reading experience is very personal. It's only after you all finish that you can socialize your thoughts and feelings about it."
    • The Daily Dot looked at examples of fannish tagging on AO3. "[W]hen you take a stroll through its 'freeform' tags, the tags that aren’t about categorization and are all about having fun, you meet with a repository of creativity formed somewhere between 'shameless self-gratification' and 'ideas that sounded great when I was high.' Thankfully, the Twitter account @TagsofAO3 is here to catalog the best of the best."
    • The Atlantic discussed How Fanzines Helped Put Doctor Who Fans in Charge of Doctor Who. "Who offers an case study in the way that modern fandom has evolved. The fanzines where Capaldi and others got their start may have seen their numbers decline over the years, but their DNA is all over the modern fandom in a way that distinguishes it from other sci-fi fanzine communities like that of Star Trek. Doctor Who fanzines not only helped keep the fandom alive during its hiatus, they've been a long-standing venue for fans to debate and police the limits of the Doctor Who universe—and these debates have had a direct and noticeable influence on the show itself."

    What fannish practices have you noticed? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Events Calendar for January 2014

    By Angela Nichols on Thursday, 2 January 2014 - 4:34am
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    Happy New Year! Welcome to our Events Calendar roundup for the month of January! The Events Calendar can be found on the OTW website

    The Events Calendar is here to inform and connect fans about upcoming fan events both face to face and online! We are always open to submissions by anyone with news of an event. Events come in many categories such as Academic Events, Fan Gatherings, Legal Events, OTW Events, Announcements of fanwork fests and challenges, or Technology Events taking place around the world and online. New ideas and categories are encouraged! If you know about any upcoming fan events please let us know!

    • Space City Con is an all-ages festival of comics, sci-fi, fantasy, gaming, literature, and art! Envisioned as a "geek festival with free parking," their goal is to put on the best convention possible for current generations of fans, and instill a love of comics, Sci-fi and fantasy in the next generation. In their 2nd Annual Gathering Space City Con is offering a robust mix of authors, artists, comics, sci-fi, fantasy, anime, gaming, costuming, fan group networking, literature, writing workshops and more, in a venue meant to be more approachable to families and children. Space City Con will take place January 3-5 in Galveston, Texas
    • MarsCon2014 is a multifandom, multimedia convention in Williamsburg, Virginia, USA from 17 to 19 January. MarsCon features a wide range of programming including panels, workshops, movie screenings, music and comedic entertainment, gaming spaces, an art room, and more. The convention also offers a family programming track

      More about MarsCon on Fanlore

    • Arisia 2014, New England's largest and most diverse science fiction and fantasy convention, will be held from 17 to 20 January at the Westin Boston Waterfront in Boston, Massachusetts. The 2014 theme will be cross-culturalism. The event features panels on a wide all aspects of science fiction and fantasy literature and media, an art show, a masquerade, gaming spaces, musical guests, a film festival and much more. Arisia may hit our membership cap this year. Pre-registration is strongly recommended.

      More about Arisia on Fanlore

    We have 3 calls for papers for January.

    • CFP: Fifth International Graphic Novel and Comics conference. The theme of this conference incorporates comics production as part of but also outside of institution. Comics are unique in the mass media because the individuals who produce and distribute the products are usually fans: from creators to comics shops owners and comicon organizers. Papers are enocouraged on all aspects of production: from the multinationals and media conglomerations to small scale production such as fanzines and independent presses. Related aspects of the industry are also of interest, for instance censorship and copyright issues, promotional practices (comicons, comics distribution, historical practices eg: the change in distribution from newsagents to comics shops to collecting and comics promotion). It also has long been argued that comics are a medium with the potential for anarchy, whose narratives often push against cultural boundaries and whose graphic nature can render them a target for moral panics and political objections. Although the exhibition will clearly concentrate on the collections of British-published comics held in the library, contributions in this section which deal with these themes across any national culture or period are welcome. Proposals for specific panel topics are also needed.

      Send a 300 word abstract to: d.huxley at mmu.ac.uk and j.ormrod at mmu.ac.uk by 17th January 2014

    • CFP: The Politics and Law of Doctor Who - Politics, law and constitutional questions often feature prominently in Doctor Who stories, whether in the form of the Time Lords’ guardianship of the universe, the Doctor’s encounters with British Prime Ministers, or the array of governance arrangements in Dalek society. Abstracts should be 250 words in length, and should be accompanied by a 100-word biography of the author. Deadline for receipt of abstracts 17 January 2014.

      More about Doctor Who on Fanlore

    • CPF: 'Fandom, Brands and Public Relations'- The goal of this project is to bring scholarly attention to the disciplines' interaction, engagement, and interaction with fans who are publics. The purpose of this special issue is to integrate stakeholder and publics theories with those of participatory cultures and media studies/fan perspectives. Submission deadline: 1st February

    The OTW encourages anyone to submit an event that's not already listed, and to check out the events calendar throughout the year!

  • OTW Fannews: Writing and performing

    By Claudia Rebaza on Monday, 18 November 2013 - 9:21pm
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    Banner by caitie of Inception characters on a stage

    • Allena Tapia wrote at The Huffington Post about 4 F-Words That Support Your Child As a Writer. The tips included encouraging fanfic, use of graphics and multiple platforms, "and total freedom over what he reads and writes."
    • MTV.com wrote about The Janoskians' One Direction mockumentary. In a familiar fan move, further installments are being held hostage until they get sufficient feedback. "The video has already clocked up over 200,000 views on YouTube in just a couple of days, but episode two will only be released once number one hits the big 500K. On their ‘#NotABoyBand World Tour’ earlier this year, The Janoskians performed a One Direction skit as part of their act, but insisted at the time that there is no 'hate' between them and the most famous boy band in the world. Beau told MTV UK back in May: 'To be honest, me and Luke actually love One Direction, we’re huge 1D fans.'"
    • The Daily Dot wrote about the Inception musical staged in New York City. "The event has garnered considerable buzz from the Inception community as well; fans are planning to make the trek to the show from as far away as Canada. It might seem like a surprising act of devotion, but to fans who’ve had no new canon for years, getting the chance to see any new spin on their beloved movie is a not-to-be-missed chance. Fans are also drawn to the musical for shipper reasons: the libretto blatantly indulges the reading of the popular subtext between Arthur and Eames."
    • The L.A. Weekly wrote about slash and the fan con Escapade. "Slash has expanded beyond small, old-school communities like Escapade to younger, Internet fans, who are expressing themselves not only through stories but also via images and GIFs on Tumblr. Over Twitter, some share their obsession with the creators of the shows themselves, a breach that older slash fans used to view as unseemly. Still, among the general public, slash remains little known and little understood."

    What fannish works and fannish history have you experienced? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Minorities in Fandom

    By Claudia Rebaza on Tuesday, 12 November 2013 - 5:59pm
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    • PC Mag ran several articles on minorities in fandom from a panel at New York Comic Con. "Representations of Muslims in media have improved as well. Muhammad Aurangzeb Ahmad, who created the sci-fi compilation A Mosque Among the Stars, said that in the past decade 'Muslims in comics were the quintessential other.' But this has changed with a French Batman who is an Algerian Muslim, a Green Lantern who is a Lebanese Muslim from Detroit, and other re-imagined characters."
    • Such panels at major fan cons are seen as critical for raising awareness of troubling issues in fandom. "Jay Justice said, 'the media doesn’t promote us, so we have to promote ourselves.' Taking onto Tysk’s comments she pointed out that up to a certain age society seems to have no problem with children dressing up in costumes outside of their race. It’s something we often see, for instance, in elementary school Halloween celebrations. Yet at some point we start facing the 'why are you, as a non-white person, trying to portray that white character' questions. Justice asked, 'at what age are we supposed to start telling children that they can’t play certain characters?'"
    • India.com announced the arrival of a new Indian superhero, Chakra on November 30. His move is the result of a partnership between Cartoon Network, Graphic India and POW! Entertainment. "'Chakra: The Invincible' was also selected as part of a handful of third-party content partners soon to be featured on Rovio Entertainment's new ToonsTV platform - one of the largest global digital platforms for kids in the world with over a billion views already since its launch."
    • Disputes in media fandoms tend to lean to verbal harassment rather than physically violent extremes. But the problems generally emerge from a failure to understand the other side's concerns. This can erode formerly good relations between fans and creators, or fans and other fans. "Teen Wolf released a video of actor Dylan O’Brien asking for fans to vote for Teen Wolf in a TV Guide poll... O’Brien joked that if people didn’t vote, they’d kill off the show’s lone surviving gay character, Danny...The joke didn’t seem very funny, particularly when the survival rate for side characters in Teen Wolf is notoriously low for anyone who isn’t a straight, white man."

    What troubling issues have you seen in fandoms? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandoms being seen

    By Claudia Rebaza on Tuesday, 5 November 2013 - 10:03pm
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    Banner by Erin of the post title with a gun, ax, wand and notebooks plus the OTW logo

    • In an interview with The Hollywood Reporter, producer Jeff Eastin discussed fanfiction ships and their influence on his work. "White Collar still wins in terms of fan fiction, but I've seen quite a bit of fan fiction directed at Graceland. The Mike-Charlie 'ship seems to be very popular and after that it shifted pretty quickly to Mike and Paige, which was nice to see...I had heard of fan fiction but I never saw the extent that people went to. (Laughs.) Somebody on Twitter sent me a link to some of the better White Collar fan fiction, and once in a while, I'll check it out and see what people are saying. It's really fascinating to me and it's an interesting subculture that arises on a lot of these shows. In my opinion, if you have people who are [taking part], you've made it."
    • Britt Julious of WBEZ wrote about engaging in Scandal fandom through Twitter. "According to a 2009 study from the Pew Research Center’s Pew Internet and American Life Project, Twitter users are more likely to be African-American women. As well, according to a report from the New York Times of Nielsen ratings, 'Scandal is the highest rated scripted drama among African-Americans, with 10.1 percent of black households, or an average of 1.8 million viewers, tuning in during the first half of the season.'" Thus while the fandom can be seen among different generations in a household "My timeline explodes with chatter about the show, its characters, the clothing, and the music as it airs."
    • Julious also mentions Sleepy Hollow, whose fandom is growing quickly. "For a show that has only been on the air for four weeks—the fifth episode airs tonight—Sleepy Hollow's fan base is loud. That's, at least, what you would assume from the decibel level during the show's New York Comic Con panel." Actor Orlando Jones has been particularly engaged with the fandom, saying during the panel "'Fan art rocks! Who ships Ichabbie?' to rich crowd approval...The importance of shipping to the fan base was confirmed further when the next question came from someone who began, 'So if you’ve been paying attention at all to the Tumblr phenomenon of Sleepy Hollow, Icabbie is a huge deal.'"
    • Meanwhile the Harry Potter fandom continues to make news with its lobbying of Warner Brothers. Bustle wrote about the chocolate campaign. "There's always been an oft-spoken of symbiotic relationship between fans and the studios responsible for creating the work those fans love. There's also been an underlying tension. They create the work (or at least bring it to us), yes; but they're also the ones responsible for messing them up. And there are many scenarios that can carry the weight of this tension: The blundering of a book's canon, the mistreatment of a character, the failure of a studio to fully grasp the thematic elements that first made the source material so special, the list goes on and on. Each error can isolate the fan communities huddled around these works, particularly when that bungling of philosophy extends past the films themselves and into the marketing products sold and used in the real world."

    What examples have you seen of fandoms making themselves heard? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Commercializing fan gatherings

    By Claudia Rebaza on Tuesday, 29 October 2013 - 6:46pm
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    • Buzzfeed looked at the umbrella of Disney fandom at its company fancon. "D23 serves as a giant hype machine for the company’s upcoming productions and consumer products, a big shopping center for the stuff they already have out, and a central meeting spot for fans and fan-vendors from around the world. It has two main constituencies: the hardcore Disney fans — D23 is also the name of the company’s official fan club, with 23 signifying the year Walt Disney moved to Hollywood and founded the studio — and members of the press who brave the traffic to Anaheim to write about the the studio’s movie presentations. The event is like Comic-Con, but with fewer snarky fanboys and more family-centric fare."
    • A post at the Vancouver Sun looks at the evolution of gaming cons. "Over time there has been a definitive split between the two types of conventions, with consumer based ones feeding more into the actual fandom of games. PAX itself is built on the shoulders of this fandom, sponsored and created by Penny Arcade, an online comic that has long dealt with video game and various other nerd and geek culture. While most developers will hardly ever achieve a sort of fame (or notoriety) similar to film or television stars, these conventions give the public, and players a chance to directly interact with those who on the average day are hard to reach. Feedback from these conventions, where betas and alphas of games are available to play, not only help build hype and anticipation for upcoming games, but also allows the developers to gather much needed and necessary feedback from those who will eventually be buying their product."
    • Meanwhile Tumblr plays host to a virtual book club that is part user reaction and part viral marketing. “I still think it can be tricky to create the feel of a book club with people in different time zones who never get to meet. I’m humbly suggesting that Tumblr might be the best way to do it. You can use text as short or longform as you want, art, gifs, videos, songs; you can include hundreds or thousands of contributors without getting confusing; and you can create original posts or share interesting things you find elsewhere on the Web.”
    • These commercial efforts stand in contrast to a recent post on NextGov about an unexpected encounter with fandom, and its relevance to other social activists. "One key insight, though, came from...panelist Lauren Bird of the Harry Potter Alliance...[about]...how super-fandom can go hand in hand with intense criticism...Bird begins her defense acknowledging it may seem silly to protest labor practices in the chocolate industry by focusing on an entertainment company rather than, say, Nestle or Hershey’s. But it makes sense for the HPA...partly because a shift by Warner Brothers could put pressure on larger players in the chocolate industry." Reporter Joseph Marcks concluded "The idea that [a government] agency’s greatest fans could also be among its biggest online gadflies is rare in government. It’s tough to blame agencies for this. Many of them face so much online vitriol it’s tough to sift out any constructive criticism. But agencies are also sometimes so cynical about their own capacity for popularity that they might not recognize a fan movement even if it existed."

    What merging of corporate interests and fan gatherings have you seen? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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