Fan Videos

  • OTW Fannews: Shining a Light

    By Claudia Rebaza on Wednesday, 2 July 2014 - 4:03pm
    Message type:

    Banner by James of a foggy view of trees

    • OTW Fan Video & Multimedia Committee Chair Tisha Turk gave an interview on "the past, present and potential future of vidding and remix culture, and the murky status of fair use – at least when it comes to monetized remixes on YouTube" as well as her own start as a vidder. Discussing copyright claims on fanwork, she said "One possible analogy would be, if I were making a quilt out of various bolts of fabric I purchased, and I cut these pieces, and I piece them together, and add the backing, and I make this lovely quilt, and the people who made the fabrics show up and say: 'I want a cut.' Or: 'You can’t have the profit, I made the fabric, so hand it over.’"
    • The Fandom Post discussed activism around female characters in Star Wars fandom. "Were we wrong to point out our concerns about the first cast photos? Wrong to express dissatisfaction over the lack of Leia in the first wave from the Disney Store? Wrong to share our disappointment that the Star Wars Rebels announcements included the women last and their action figures won’t happen until the second wave? Perhaps if only one of those things had happened, downplaying the outbreak of concern would make sense. It’s never just one thing, though...Staying silent and hoping for the best isn’t the way to create or support change. We need to speak up each and every time."
    • A post at Teleread expressed concern at how site changes can affect writer and reader interaction. "Nobody should have to deal with that kind of abuse, thick skin or not. And it’s sad that it seems to be coming more and more common. It’s in the same vein as the writer who received rape threats for criticizing a comic book cover. How obnoxious our culture has become. We’ve seen time and again that some people use anonymity as a license to be as nasty as they possibly can. It would be great if Fanfiction.net could restore the ability for authors to block anonymous reviews altogether if they wanted. At the very least, the default for reviews after 36 hours should be rejection, not acceptance."
    • A New York Times interview with showrunner Damon Lindelof explored the long-term effects of fan reaction. "Initially, for Lindelof, this kind of fame was very attractive — he interacted eagerly with the fan base of 'Lost,' stoking their expectations and ruminations about the show’s labyrinthine plot...'The longer you tell a story, the larger the stakes have to be,' he says. 'It’s no longer satisfying to say: Are these people who crashed in this plane going to make it out O.K.? Are they going to fall in love? Are they going to live? Are they going to die? It’s like no, are they going to save the world?' In the end, they did save the world, but the way they did it left some faithful viewers unhappy. Cuse has made his peace with this; Lindelof still hasn’t."

    What aspects of fandom do you want to shine a light on? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fan activism

    By Claudia Rebaza on Wednesday, 14 May 2014 - 4:57pm
    Message type:

    Banner by dogtagsandsmut of a black and white photo of protesters holdings signs along with images of peace sign, a heart, and an open book.

    • Indiewire hosted a post about a petition to the MTV Awards. The "Heroes" category overlooked an obvious candidate. "[I]t's still noteworthy that among MTV's 16 categories, the only other group without any female nominees is Best Male Performance. Katniss' exclusion, then, doesn't make sense from either a commercial point of view -- The Hunger Games was the highest-grossing film of 2013 -- or from a J. Law one, since the Oscar winner is nominated in four other categories...The character of Katniss is enough of a cultural touchstone that she appeared in one of the 'Heroes' montages at this year's Oscars, so MTV definitely done goofed."
    • A planned webseries on artists' rights seeks to educate viewers about copyright, the internet and creativity. "CopyMe is "an infographic-style animated webseries that deals with our modern attitude to copying. It assembles the most relevant information and makes it accessible to everyone" so that it "will appeal both to copyright literates, as well as to those with no previous knowledge on these topics. Our biggest goal is to raise awareness and highlight our concerns regarding the copyright realities of today."
    • A Wall Street Journal article about L.J. Smith quoted current and former OTW staffers, Heidi Tandy and Francesca Coppa. "'It feels like a land grab,' said Francesca Coppa...'Big companies are trying to insert themselves explicitly to get people who don't know any better to sign away rights to things that might be profitable.'" Indeed, the article notes that "Ms. Smith says that when she began publishing her Vampire Diaries fan fiction on Amazon this past January, she wasn't aware that she was giving up the copyright to those stories, too. Nor did she realize she'd be giving Alloy a cut of earnings from the new stories."
    • One of our favorite pieces of activism this week is a little biased. White Collar Vids created a vidlet for the OTW's October membership drive in 2012 -- take a look!

    What examples of fan activism have you seen? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a Fannews post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • TWC's Top 10

    By Claudia Rebaza on Thursday, 8 May 2014 - 5:00pm
    Message type:

    Partial view of the TWC word cloud

    One of the OTW's projects is Transformative Works and Cultures (TWC), an open-access academic journal dedicated to fandom and fandom studies.

    But don't think that just because it's a peer-reviewed, scholarly quarterly with a bibliographic listing in the MLA bibliography of journals that the contents of TWC aren't for fans like you to enjoy!  Check out this sampling, ranked by number of DOI resolutions:

    1) "Why we should talk about commodifying fan work", by Nele Noppe. How would legalizing fanwork influence the question: should fan work be free?

    2) "Book Review: Boys' love manga: Essays on the sexual ambiguity and cross-cultural fandom of the genre"by Nele Noppe. "The focus of the book remains squarely on the fans of boys' love manga, which makes it relevant to anyone interested in fan studies."

    3) "Women, "Star Trek," and the early development of fannish vidding", by Francesca Coppa. This paper discusses how early female Star Trek fans structured the practices and aesthetics of vidding, in order to heal the wounds created by the displacement and fragmentation of women on television.

    4) "'The epic love story of Sam and Dean': 'Supernatural,' queer readings, and the romance of incestuous fan fiction," by Catherine Tosenberger. Tosenberger examines the literary, cultural, and folkloric discourses of incest and queerness as invoked by the show in order to argue that "Wincest" fan fiction is best understood not as a perverse, oppositional reading of a manly dudebro show, but as an expression of readings that are suggested and supported by the text itself.

    5) "Endless loop: A brief history of chiptunes", by Kevin Driscoll and Joshua Diaz. Driscoll and Diaz explore the confusion surrounding what chiptunes is, and how the production and performance of music connected to 80's electronic video game soundtracks "tells an alternate narrative about the hardware, software, and social practices of personal computing in the 1980s and 1990s."

    6) "Stranger than fiction: Fan identity in cosplay", by Nicolle Lamerichs. Lamerichs argues that "costuming is a form of fan appropriation that transforms, performs, and actualizes an existing story in close connection to the fan's own identity," and that "cosplay motivates fans to closely interpret existing texts, perform them, and extend them with their own narratives and ideas."

    7) "Repackaging fan culture", by Suzanne Scott. Scott argues that "the strategic definition of fandom as a gift economy serves as a defensive front to impede encroaching industrial factions" like FanLib and Kindle Worlds, and examines "the Seinfeldian roots" of the social taboo of "regifting," relative to fan culture.

    8) "Thirty political video mashups made between World War II and 2005", by Jonathan McIntosh. The creator of the famed Buffy vs. Edward remix vid explores subversive pre-YouTube remixes.

    9) "Book review: Spreadable media: Creating value and meaning in a networked culture, by Henry Jenkins, Sam Ford, and Joshua Green", by Melissa A. Click. "Readers with stakes in the tug-of-war between fans and industry will likely enjoy, and be invigorated by, the authors' arguments about spreadability."

    10) "The Web planet: How the changing Internet divided "Doctor Who" fan fiction writers", by Leora Hadas. Hadas explores how evolving participatory culture clashed with traditional fandom modes and came to a head over one Whovian fanfic archive, using the conflict there to argue that "the cultural logics of fandom and of participatory culture might be more separate than they initially appear."

    And if you want to move beyond the Top 10 articles on TWC, here's a word cloud of the most frequently used words taken from the titles of every article that TWC has published in its 6-year history.

    Would you like to help us generate even more words? Head over to Fanhackers to see how you can celebrate acafandom, meta, and more with us—or check out the TWC Submissions Guidelines for submitting your research or essay to the journal!

  • Events Calendar for May 2014

    By Claudia Rebaza on Thursday, 1 May 2014 - 6:22pm
    Message type:

    Banner by caitie of curtains opening to show a stage with the words OTW Events Calendar

    Welcome to our Events Calendar roundup for the month of May! The Events Calendar can be found on the OTW website and is open to submissions by anyone with news of an event. These can be viewed by event-type, such as Academic Events, Fan Gatherings, Legal Events, OTW Events, or Technology Events taking place around the world.

    • Free Comic Book Day takes place on "the first Saturday in May each year - when participating comic book shops across North America and around the world give away comic books absolutely FREE to anyone who comes into their stores."

      More about Free Comic Book Day on Fanlore

    • M/M Rares

      M/M Rares is an annual fanfiction exchange for rare slash pairings. Participants write a fic at least 1000 words long focusing on a slash pairing another participant has requested. As this is an exchange, they receive a 1000+ word fic featuring a slash pairing they requested in return.

      Nominations Open: 13 April
      Nominations Close: 3 May @ 8:00pm PDT
      Signups Open: 5 May @ 8:00pm PDT
      Signups Close: 23 May @ 8:00 PDT
      Assignments Sent: No later than 30 May @ 8:00pm PDT
      Fics Due: 25 July @ 8:00pm PDT
      Fics Revealed: 1 August @ 8:00pm PDT
      Authors Revealed: 8 August @ 8:00pm PDT

      More about M/M Rares on Fanlore

    • LexiCon

      LexiCon is an open-to-all gaming convention. Visitors can learn to play new games like Gravwell, Sentinels - Vengeance, Jupiter Rising, Relic Runners, City of Iron, and BioShock Infinite: The Siege of Columbia. LexiCon also will have family gaming events like "Learn 5 Family Games in 90 minutes" and Adult Party nights Friday and Saturday. There will also be a Magic the Gathering Tournament with $1,000 1st prize, plus lots of extras.

    • BLush Convention

      BLush Convention is a biennial not-for-profit event organized for Philippine and Asian fans of Boys' Love and Yaoi. The first event was held last 8th December 2012 at Shaw Boulevard, Mandaluyong City, Metro Manila. This year it will take place on May 3 in Manila. It will feature panels and talks, merchandise booths, the much-anticipated butler cafe, La Vie En Rose, and more.

    • Open Doors chat with fans

      OTW's Open Doors committee will be holding two public chats on Campfire (the online chat platform the OTW uses) in order to discuss the import of the Yuletide archives to the AO3. The second will be held on May 4, 1am UTC (see when the chat is held in your timezone)

    • VidUKon 2014

      Vidukon is a fan run convention in the UK where fannish vidders and vid watchers get together to OD on vids and vid talk and have the fun times. Aside from video shows, panels and workshops will run for those interested in the whys and wherefores. A Vid Bazaar is also included in the con-suite where DVDs are up for sale or swap. You can get a spot on the table for a flat fee, payable at registration. Registration is £40 for an attending membership, which includes two and a half days.

      VidUKon is also accepting Premieres and submissions to their Vidder's Choice show - a chance for any member (attending or supporting) to show a vid of their choice during the opening evening. Deadlines for these are 11th May 2014.

      Starting in 2014, a virtual convention will be running alongside the physical convention. If you buy a supporting membership, you will be able to watch the vidshow, including Premieres, streaming, in real time, with comments enabled to discuss the shows with your fellow virtual attendees! After the convention, this will be available to everyone. They are also considering streaming some panels, depending on interest.

      More about VidUKon on Fanlore

    • WisCon

      Running since 1977, WisCon is the first and foremost feminist science fiction convention in the world. WisCon encourages discussion, debate and extrapolation of ideas relating to feminism, gender, race and class. WisCon honors writers, editors and artists whose work explores these themes and whose voices have opened new dimensions and territory in these issues.

      Special events include the Tiptree bake sale and auction, a writer's workshop and a Dessert Party, as well as a vid party. The deadline for submitting a vid is Friday, May 9, 2014, two weeks before the con.

      More about WisCon on Fanlore

    Calls for Papers this month come from:

    • Stardom and Celebrity in Contemporary India

      The forthcoming issue of Indian Journal of Comparative Literature & Translation Studies is opening submissions on "Stardom and Celebrity in Contemporary India". The informing assumption is that there is no single culture of celebrity and the issue will endeavor to highlight the co-existence of multiple domains of celebrity culture in India. IJCLTS invites original, unpublished and innovative work from across the disciplines and across the world. The extent of the essays should be between 3000-5000 words or shorter but rigorously analytic pieces (500-1500 words) whose scope is less extensive than that of an essay but which raises a pertinent point regarding celebrity culture. The pertinent master categories of India studies.

      Besides the articles, IJCLTS is looking for translations, interviews, and book reviews. Submit by 31st May 2014.

    • CFP: My Little Pony: A Transcultural Phenomenon

      "This one day conference seeks to place the 30 year long ‘My Little Pony’ series within critical, cultural and creative contexts, exploring the brand from a multi-disciplinary range of perspectives. 300 word abstracts are invited." The conference will be held at University of Brighton – Grand Parade on Saturday 28 June 2014. Please send abstracts and enquiries to Ewan Kirkland at e.kirkland [at] brighton.ac.uk.

      Deadline for abstracts: 28 May 2014

    • CFP: Queer Fan Cultures in Greater China

      Queer fandom nowadays has become a global phenomenon. The blooming of Chinese queer fandoms in the past two decades has also offered rich sites of queer representations of gender and sexuality. Yet, research explicating Chinese queer fandoms is still far from adequate. The editors seek chapter contributions that elaborate the cultural specificities, significances, transformativity, hybridity, historicity, and futurity epitomized by Chinese queer fan cultures. We are especially keen to receive manuscripts that consider the queer dimensions of gender, sexuality, desire, and fantasy from a wide range of Chinese temporal and geographical settings. We also very welcome submissions that employ interdisciplinary and/or comparative approaches.

      To submit chapter proposal submissions for consideration, please send a 1000- to 1500-word abstract with working bibliography and a CV by May 30th, 2014 to queerfandom2014 [at] yahoo.com.

    • CFP: The Mystery of Edwin Drood: Solutions and Resolutions

      Charles Dickens’s last novel, unfinished as it is, has become a call to arms to a legion of fans, academics and authors to solve the mystery and complete the uncompleted. The Victorian Popular Fiction Association will publish The Drood Inquiry, which will investigate and celebrate the many weird and wonderful responses to Dickens’s story, exploring the ways in which these solutions reflect upon the authors’ attitudes to Dickens and his legacy, and how Dickens’s story and characters exist both within the boundaries of the original text and without in the numerous spin-offs that have arisen.

      Proposals are welcome for 20 minute papers to be presented at a one day conference on the themes of the book or the insights its subsequent treatment can provide on Dickens’s reputation, as well as any discussion of theories on how the story ends. Proposals (up to 500 words) and a brief biographical note should be sent by 31 May 2014.

    • CFP: Golden Age or Gilded Age? Fan Cultures, Past, Present, and Future

      Fan culture has been intimately linked with mass media since the beginning of the movies in the late 1800s and early 1900s. As various technologies have pushed media evolution along – sound, color, television, and internet – fan culture has kept pace and fueled not only consumption but also developed communities. First in fan magazines, then at conventions, fan culture has spread and inspired fans to celebrate the media they loved. This love frequently leads to the development of derivative works such as fan fiction and fan editing—the expansion of existing media elements into whole new worlds.

      Is this the Golden Age of Fan Culture, as brought about by the internet’s ability to transmit media and foster communities, or is this a Gilded Age, where fan culture has gone postmodern, sometimes eclipsing the objects and subjects of fan desire? This area welcomes proposals on a diverse range of topics pertaining to fan culture, both present and historic, with a particular emphasis on visual media such as film and television.

      2014 Film & History Conference is looking for submissions of 200-word proposals by 1 June 2014.


    The OTW encourages anyone to submit an event that's not already listed, and to check out the calendar throughout the year!

  • OTW Fannews: Fans taking the reins

    By Claudia Rebaza on Wednesday, 30 April 2014 - 5:32pm
    Message type:

    Banner by James of a silhouetted horse and rider walking down an incline

    • Den of Geek wrote about fans stepping in to create more content. "As Star Wars fandom continued, fans became content creators too...Pablo Hidalgo wrote and illustrated Star Wars tabletops games before he was hired. Martha Wells...wrote fan fiction before she signed on to pen a novel about Princess Leia." And now two groups are creating video games. "Project Black Light is an effort by fans to write Knights of the Old Republic 3, the highly-anticipated KOTOR sequel that never was" and "Another Star Wars fan game in development is BattleCry, which development team leader Cameron Spencer calls 'a spiritual successor' to Battlefront 2."
    • Provo, Utah's Daily Herald profiled Star Trek fan film creators. "It would be an understatement to say 'Star Trek Continues' wouldn't be possible without Mignogna. He produces, directs, writes, scores, edits and stars in the show. (In the closing credits he's even listed as a carpenter.) Mignogna was "fanatical" about the original series as a young boy, making 'Star Trek' videos even back then. In that way, Mignogna said, 'Star Trek Continues' was "an idea 40 years in the making."
    • Of course sometimes it's the pros who go fannish. My ModernMet showed a variety of business cards for well known fandoms by "Italian creatives Benedetto Papi and Edoardo Santamato of Invasione Creativa".
    • Billboard focused on how happy some creators can be with fan responses. "On the OWN show 'Oprah Prime',' the host played Williams a montage of fan-created YouTube videos adapted to his No. 1 Hot 100 hit 'Happy.' Following a series of videos from London, the Philippines, Iceland and more, the singer found himself in tears." He discussed the song's journey recounting "how radio stations were passing on the song until his 'Happy' clip debuted and fan-made videos began to create attention. 'It was no longer my song,' he says."

    What great fanworks have you seen? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Copyright threats and benefits

    By Claudia Rebaza on Saturday, 19 April 2014 - 6:58pm
    Message type:

    Banner by Erin of a shield bearing the logos of several digital rights organizations.

    • The Asahi Shimbum detailed fan concerns about the TPP. "Usami and other creators of fan fiction, however, could face the possibility of legal prosecution as copyright violators in the future, depending on the outcome of TPP negotiations. Some countries are apparently demanding that Japan clamp down on knock-off and pirated works in the intellectual property arena, even if the copyright holder does not object to it. Under current Japanese copyright law, authorities take action only after the copyright holder, such as the artist of the original work or publisher, lodges a formal complaint."
    • India's Business Standard wrote about book piracy and its turn to crossover fiction. "By the 2000s, piracy had changed across all kinds of language publishing in India. In 2003, Harry Potter's publishers successfully sued Uttam Ghosh, preventing him from introducing a character called Jhontu in a sub-series where Harry Potter goes to Calcutta, a work of fan fiction if there ever was one...Book pirates in China had stayed ahead of the curve, by passing off a weird little book called Harry Potter and Bao Zoulong as a new Potter sequel. In this version, Harry Potter became a leading character in a translation of The Hobbit, with an explanatory paragraph to tell the reader how Harry Potter was turned into a hobbit one day while taking a bath."
    • The Wire explored the origin of The Office Time Machine. Creator Joe Sabia "wasn't really a fan of the show" but created it to "advocate for copyright reform and highlight the importance of fair use in protecting creators and their art."
    • Yet fair uses of content can be beneficial to creators. The Toronto Star discussed how music companies made more money from fan videos than official videos. “A lot of that is due to consumers putting more and more repertoire and new versions up there, but also it’s YouTube getting better at advertising" as now more than 50 countries are part of video ad monetization. "'It’s a massive growth area. We’re very excited about the creativity of consumers using our repertoire and creating their own versions of our videos,' said Francis Keeling, the global head of digital business for Universal Music Group."

    What copyright developments have you seen relating to fandom? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Doing more with fanworks

    By Claudia Rebaza on Saturday, 25 January 2014 - 12:30am
    Message type:

    Banner by Robyn with phrases about creating fanworks and the phrase 'Turn the everyday into fanworks

    • Blogger Priya Sridhar suggested that fanfiction can be used to analyze canon. "'Hitchups' first addresses one of the pressing issues in [How To Train Your Dragon]: female character development. The movie has two notable females: Astrid Hofferson, Hiccup's rival and love interest in Dragon Training, and the Village Elder Gothi...The movie limits Astrid's character by delegating her as the love interest who keeps Hiccup on Berk...Before, she was more concerned about competition and coming out on top in Dragon Training, and she loses that aggression after seeing Hiccup as a romantic partner...In 'Hitchups,' both Gothi and Astrid receive more notable screen time."
    • The Star News Online reported on a comic book collage artist. "Fluty's artwork has...become popular at comic conventions and with comic book fans in the area." Her work began as "a gift for her boyfriend, for whom she made a desk covered in Superman images. Once the desk was complete, there were leftover pieces and images. This led to canvas-based collage images of superheroes."
    • Geekosystem was one of several outlets blogging about a Wholock video. "We would’ve been way less impressed (and not a bit surprised) if the video hadn’t been much more than scenes from the two shows cut together, but Wholock‘s creator, YouTuber John Smith, really surprised us with the visual effects he pulled off. If you want to take a look at how it was made, he put together another video showing how he accomplished the effects for the mashup."
    • Librarian Colleen Theisen who works with Open Doors' Fan Culture Preservation Project discussed the variety of work surrounding the materials. "I love that we're called upon to wear every hat, and to invent some as well. In Special Collections we are librarian and archivist, but that also includes curator, teacher, scholar, conservator, writer, graphic designer, data entry specialist, genealogist, PR manager, social media content creator, web designer, historian, mentor, and even grief counselor. Recently I have added .gif animator, and video director."

    What have you seen done with fanworks? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Playfulness and IP

    By Claudia Rebaza on Thursday, 14 November 2013 - 5:28pm
    Message type:

    Banner by Erin of Lawrence Lessig holding a light saber by the logo for the EFF, facing off against the logo of Liberation holding up cash and a DMCA notice.

    • The University of Buffalo hosted a lecture by intellectual property scholar Madhavi Sunder titled Learning by Doing. Sunder says. “'Copyright owners have tolerated much fan activity on the theory that lawsuits can turn fans’ love to hate. But the emergence of an ‘experience economy’ may lead some owners of cultural property to reconsider their laissez-faire attitude toward play'...But, Sunder says, that impulse raises caution flags about 'the commoditization of fundamental human experiences and play.'...And because IP law is 'fundamentally about promoting knowledge and learning,' Sunder says, lawyers need to be careful to protect that goal, even when they are asked to help corporations turn such play into a commodity to be bought and sold.'"
    • One place rife with automated takedowns, which are particularly likely to be issued indiscriminately, is YouTube. Fortunately, as NPR put in its story title Record Label Picks Copyright Fight — With The Wrong Guy, IP scholar Lawrence Lessig had a video of a lecture taken down due to a small music clip within it. "At first, YouTube took it down. But being a copyright attorney, Lessig knew his rights. He was entitled to use these clips in a lecture under a legal doctrine known as fair use...Liberation Music eventually backed down. But Lessig decided to invoke another part of the copyright law, 'which basically polices bad-faith lawsuits,' he says — threats made fraudulently or without proper basis. Lessig is suing Liberation Music because he wants labels to stop relying on automated systems to send out takedown notices."
    • As vidders well know, hosting sites for their fanworks tend to be more limited than those for other media, and they have often booted fan content entirely when the sites changes their marketing focus. The latest site to evict fan videos is Blip.tv, which deleted content within the past week. The OTW has some tips about alternatives for video makers and the top pick is Critical Commons. Though academic in nature, they welcome fanworks, support fair use, and provide a good alternative to commercial sites such as Vimeo and YouTube. The site already hosts some key works that are part of vidding history.
    • A new software program, Plotagon, offers a way to create a paint-by-numbers fanwork. "Available for Mac and PC, the basic 'city' version of Plotagon software is free and includes five actors and six environments. To create a Plotagon movie, users simply choose characters and an environment, type a script, add a few stage directions and press 'play.' Plotagon movies can be shared online and viewed at Plotagon.com/movies." Properties include Alice in Wonderland and Pride and Prejudice.

    What fanwork and intellectual property stories have you seen? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Events Calendar for October 2013

    By Claudia Rebaza on Sunday, 29 September 2013 - 11:58pm
    Message type:

    Banner by caitie of curtains opening to show a stage with the words OTW Events Calendar

    Welcome to our Events Calendar roundup for the month of October! The Events Calendar can be found on the OTW website and is open to submissions by anyone with news of an event. These can be viewed by event type, such as Academic Events, Fan Gatherings, Legal Events, OTW Events, or Technology Events taking place around the world.

    • Festivids is a yearly small-fandom giftvid exchange. It's modeled on Yuletide; every vidder signs up with fandoms they request, and fandoms they can offer. Each vidder receives a secret assignment and makes a giftvid for their recipient. The vids are posted anonymously in January, and after two weeks, the identities of the vidders are revealed.
      Signups to participate run from October 10 through October 20.

      More about Festivids on Fanlore

    We have six calls for papers this month.

    • Loncon 3 is looking for academic papers to reflect the history and population of London, the host city. The theme of the academic programme is ‘Diversity’. We will be exploring science fiction, fantasy, horror, and all forms of speculative fiction, whether in novels, comics, television, and movies or in fanworks, art, radio plays, games, advertising, and music. Submissions are due 1 October 2013 with notification by 31 December 2013. A 300 word abstract should be sent to emma.england[at]loncon3.org.
    • International Journal of Audience Research: “Masters of the Universe: World-Building and World-Exploring is interested in a mapping of specific communities and their rich relationships with world-building. Any medium (or combination thereof) that engages with story-worlds and world-building: examples include prose fiction, comic books, TV, film, theme parks. Proposals will be considered depending upon their validity for audience studies. Abstracts of 350 words are to be forwarded by October 31st, 2013.
    • In the contemporary media landscape the fan is an active player who participates, creates and collaborates in the construction of any type of media content. Through a multidisciplinary approach to Fandom Studies,V Congreso Internacional Latina de Comuncación Social in Tenerife, Spain aims to explore questions such as: What is the role of fans in the commercial communication of brands? In which ways can the fandom of a particular fictional work contribute to the expansion of the original text? What types of works and sources are used by fans in order to construct their own messages? The deadline for the submission of abstracts is the 31st October, 2013. If you are interested, please send a 300-word abstract with your name and university affiliation to jlozano@uloyola.es.
    • This special issue of Journal of Fandom Studies responds to the well-established and global subculture of fans of Korean popular music (K-pop) and Korean television drama (K-drama) and seeks to examine the uniqueness of K-pop and K-drama fandoms and their contribution to global fandom scholarship. Deadline for submission of Abstracts is 31 October 2013. For more information see the Call for Papers.
    • SW Popular Culture and American Culture Association Conference is looking for papers on any aspect of stardom or fandom and also, specifically on topics related to Doctor Who and Torchwood. Deadline for 250 word proposals is November 1st.

    The OTW encourages anyone to submit an event that's not already listed, and to check out the events calendar throughout the year!

  • OTW Fannews: Fan conventions

    By Claudia Rebaza on Friday, 16 August 2013 - 8:47pm
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    Image by Robyn of gathered people with text reading Meetups Large and Small

    • SB Nation published a somewhat bemused summary of a day at MLB Fanfest but concluded that "The Real Baseball Thing has something to do with the act of playing baseball and something to do with the cumulative experience of watching it over a lifetime, and it's easy to sense its presence and see its effect. It manifests as a slow, blissed-out trancefulness, and it -- and not the sepia tones or the synergy -- is what still fills stadiums and domes. The chance to commune with it is what led volunteers to spend day-long shifts feeding pitching machines and encouraging strangers. It was the only reason anyone was at the Javits Center in the first place, and why the game -- alternately shrunken and puffed-up as it can seem -- can still fill six blocks with excited people."
    • Henshin Justice wrote about the growth of Tokusatsu fandom as seen at Anime Expo. "Power Morphicon is still in its infancy and focused on tokusatsu’s American counterpart; and G-Fest, the largest Godzilla / Japanese monster convention, is far away in the Midwest. Therefore, as the largest North American convention geared specifically toward Japanese animation and entertainment, Anime Expo becomes the big summer convention for most West Coast-based toku fans to meet and geek." This can be a mixed experience since no fandom is completely harmonious. "[T]okusatsu cosplayers aren’t exempt from harsh, unnecessary criticisms. John noted other toku fans who approached him and questioned his cosplay and criticized him for even liking anything related to the Kamen Rider Hibiki series."
    • Fan conventions are also the subject of documentaries, such as Fantasm, a horror convention documentary that "explores the bonds formed by the close-knit community of fans who attend horror conventions."
    • Get-togethers don't always have to be on such a large scale though, and animator Leigh Lahav created the short video "Fangirls" as a gentle poke at the trials and tribulations of female fandoms.

    What fan convention stories do you have? Write about them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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