Television

  • OTW Fannews: Gendered fandom friction

    By Claudia Rebaza on Friday, 9 May 2014 - 4:27pm
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    Banner by Erin of characters from My Little Pony facing off against one another.

    • At Antenna, Myles McNutt argued for the need to focus on male fandom. "Blue Mountain State has connected with young audiences outside of the metrics and discourses most easily visible and counted within the television industry." By this, McNutt means that "the vast majority of the Kickstarter contributors—over 3,200 as of April 16th—are male. This matches the series’ demographic appeals...but diverges from how we typically imagine fan engagement...we rarely consider those audiences as the type of fans who would go so far as to pay to see a series resurrected. That kind of organized fandom has more commonly been associated with women, as part of a broader feminization of fan culture—over half of the Veronica Mars kickstarter backers were women, for instance, despite the fact that Kickstarter’s membership is predominantly male."
    • While the advantages of gender-balanced fandoms are obvious to some marketers, researcher CarrieLynn D. Reinhard discusses fractured fandoms. "This project explores the tensions in the fan discourse surrounding the My Little Pony: Friendship is Magic movie Equestria Girls. Producer Hasbro operates an official Facebook page for My Little Pony that was used to market the movie. With each post, fans’ comments demonstrate the tensions within the fandom and to this film. These tensions demonstrate the range of subsets of the fandom due to its cross-gendered and cross-generational nature. The discourse and resulting fractured fandom highlights the issue of 'appropriateness' in reception of children’s programming."
    • Megan Farnel wrote about gendered disputes in Sherlock fandom. "[I]t’s not like the argument that Moffat is more than a tad sexist is a new one, or anything, but I find the form it takes here particularly compelling. Does he truly think he’s fooling anyone by saying that an episode involving a scene that so clearly mocks slash-fiction writers, calling them 'out of their mind' and arguing they are not 'serious' enough, comes to us from the ACD canon?" Instead "I think a lot of it comes down to labour and gender. This move on Moffat’s part at once allows him to use the canon of the show to respond to the fans he deems not ‘serious’ enough, while also deeming their engagements with the show as any meaningful form of labour worth forming a dialogue with."
    • Of course, sometimes gendered friction can be quite local when, as Toronto Life published, discovering your spouse's explicit fanfiction. "What to do depends largely on where you found it. If the pages were tucked away in a drawer, buy her some sexy lingerie, then rise to the occasion, but don’t mention your discovery. If she left the story open on the kitchen table, take it as an invitation to discuss her rather specific sexual pinings. Be open, accepting and prepared to spice things up in the bedroom (or bathroom or kitchen)."

    What examples of gendered fandom friction have you seen? Write about it on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • TWC's Top 10

    By Claudia Rebaza on Thursday, 8 May 2014 - 5:00pm
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    Partial view of the TWC word cloud

    One of the OTW's projects is Transformative Works and Cultures (TWC), an open-access academic journal dedicated to fandom and fandom studies.

    But don't think that just because it's a peer-reviewed, scholarly quarterly with a bibliographic listing in the MLA bibliography of journals that the contents of TWC aren't for fans like you to enjoy!  Check out this sampling, ranked by number of DOI resolutions:

    1) "Why we should talk about commodifying fan work", by Nele Noppe. How would legalizing fanwork influence the question: should fan work be free?

    2) "Book Review: Boys' love manga: Essays on the sexual ambiguity and cross-cultural fandom of the genre"by Nele Noppe. "The focus of the book remains squarely on the fans of boys' love manga, which makes it relevant to anyone interested in fan studies."

    3) "Women, "Star Trek," and the early development of fannish vidding", by Francesca Coppa. This paper discusses how early female Star Trek fans structured the practices and aesthetics of vidding, in order to heal the wounds created by the displacement and fragmentation of women on television.

    4) "'The epic love story of Sam and Dean': 'Supernatural,' queer readings, and the romance of incestuous fan fiction," by Catherine Tosenberger. Tosenberger examines the literary, cultural, and folkloric discourses of incest and queerness as invoked by the show in order to argue that "Wincest" fan fiction is best understood not as a perverse, oppositional reading of a manly dudebro show, but as an expression of readings that are suggested and supported by the text itself.

    5) "Endless loop: A brief history of chiptunes", by Kevin Driscoll and Joshua Diaz. Driscoll and Diaz explore the confusion surrounding what chiptunes is, and how the production and performance of music connected to 80's electronic video game soundtracks "tells an alternate narrative about the hardware, software, and social practices of personal computing in the 1980s and 1990s."

    6) "Stranger than fiction: Fan identity in cosplay", by Nicolle Lamerichs. Lamerichs argues that "costuming is a form of fan appropriation that transforms, performs, and actualizes an existing story in close connection to the fan's own identity," and that "cosplay motivates fans to closely interpret existing texts, perform them, and extend them with their own narratives and ideas."

    7) "Repackaging fan culture", by Suzanne Scott. Scott argues that "the strategic definition of fandom as a gift economy serves as a defensive front to impede encroaching industrial factions" like FanLib and Kindle Worlds, and examines "the Seinfeldian roots" of the social taboo of "regifting," relative to fan culture.

    8) "Thirty political video mashups made between World War II and 2005", by Jonathan McIntosh. The creator of the famed Buffy vs. Edward remix vid explores subversive pre-YouTube remixes.

    9) "Book review: Spreadable media: Creating value and meaning in a networked culture, by Henry Jenkins, Sam Ford, and Joshua Green", by Melissa A. Click. "Readers with stakes in the tug-of-war between fans and industry will likely enjoy, and be invigorated by, the authors' arguments about spreadability."

    10) "The Web planet: How the changing Internet divided "Doctor Who" fan fiction writers", by Leora Hadas. Hadas explores how evolving participatory culture clashed with traditional fandom modes and came to a head over one Whovian fanfic archive, using the conflict there to argue that "the cultural logics of fandom and of participatory culture might be more separate than they initially appear."

    And if you want to move beyond the Top 10 articles on TWC, here's a word cloud of the most frequently used words taken from the titles of every article that TWC has published in its 6-year history.

    Would you like to help us generate even more words? Head over to Fanhackers to see how you can celebrate acafandom, meta, and more with us—or check out the TWC Submissions Guidelines for submitting your research or essay to the journal!

  • OTW Fannews: Fandom love & hate

    By Claudia Rebaza on Wednesday, 7 May 2014 - 6:01pm
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    • At New Statesman, Elizabeth Minkel discussed tension between fans and content creators. "[M]aybe it’s best to think of fan/creator relations through the lens of 'mutually assured destruction', in the sense that 'they’re allowing me to do what I want, so I’ll enable them through what they want'. Just because we can see each other – and just because we can potentially even talk to each other – doesn’t mean it’s actually a good deal to directly engage with each other...social media continues to transform the way we communicate...it’s not the historical barriers in place, but perhaps instead the ones we continue to erect, out of mutual respect, that help to keep making television worth getting invested in."
    • The Columbia Chronicle looked instead at fan vs. fan. "In 2006, Grieve and a colleague conducted a study to measure how fans view opposing teams and found that when the home team lost, fans were more likely to deem visiting fans unfriendly, rude and untrustworthy than when the home team won. Fans sometimes take their negative attitudes toward rival groups too far, Grieve said, adding that some are emotionally attached to a team simply because they enjoy the confrontational nature of fandom rather than the camaraderie and socialization benefits."
    • Lizzie Yin wrote in The Global Times about how she was an anti-fan. " I'll admit that I once used to like some of my targets. From my perspective, many of the anti-fans out there have a history like me. They used to like somebody or some band, then they grew out of it, and felt embarrassed or ashamed of that past history, since they later found those people 'uncool.' Exactly like the fans, the anti-fans also spend a great amount of time, energy and resources in hating somebody, passionately."
    • At Geek Tyrant, Mick Joest complained about tests of fannishness. "[G]eeks have evolved into something well beyond the current umbrella we share. Table-top gamers may have no interest in Firefly, and the Browncoats could not give a flip less about Manga readers. PC gamers may log 100s of hours in DOTA and never watch an actual episode of the original Star Trek, and that's completely fine. It doesn't make you more or less of geek to have your hands in multiple cookie jars of fandom, and it's that kind of pissing contest of 'who's more popular' that drove many people into the less mainstream interests we share today. "

    What examples of fandom love & hate have you seen? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Spotlight on Open Doors: Scales of Justice

    By Claudia Rebaza on Saturday, 3 May 2014 - 4:40pm
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    Image of Scales of Jutice's cover

    First, a reminder that Open Doors will be holding the second of two public chats on Campfire (the online chat platform the OTW uses) for Yuletide participants on May 4, 1am UTC (what time is that in my timezone?).

    Open Doors would like to thank everyone for coming to the last chat, hanging out, and asking questions! We have a few updates we would like to share:

    • Comment notifications will be turned OFF for all works affected by the Yuletide import. That means if we are importing comments for your works, you will NOT receive an e-mail notification for them. (There will still be e-mail notifications for newly-imported works themselves.)
    • Comments will be imported as backdated comments on the imported work, and will be signed but not linked to an AO3 account.
    • If you have already imported your works to the AO3 and we match its original Yuletide URLs to its AO3 URLs before the import takes places, those works will automatically be added to the appropriate Yuletide subcollection, so you will not need to do this. This will also prevent duplicates of the works from being imported, import comments from the original Yuletide archive onto the work you uploaded yourself, and ensure that the redirect leads to the correct story once the import takes place.

    As a note, if you would like us to match your Yuletide URLs, please contact us before May 11, with the following information:

    Work Title:

    YuletideTreasure.org URL:

    AO3 URL:

    With that settled, today we're focusing on Scales of Justice, a famous Starsky & Hutch zine dating from 1985. It featured original ink drawings, silk screen prints, and intricate calligraphy, and is considered, according to Fanlore, "one of the most beautiful fanzines ever created."

    Silkscreen image from Scales of Jutice of Starsky's head in a puzzle piece and Hutch falling back into a wind tunnel

    As part of Open Doors' Fan Culture Preservation Project, a copy of Scales of Justice will be permanently preserved as part of the University of Iowa's Special Collections.

    Open Doors chair Michelle Dong notes: "I got to hold a copy in my hands, once. The art was lovely, and the colors still bright."

    Inkwork image from Scales of Jutice of Hutch in a feathered cape and Starsky with his hand covering his face. Both of them are inside a giant eye whose iris edge has a row of runes ending in a dragon's head.

    If you swoon the way we do over the possibility of being able to preserve and protect parts of our historical fan heritage and culture like Scales of Justice, please consider becoming a member of the OTW. Your support directly contributes to the continued existence of fanworks like Scales of Justice.

  • Events Calendar for May 2014

    By Claudia Rebaza on Thursday, 1 May 2014 - 6:22pm
    Message type:

    Banner by caitie of curtains opening to show a stage with the words OTW Events Calendar

    Welcome to our Events Calendar roundup for the month of May! The Events Calendar can be found on the OTW website and is open to submissions by anyone with news of an event. These can be viewed by event-type, such as Academic Events, Fan Gatherings, Legal Events, OTW Events, or Technology Events taking place around the world.

    • Free Comic Book Day takes place on "the first Saturday in May each year - when participating comic book shops across North America and around the world give away comic books absolutely FREE to anyone who comes into their stores."

      More about Free Comic Book Day on Fanlore

    • M/M Rares

      M/M Rares is an annual fanfiction exchange for rare slash pairings. Participants write a fic at least 1000 words long focusing on a slash pairing another participant has requested. As this is an exchange, they receive a 1000+ word fic featuring a slash pairing they requested in return.

      Nominations Open: 13 April
      Nominations Close: 3 May @ 8:00pm PDT
      Signups Open: 5 May @ 8:00pm PDT
      Signups Close: 23 May @ 8:00 PDT
      Assignments Sent: No later than 30 May @ 8:00pm PDT
      Fics Due: 25 July @ 8:00pm PDT
      Fics Revealed: 1 August @ 8:00pm PDT
      Authors Revealed: 8 August @ 8:00pm PDT

      More about M/M Rares on Fanlore

    • LexiCon

      LexiCon is an open-to-all gaming convention. Visitors can learn to play new games like Gravwell, Sentinels - Vengeance, Jupiter Rising, Relic Runners, City of Iron, and BioShock Infinite: The Siege of Columbia. LexiCon also will have family gaming events like "Learn 5 Family Games in 90 minutes" and Adult Party nights Friday and Saturday. There will also be a Magic the Gathering Tournament with $1,000 1st prize, plus lots of extras.

    • BLush Convention

      BLush Convention is a biennial not-for-profit event organized for Philippine and Asian fans of Boys' Love and Yaoi. The first event was held last 8th December 2012 at Shaw Boulevard, Mandaluyong City, Metro Manila. This year it will take place on May 3 in Manila. It will feature panels and talks, merchandise booths, the much-anticipated butler cafe, La Vie En Rose, and more.

    • Open Doors chat with fans

      OTW's Open Doors committee will be holding two public chats on Campfire (the online chat platform the OTW uses) in order to discuss the import of the Yuletide archives to the AO3. The second will be held on May 4, 1am UTC (see when the chat is held in your timezone)

    • VidUKon 2014

      Vidukon is a fan run convention in the UK where fannish vidders and vid watchers get together to OD on vids and vid talk and have the fun times. Aside from video shows, panels and workshops will run for those interested in the whys and wherefores. A Vid Bazaar is also included in the con-suite where DVDs are up for sale or swap. You can get a spot on the table for a flat fee, payable at registration. Registration is £40 for an attending membership, which includes two and a half days.

      VidUKon is also accepting Premieres and submissions to their Vidder's Choice show - a chance for any member (attending or supporting) to show a vid of their choice during the opening evening. Deadlines for these are 11th May 2014.

      Starting in 2014, a virtual convention will be running alongside the physical convention. If you buy a supporting membership, you will be able to watch the vidshow, including Premieres, streaming, in real time, with comments enabled to discuss the shows with your fellow virtual attendees! After the convention, this will be available to everyone. They are also considering streaming some panels, depending on interest.

      More about VidUKon on Fanlore

    • WisCon

      Running since 1977, WisCon is the first and foremost feminist science fiction convention in the world. WisCon encourages discussion, debate and extrapolation of ideas relating to feminism, gender, race and class. WisCon honors writers, editors and artists whose work explores these themes and whose voices have opened new dimensions and territory in these issues.

      Special events include the Tiptree bake sale and auction, a writer's workshop and a Dessert Party, as well as a vid party. The deadline for submitting a vid is Friday, May 9, 2014, two weeks before the con.

      More about WisCon on Fanlore

    Calls for Papers this month come from:

    • Stardom and Celebrity in Contemporary India

      The forthcoming issue of Indian Journal of Comparative Literature & Translation Studies is opening submissions on "Stardom and Celebrity in Contemporary India". The informing assumption is that there is no single culture of celebrity and the issue will endeavor to highlight the co-existence of multiple domains of celebrity culture in India. IJCLTS invites original, unpublished and innovative work from across the disciplines and across the world. The extent of the essays should be between 3000-5000 words or shorter but rigorously analytic pieces (500-1500 words) whose scope is less extensive than that of an essay but which raises a pertinent point regarding celebrity culture. The pertinent master categories of India studies.

      Besides the articles, IJCLTS is looking for translations, interviews, and book reviews. Submit by 31st May 2014.

    • CFP: My Little Pony: A Transcultural Phenomenon

      "This one day conference seeks to place the 30 year long ‘My Little Pony’ series within critical, cultural and creative contexts, exploring the brand from a multi-disciplinary range of perspectives. 300 word abstracts are invited." The conference will be held at University of Brighton – Grand Parade on Saturday 28 June 2014. Please send abstracts and enquiries to Ewan Kirkland at e.kirkland [at] brighton.ac.uk.

      Deadline for abstracts: 28 May 2014

    • CFP: Queer Fan Cultures in Greater China

      Queer fandom nowadays has become a global phenomenon. The blooming of Chinese queer fandoms in the past two decades has also offered rich sites of queer representations of gender and sexuality. Yet, research explicating Chinese queer fandoms is still far from adequate. The editors seek chapter contributions that elaborate the cultural specificities, significances, transformativity, hybridity, historicity, and futurity epitomized by Chinese queer fan cultures. We are especially keen to receive manuscripts that consider the queer dimensions of gender, sexuality, desire, and fantasy from a wide range of Chinese temporal and geographical settings. We also very welcome submissions that employ interdisciplinary and/or comparative approaches.

      To submit chapter proposal submissions for consideration, please send a 1000- to 1500-word abstract with working bibliography and a CV by May 30th, 2014 to queerfandom2014 [at] yahoo.com.

    • CFP: The Mystery of Edwin Drood: Solutions and Resolutions

      Charles Dickens’s last novel, unfinished as it is, has become a call to arms to a legion of fans, academics and authors to solve the mystery and complete the uncompleted. The Victorian Popular Fiction Association will publish The Drood Inquiry, which will investigate and celebrate the many weird and wonderful responses to Dickens’s story, exploring the ways in which these solutions reflect upon the authors’ attitudes to Dickens and his legacy, and how Dickens’s story and characters exist both within the boundaries of the original text and without in the numerous spin-offs that have arisen.

      Proposals are welcome for 20 minute papers to be presented at a one day conference on the themes of the book or the insights its subsequent treatment can provide on Dickens’s reputation, as well as any discussion of theories on how the story ends. Proposals (up to 500 words) and a brief biographical note should be sent by 31 May 2014.

    • CFP: Golden Age or Gilded Age? Fan Cultures, Past, Present, and Future

      Fan culture has been intimately linked with mass media since the beginning of the movies in the late 1800s and early 1900s. As various technologies have pushed media evolution along – sound, color, television, and internet – fan culture has kept pace and fueled not only consumption but also developed communities. First in fan magazines, then at conventions, fan culture has spread and inspired fans to celebrate the media they loved. This love frequently leads to the development of derivative works such as fan fiction and fan editing—the expansion of existing media elements into whole new worlds.

      Is this the Golden Age of Fan Culture, as brought about by the internet’s ability to transmit media and foster communities, or is this a Gilded Age, where fan culture has gone postmodern, sometimes eclipsing the objects and subjects of fan desire? This area welcomes proposals on a diverse range of topics pertaining to fan culture, both present and historic, with a particular emphasis on visual media such as film and television.

      2014 Film & History Conference is looking for submissions of 200-word proposals by 1 June 2014.


    The OTW encourages anyone to submit an event that's not already listed, and to check out the calendar throughout the year!

  • OTW Fannews: Fans taking the reins

    By Claudia Rebaza on Wednesday, 30 April 2014 - 5:32pm
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    Banner by James of a silhouetted horse and rider walking down an incline

    • Den of Geek wrote about fans stepping in to create more content. "As Star Wars fandom continued, fans became content creators too...Pablo Hidalgo wrote and illustrated Star Wars tabletops games before he was hired. Martha Wells...wrote fan fiction before she signed on to pen a novel about Princess Leia." And now two groups are creating video games. "Project Black Light is an effort by fans to write Knights of the Old Republic 3, the highly-anticipated KOTOR sequel that never was" and "Another Star Wars fan game in development is BattleCry, which development team leader Cameron Spencer calls 'a spiritual successor' to Battlefront 2."
    • Provo, Utah's Daily Herald profiled Star Trek fan film creators. "It would be an understatement to say 'Star Trek Continues' wouldn't be possible without Mignogna. He produces, directs, writes, scores, edits and stars in the show. (In the closing credits he's even listed as a carpenter.) Mignogna was "fanatical" about the original series as a young boy, making 'Star Trek' videos even back then. In that way, Mignogna said, 'Star Trek Continues' was "an idea 40 years in the making."
    • Of course sometimes it's the pros who go fannish. My ModernMet showed a variety of business cards for well known fandoms by "Italian creatives Benedetto Papi and Edoardo Santamato of Invasione Creativa".
    • Billboard focused on how happy some creators can be with fan responses. "On the OWN show 'Oprah Prime',' the host played Williams a montage of fan-created YouTube videos adapted to his No. 1 Hot 100 hit 'Happy.' Following a series of videos from London, the Philippines, Iceland and more, the singer found himself in tears." He discussed the song's journey recounting "how radio stations were passing on the song until his 'Happy' clip debuted and fan-made videos began to create attention. 'It was no longer my song,' he says."

    What great fanworks have you seen? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fanwork wonders

    By Claudia Rebaza on Tuesday, 29 April 2014 - 3:26pm
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    Banner by dogtagsandsmut of an open book with fairy dust rising up.

    • Malaysia's New Straits Times profiled a local fan artist's work on superheroes. "[H]er drawings of Marvel Comics heroines such as She-Hulk, Rogue and the female Captain Marvel [are] in elegant gowns, drawn in art nouveau style. The illustrations are a stark contrast to the characters’ original style in the comic books which have a tendency to sexualise female characters through costumes and body language."
    • Over at io9's Observation Deck The Legend of Zelda: Majora's Mask's opera was recommended. It now has seven installments, the latest posted earlier this year.
    • The Daily Mail also focused on music, profiling Taylor Davis and her covers of video game music. "[H]er efforts also caught the attention of Journey's composer Austin Wintory, who asked her to be the solo violinist on the game's soundtrack, which Miss Davis described as 'an amazing experience' and 'a dream come true. Since I'm such a huge gamer myself and know the kind of impact the music can have on a gamer, it's so exciting that my performance on the soundtrack is actually a part of the gaming experience and that it might really touch someone in a positive way,' she said."
    • Bustle wrote about how season 3 of Twin Peaks "is a beautiful showcase of fandom at work, and of the capabilities of mediums like Twitter to harbor experimental fiction. This particular foray into Twitter storytelling is centered at the handle @EnterTheLodge, though it stretches out to 50+ Twin Peaks character accounts, telling the story of an imagined Season 3 for the series. They’ve just started the journey, but if you’d like to catch up on what’s gone on so far you can do so through their Storify archive. "

    What amazing fanworks have you seen? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Understanding fandom

    By Claudia Rebaza on Monday, 28 April 2014 - 4:12pm
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    Banner by Alice with the post title over 4 symbols - lips, an ear, a thumbs up and a sheet of paper

    • Dartmouth College's Special Collections Library profiled 19th century fanfic."After the success of Charles Dickens' "Posthumous Papers of the Pickwick Club" in 1837, George Reynolds took the characters on a new picaresque journey in "Pickwick Abroad: or, the Tour in France" published in monthly parts from 1837-38. Our first single-volume edition from 1839 acknowledges its debt to Mr. Dickens (or 'Boz'), but also cites a review from The Age boasting that '"Pickwick Abroad" is so well done by G. W. M. Reynolds, that we must warn Boz to look to his laurels.'"
    • The very confusion over published work and what "counts" was explored by Raizel Liebler, discussing Fanfic or Canon? "The removal of Aaron McGruder from the fourth season of the Boondocks on Cartoon Network is another recent example of the difficulty for fans to figure out what 'counts' and what doesn’t. As fans of Community (during last season), fans of Gargoyles, and fans of Gilmore Girls confronted before — does a show continue to be canon when the major creative force behind it leaves? Does whether some cultural production count as canon or fanon matter whether it is officially authorized?"
    • Melbourne's Herald Sun featured a number of photos from the collection of Tom Broadbent, who explored furry fandom. He "gained the trust of Furries in the UK and spent time capturing the lives of the people inside the suit. By day they are computer programmers, engineers, mortgage brokers and fursuit makers. By night they live a life role-playing their 'fursona' — the animal they have chosen to live as, generally in private. They communicate across internet forums and meet up at conventions, keeping one thing sacred — their human identity."
    • Lady Geek Girl wrote about the LiveJournal community Fandom Grammar. "The Fandom Grammar team is made up of fans from a variety of fandoms who have made it their mission to provide friendly grammatical instruction to the internet masses. They do this in a variety of ways. One way, as I discovered, was by answering tricky grammar and style questions about fandom subjects. Aside from my Harry Potter question, they have covered such varied topics as how to effectively write lolcat speech in fanfic and how to deal with transliteration in fandoms whose source language is not English."

    What fandom explorations have caught your interest? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Copyright threats and benefits

    By Claudia Rebaza on Saturday, 19 April 2014 - 6:58pm
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    Banner by Erin of a shield bearing the logos of several digital rights organizations.

    • The Asahi Shimbum detailed fan concerns about the TPP. "Usami and other creators of fan fiction, however, could face the possibility of legal prosecution as copyright violators in the future, depending on the outcome of TPP negotiations. Some countries are apparently demanding that Japan clamp down on knock-off and pirated works in the intellectual property arena, even if the copyright holder does not object to it. Under current Japanese copyright law, authorities take action only after the copyright holder, such as the artist of the original work or publisher, lodges a formal complaint."
    • India's Business Standard wrote about book piracy and its turn to crossover fiction. "By the 2000s, piracy had changed across all kinds of language publishing in India. In 2003, Harry Potter's publishers successfully sued Uttam Ghosh, preventing him from introducing a character called Jhontu in a sub-series where Harry Potter goes to Calcutta, a work of fan fiction if there ever was one...Book pirates in China had stayed ahead of the curve, by passing off a weird little book called Harry Potter and Bao Zoulong as a new Potter sequel. In this version, Harry Potter became a leading character in a translation of The Hobbit, with an explanatory paragraph to tell the reader how Harry Potter was turned into a hobbit one day while taking a bath."
    • The Wire explored the origin of The Office Time Machine. Creator Joe Sabia "wasn't really a fan of the show" but created it to "advocate for copyright reform and highlight the importance of fair use in protecting creators and their art."
    • Yet fair uses of content can be beneficial to creators. The Toronto Star discussed how music companies made more money from fan videos than official videos. “A lot of that is due to consumers putting more and more repertoire and new versions up there, but also it’s YouTube getting better at advertising" as now more than 50 countries are part of video ad monetization. "'It’s a massive growth area. We’re very excited about the creativity of consumers using our repertoire and creating their own versions of our videos,' said Francis Keeling, the global head of digital business for Universal Music Group."

    What copyright developments have you seen relating to fandom? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: How fandom works

    By Claudia Rebaza on Sunday, 13 April 2014 - 5:32pm
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    Banner by dogtagsandsmut of the post title layered over a series of gears.

    • The question of how fandom works has been popping up in the media. Entertainment Weekly used the finale of True Detective to raise the question: 'Does modern TV fandom actually make it harder to understand TV shows?' "I wonder if the conversation around True Detective made the show seem more ambitious than it actually was. I wonder what it would be like if we could have those conversations about shows that do have a deeper point beyond 'Good vs. Evil.'" (Spoiler warning for the series).
    • At The Mary Sue, Rachael Berkey used the return of Veronica Mars to look at changing fandom. "I was seventeen when I joined my first fandom. It was 1999, and Rent was kind of a big deal...Fandom feels like a completely different beast in 2014. There’s a lingo to it you have to translate until you really go native." She believes that "Fandom has hit its stride in the second decade of the new millennium. Thanks to successful fan-funded projects like the Veronica Mars movie, the great things about being a part of a fandom are being pulled right out into the open."
    • Bronies for Good posted a podcast of Feminism and the Fandom. "One of the core aspects of My Little Pony: Friendship is Magic is how it strives to provide empowerment for young girls through a medium that is typically unfavorable to women. As part of the content blitz for International Women’s Day discussed in more detail in our previous post, and in collaboration with The Round Stable, we have invited fellow fans to discuss femininity, feminism, and women’s issues in the context of MLP:FiM and its fandom." (No transcript available).
    • NPR's Code Switch transcribed their discussion of race in World of Warcraft. Although the interview began by saying "Don't worry, this isn't about racial disparities between black, Latino and Asian players", in fact the discussion does end up there. "DEMBY: So there were no, like, guilds full of young Latino kids? SCHELLDORF: I never met a single person with a 'Hispanic-sounding' accent on the game. But I can say that those who sounded Asian or black were less welcomed...HERNANDEZ: I wish I had found a Latino guild! It would have made things way easier. A friend actually joined an Australian guild one time on accident, so there are definitely some guilds with national or racial identity out there. For us it was about finding a good raiding guild, and eventually a good raiding guild that didn't hate on our accent."

    What factors about how fandom works have you noticed? Write about them on Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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