Legal Committee

  • Proposal for a Small Claims Copyright Process

    By Claudia Rebaza on Wednesday, 6 November 2013 - 8:01pm
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    Banner by Erin of a spotlight on an OTW logo with the words 'Spotlight on Legal Issues'

    The U.S. Congress is taking initial steps to write what the Register of Copyrights, Maria Pallante, called "the next great copyright act." This will be a long, complicated process, but there are some proposals already on the table, including one for a "small claims" process for copyright.

    Traditionally, if a copyright was infringed, the owner had two options: send a cease and desist letter with hopes that the infringer would stop (and possibly pay money), or take the matter to federal court through a standard lawsuit.

    But in September, 2013, the US Copyright Office introduced a proposal that would allow for relatively small copyright claims to be brought in front of a tribunal of copyright experts if both sides agreed.

    As the Copyright Office said:

    "Not all of copyright owners have the same resources to bring a federal lawsuit, which can require substantial time, money, and effort. Moreover, while a copyright owner may want to stop an infringement that has caused a relatively small amount of economic damage, that owner may be dissuaded from filing a lawsuit because the prospect of a modest recovery may not justify the potentially large expense of litigation."

    The implications of such a proposal on fanworks are two-fold, and a mixed bag for fans.

    First, to the extent that fanworks are protectable by copyright -- a complicated question in its own right -- it might make it easier for fan creators to seek redress against people who copy their work without permission, as well as make them stop the infringement. So for example, if a fan creator found their work copied without permission (such as printed onto shirts or calendars, or used in ads), they might be able to register the work with the Copyright Office and then, if the other party agreed, use the tribunal to resolve the issue. An order to stop infringing and limited money damages might be available. The proceeding is expected to be simpler than a traditional lawsuit in federal court, in part because all the arguments will be made electronically rather than in person. It wouldn't simplify the question of whether the fanwork was protected by copyright, but it might simplify the process of dispute resolution if it were.

    Second, making it easier and cheaper for copyright owners to get damages could mean that copyright owners would assert more claims where fair use should actually apply. There is an unfortunate history of some copyright owners abusing simple procedures, such as DMCA notices, in order to suppress fair uses they just don’t like. The proposed tribunal would be able to consider fair use and other defenses for infringement, but no one knows whether the experts would be favorable to fair use or skeptical of it. People with strong fair use defenses might well prefer the additional protections found in federal court. Because the tribunal would be voluntary, any fan who received an infringement claim would want to consult a U.S. lawyer who specializes in intellectual property law and is respectful of fair use before agreeing to participate.

    The OTW will be watching these issues as they develop. While there's no specific timetable for congressional action at this time, there will likely be hearings on this and other copyright issues over the coming year; the Copyright Office can't turn these proposals into law on their own. Keep an eye out; when Congress begins hearings, it will be very important for representatives to hear from people supporting fair use to balance out the concerns of the giants.

  • Comment Period Extended for Fandom Skills Stories

    By Claudia Rebaza on Sunday, 13 October 2013 - 3:21pm
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    On October 3, the OTW's Legal Committee asked for fans to submit stories of how they developed new skills or knowledge as a result of their fandom involvement.

    We asked for people to contribute stories until October 10th since Legal had to submit comments by October 14th. This deadline has been moved forward to November so we can now continue to accept stories until October 30.

    If you would like to submit your own story, please use Legal's contact form. And thank you to all those who have already participated!

  • Your Personal Fandom Stories Are Urgently Needed!

    By Claudia Rebaza on Thursday, 3 October 2013 - 4:44pm
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    The OTW's Legal Advocacy project has stood up for fans' rights to create and share, helping individual fans with legal questions and making fans' collective voices heard in court cases.

    Recently, our Legal Committee asked for fans to help by providing either media stories or personal stories of takedown requests and actions that have made fans hesitant to create or share fanworks.

    Your help is needed again! The U.S. National Telecommunications and Information Administration (NTIA) and the U.S. Patent and Trademark Office (PTO) are seeking public comments on copyright policy issues, including the legal framework for the creation of remixes. The window for these submissions is short -- they must be in by October 14, so we need to act now.

    The Legal Committee is thus looking for stories of how fandom has helped fans in day-to-day life. We need you to share your individual stories with concrete examples. For example, perhaps being in fandom has helped you to learn a language, helped you in school, or helped you improve skills that you use elsewhere — skills such as writing, video editing, coding websites, audio editing, or anything else. We don't need personal information from you, but the more specific the story, the better.

    Our attorneys will use your stories to explain to these agencies, which are likely to propose new legislation about copyright, why any change in copyright law should favor freedom to make transformative works. We succeeded before with the DMCA remix exemptions, but only because we were able to share specific stories from vidders. Now we need stories of all kinds.

    We also need them soon! Please provide us with your stories by October 10, as our team needs time to work with them before the submission deadline of the 14th.

    To submit your story, please use the Legal Committee's contact form.

    And if the OTW's legal advocacy work is important to you, please consider making a donation to support our ongoing efforts. Thank you!

  • Legal Needs Your Help!

    By Claudia Rebaza on Sunday, 22 September 2013 - 5:42pm
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    The OTW's Legal Advocacy project engages in legal cases and responds to fan requests that involve matters of U.S. copyright and fans' rights to engage in fan practices such as creating fanworks.

    But now our Legal Committee needs your help. We are helping with some (confidential, for now) court filings and would like to use the following information to help the drafters shape the arguments. We might possibly include fans' stories of facing legal difficulties, but would only do that with express permission from the fan.

    What we need is the following:

    (1) DMCA take-downs. We'd like to hear from fans who have received DMCA takedown requests for their transformative fanworks and have had to decide whether to counter-notify that their fanworks are fair use and therefore don't violate copyright law. We'd like to hear what they decided to do, why they made that decision, and what the outcome was for them.

    AND

    (2) Fans who’ve been told that their transformative fanworks violate someone’s rights of publicity, or who have considered rights of publicity in deciding whether or not to make a fanwork. We're particularly interested in published accounts about the relationship between fandom and rights of publicity.

    In both cases, all communications will remain entirely confidential. We won't tell anyone's story or use anyone's name (or pseudonym) without their express permission. But we want to make contact with people who have faced these situations -- their stories will help us make legal arguments that, we hope, will prevent future challenges and take-downs of fans and fanworks.

    If you have experienced either of these two things, or encountered news items about either of them, please contact Legal. If you know of someone who has experienced a DMCA takedown request, please direct them to this post. We need to hear from people by October 11. Thanks for your help!

  • No New SOPA for Fanworks

    By Claudia Rebaza on Tuesday, 27 August 2013 - 3:41pm
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    Banner by Diane of a magnifying glass with a justice scale inside

    Back in 2011, legislation was introduced in the U.S. House of Representatives that targeted "piracy" of copyrighted works. These were known as SOPA and its U.S. Senate counterpart, PIPA. The OTW has written about the issue several times. Thanks to activism on the part of Internet users and the participation of various large, well known online sites, the legislation was shelved.

    Recently concern has emerged among fan communities that the legislation is back and will result in radical changes in how fans will be able to create and share fanworks. While it's wise for fans to be vigilant in protecting their rights, it's also important to avoid misinformation.

    The current alarm seems to be in response to a paper published by the U.S. Commerce Department earlier this summer. In this paper they have asked Congress to amend the Copyright Act itself to make it a felony to reproduce or distribute at least 10 or more copies of copyrighted works with a total retail value of at least $2,500. In other words, their stated intention is to match up aspects of 20+ year-old laws to make them more consistent with each other when applied to downloading and streaming. Whether that’s a good idea or not is outside the OTW's focus on fanworks, because streaming of fanworks would still be protected under Fair Use as transformative works. To be clear, the revision proposed by the Commerce Department may have been included as part of SOPA, but nowhere in the recent Commerce Department paper did they ask Congress to bring back SOPA wholesale, with its broader provisions about blocking websites.

    Only the U.S. Congress can create legislation by writing a bill; the Commerce Department is an administrative body and it can’t make something a felony, although it can influence legislation in various ways, including through the U.S. Trade Representative's negotiations with other countries. Assuming that legislation was written and brought before congressional committees, there would be an opportunity for anti-SOPA forces to weigh in. Further, if this particular Commerce Department proposal did become law, it would have no direct impact on fanworks or transformative works because of the fair use provisions of the Copyright Act.

    To be clear, the provision proposed by the Commerce Department could have some impact on fandom activities. If it were to become law it could affect, for example, live group viewings of TV shows or films through unlicensed sites. It could also potentially affect whether certain websites implemented screening mechanisms that didn't allow for fair use, though other aspects of copyright law are likely to be much more important than a change in criminal penalties. But even if the proposed law were enacted, it wouldn't have any direct impact on transformative fanworks like those hosted by the AO3. Such works aren't, and wouldn't become, actionable infringement because “fair use [including in a transformative work] is a lawful use of copyright.”

    If you have questions about legal matters related to fanworks and fan activities, you can always send a message to the OTW's legal team (and thank you to those who alerted us to this matter!); please get in touch with us if you see statements that a certain proposal or piece of legislation would force the OTW and/or AO3 to shut down. We are advocates for and about fandom, and we will protect fans' rights to be creative and share their creativity noncommercially, and work to stop or overturn any laws that would block fans from doing so. You can also subscribe to OTW News through the platform of your choice to stay informed.

  • San Diego Comic Con Recap

    By Claudia Rebaza on Wednesday, 24 July 2013 - 6:48pm
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    The following post was written by Heidi Tandy from our Legal Committee, who represented the OTW at Comic Con

    Were you at Comic-Con this past weekend, or did you follow the online news, announcements, surprise appearances, news leaks, first reactions and photos that covered Twitter, tumblr, Instagram, blogs, Facebook and journaling sites -- and inspired nearly a dozen fics on An Archive Of Our Own?

    The OTW was on site in San Diego, covering Comic-Con for the first time with a small team of reporters and bloggers; we couldn't be everywhere (although none of us slept much) so we'd love to hear your stories and see your photos! Please link to them in comments; if you'd like us to include your pics, please share only photos where the people visibly pictured are on a panel, are celebrities, or have given permission for you to share the photo with us at OTW to use on the site.

    A Meetup Of Our Own

    Team OTW met many of you at A Meetup Of Our Own on Wednesday night, where we chatted about fandom, panels we most wanted to see at Comic Con, strategies for coping with the lines for autographs and to get into Hall H and Ballroom 20, and whether we'd get to see sneak previews of shows and films, or advanced copies of books, comics, games and toys. Authors Scott Westerfeld and Sarah Kuhn joined the party, and it was a relaxing way to get ready for the excitement and frenzy of the next few days.

    Day 1 - Getting Connected


    Sherlock cosplayers

    On Thursday, some of the longest lines were for HASBRO exclusives, Marvel's "Coulson Lives!" t-shirts and Ballroom 20, where two shows - Intelligence and Star Crossed - were showing pilots before the Sherlock panel. Hall H was comparatively quiet. Before the doors opened for panels and presentations, we met fans in long and short lines, talked to costumed attendees about gender-swap cosplay, ran through a few rounds of Cards Against Humanity and looked over the schedule of events. This year, moreso than ever before, attendees with smartphones - or even just text messaging plans - were able to know what was going on at the other end of the con via Twitter or find out about last minute offsite event guests, like Tom Hiddleston on Sunday afternoon at Zachary Levi's NerdHQ. @HallHLine and @Ballroom20, as well as organizational Twitter accounts like OutsideComicCon and SD_Comic_Con and panelist accounts like Marvel's @AgentM and @GeekandSundry were continuous sources of information this year.

    Day 2 -- Fanworks On Display


    An audience of fanfiction lovers!

    On Friday afternoon, an overflow crowd gathered at the "Why Fanfiction Is Taking Over the World" panel. Fanart has become commonplace at SDCC, as Marvel hosted a fanart gallery at the offsite Geek & Sundry location.


    Video screen at the FOX booth

    FOX's booth showcased Teen Wolf fanart and memes during the actors' signing while BBCAmerica did similarly at their offsite Doctor Who meetup. DeviantART sponsored Artists' Alley and some of their staff were featured on various panels. But while many of the authors at signings and on panels at SDCC have backgrounds in fanfic, only the general Fanfiction panel on Friday and a Twilight panel of fanfic writers spent full sessions on fanfiction. However, people in lines and in rooms between panels read stories on their smartphones, tablets and laptops, sharing recommendations with and occasionally reading aloud to those sitting near them.


    "How It Should Have Ended" creators interview

    Simply connecting with the people in line around you was a great way to learn more about fellow attendees' fannish pursuits during the other 51 weeks of the year. Presenters like the team behind the "How It Should Have Ended" videos talked to us about their unexpected transition from fanboys and fangirls to creators of a webseries that people - including Damon Lindelof - are now fans of.

    Indie movies played almost around the clock at the Marriott, and Rob Benedict of Felicity and Supernatural premiered Sidekicks, a film impacted by his experiences interacting with fans of that show at cons over the years. Gingerhaze, who's well known for her original art as well as her fanart, created awesome, inspired drawings at the BOOM! booth just opposite Marvel's massive signing-and-selling-and-celebrating area. Felicia Day celebrated strong female characters, Neil Gaiman hugged MarkDoesStuff and praised his read-alongs, and John Barrowman fanboyed everything (except Stephen Moffat, it seems).

    For many, Friday included a Veronica Mars experience, as the show-turned-movie took over Hall H in the middle of the day, as well as a Horton Plaza movie theater that night. The film is currently the largest Kickstarter-funded project, as it brought together thousands of fans and millions of dollars to partially fund the cost of this major motion picture. (See the cast panel entrance) Perhaps because of Kickstarter's impact on a range of fandoms, this year Comic Con included more panels than ever on crowd-funding, self-marketing and transitioning to professional writing, costuming and art.

    Days 3 and 4 - From the Creator Side

    Team OTW spent much of Saturday and Sunday talking to fans in lines, outside panel rooms, and amid all that, we were also in the press rooms, interviewing the creators and casts of Almost Human, Lost Girl, Adventure Time, The Originals (with a question to Julie Plec about The Tomorrow People, too), Supernatural, Teen Wolf and Black Sails. We asked casts and showrunners about how they're inspired by fan creativity, why they think their shows inspire fans, and how they look at fan reactions, legal issues and social media. We'll be bringing you excerpts from these conversations over the next week.


    "Grrls Fall In Love" panel with Veronica Wolff (The Watchers), Ally Condie (Matched), Holly Black (The Coldest Girl in Coldtown), Veronica Roth (Divergent), Marissa Meyer (Scarlet) and Lissa Price (Starters) with Sherri Smith (Orleans) moderating

    While we went to Comic-Con with a plan to focus our attention on fan creativity and legal issues, random bits of "entertainment news" fell into our laps, and we had to make spontaneous decisions about how to share such news, while keeping OTW's coverage itself focused on stories related to our mission, site and advocacy issues.

    If you were at Comic-Con or the OTW Meetup, we'd love to hear from you, and include your words, images, and videos in our coverage and collections. Comment with links to your posts or videos, or to photos of yourself or panelists. If you're including people other than yourself and/or panelists in your links, please make sure you have the permission of anyone whose face can be seen in the photo.

  • ComicCon Event Reminder

    By Claudia Rebaza on Wednesday, 10 July 2013 - 6:02pm
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    The OTW is hosting a party on Wednesday, July 17, 8:00-9:30 p.m. PDT at the Tequila Bar & Grille at the San Diego Marriott Marquis & Marina (333 West Harbor Drive, San Diego, CA 92101 map and directions here. There will be complimentary margaritas, sodas, chips & salsa, a few rounds of Cards Against Humanity, giveaways and other meet & greet moments designed to welcome everyone to San Diego and Comic Con.

    We're requesting a voluntary donation of $5 to attend. You don't need to be attending Comic Con to join us, although the Marriott is adjacent to the Convention Center so anyone coming from the off-site SDCC hotels via Con Bus can reach it easily.

    If you're planning to attend, you can RSVP or just stop by if you're in town. If you have any questions, leave them here!

    Now that the con's program schedule is available we are still looking for news coverage suggestions from readers. Some fandoms that will be covered include: Veronica Mars, Divergent, Hunger Games, The Mortal Instruments, Supernatural, and Marvel's Winter Soldier. However there are also possibilities for doing interviews with authors, comic book and merchandise artists who are on the exhibition floor but not necessarily in a panel. If you have suggestions, please leave them here!

  • The OTW invites you to Comic Con San Diego

    By Claudia Rebaza on Wednesday, 26 June 2013 - 5:15pm
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    San Diego Comic Con (SDCC) is a major multifandom event taking place each July; this year it's July 18-21. For the first time, the OTW will be covering SDCC, from the convention floor to Hall H lines, from the fan panels to tv, movie and author press rooms. Legal Committee staffer Heidi Tandy will be focusing on legal aspects of fandom, fannish interaction with content creators and other issues of interest to all fans, including fanfic writers, fanartists and vidders.

    In addition, the OTW is hosting a party on Wednesday, July 17, 8:00-9:30 p.m. PDT at the Tequila Bar & Grille at the San Diego Marriott Marquis & Marina (333 West Harbor Drive, San Diego, CA 92101 map and directions here. There will be complimentary margaritas, sodas, chips & salsa, a few rounds of Cards Against Humanity, giveaways and other meet & greet moments designed to welcome everyone to San Diego and Comic Con.

    We're requesting a voluntary donation of $5 to attend. You don't need to be attending Comic Con to join us, although the Marriott is adjacent to the Convention Center so anyone coming from the off-site SDCC hotels via Con Bus can reach it easily.

    We'd also like to know what SDCC participants you would like Heidi to speak to and what questions you would like her to ask? The ComicCon schedule will become available around July 4, and we will send out another reminder after it is posted.

    Let us hear from you! Just keep in mind that Heidi can only be in one place at one time, and that she can speak with only so many people in a single day. She is also scheduled to appear on two panels during the con. The first is a panel for the forthcoming SmartPop book Fic: Why Fanfiction Is Taking Over the World, for which she and other current or former OTW staffers have contributed. Heidi will also be moderating a Harry Potter panel on Sunday afternoon. However, we would like to include as many of your suggestions as possible.

    Some planned questions currently include:

    • Have you heard of or planned anything for your property to be part of Amazon's Kindle Worlds project?
    • How involved are you with tie-in creations generally, and do you see fan work to be different?
    • How would you have answered this question 3 years ago? What about 8?
    • How much regular contact do you have with legal staff in your work regarding fan creations or other things besides your own content?
    • For fans: Have you ever received a C&D? What did you do? What would you do if you got one now?

    We will be publishing stories from her SDCC visit in the week after the event (starting after July 25) in both print and video form - and she'll liveTweet as much as possible from the halls of the San Diego Convention Center through the OTW News twitter account.

  • What Fans Should Know About Amazon's Kindle Worlds Program

    By Curtis Jefferson on Wednesday, 29 May 2013 - 5:39pm
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    There's been a lot of talk about Kindle Worlds lately, and the OTW has received some questions about its legal implications. The OTW has long maintained that noncommercial fan fiction is fair use, and Amazon's new program does not change that in any way. It also doesn't change anything about the AO3's continued mission to provide a permanent platform for noncommercial fan fiction. (And don't forget, works on the AO3 are readable on the Kindle and other handheld platforms.)

    So should fan writers put their works on Kindle Worlds? That is, of course, up to you. We believe that every author should make up their own mind about whether they want to publish their work on a particular platform. However, we also believe that every person should have a full understanding of the terms they are agreeing to by doing so. We've reviewed the information Amazon has made available to date, and have tried to explain the practical implications in this post.

    In the professional publishing world, the terms of the contracts (agreements) between authors and publishers are heavily negotiated by the authors' agents. It appears that Amazon expects to use a "one size fits all" contract for Kindle Worlds. They haven't yet made that full contract available for potential submitters to read. But here are some terms of the Kindle Worlds contract that are mentioned on their page of which you should be aware:

    • "Amazon Publishing will pay royalties to the rights holder for the World (we call them World Licensors) and to you."

      This means that whoever holds the copyright to the underlying work will be making money off your stories, as well. How much? We don't know.

    • "Your standard royalty rate for works of at least 10,000 words will be 35% of net revenue."

      The key phrase to be aware of here is "net revenue." This means that your royalty will not be calculated on the price of the book (so, for a $1 book, 35 cents a copy), but rather on whatever's left after all of Amazon's costs, which are undefined, are accounted for. Depending on how aggressively Amazon defines its costs—and Hollywood, for example, is famous for calculating them very aggressively—that could mean you get little to nothing.

    • "Amazon Publishing will acquire all rights to your new stories, including global publication rights, for the term of copyright."

      This appears to be intended to be an exclusive license on all forms of the story.

      What does "exclusive license" mean in this context? It means that no one else can make any other use of the story—including, quite possibly, you yourself. For that reason, it likely means that Amazon wouldn't let you include your story in both Kindle Worlds and a fandom site.

      Why does "all rights" matter? Well, what if Amazon likes the story and wants to commission a graphic novel adaptation of it? This language implies that they can do so…without any additional payments to you.

      Also, "for the term of copyright" means that Amazon claims the right to your work until many years after you've died--so for all practical purposes, forever. (Although you may, because of U.S. copyright law, be able to terminate this agreement after 35 years, but even that is a long time.) If, in the end, you decide you don't like the deal you're getting from Amazon, you may well not be able to withdraw your stories from Kindle Worlds, even if you are willing to give up any further royalty payments.

    • "When you submit your story in a World, you are granting Amazon Publishing an exclusive license to the story and all the original elements you include in that story. This means that your story and all the new elements must stay within the applicable World. […] We will also give the World Licensor a license to use your new elements and incorporate them into other works without further compensation to you."

      So, not just Amazon, but the copyright holder to the underlying work, as well, has rights to what you create. Write the story that the underlying copyright holder wants to use as the basis for the summer blockbuster version of the story? You've donated it.

      Also, "your story and all the new elements must stay within the applicable World" implies that, if you happen to create a popular OC or other idea, you can't use it in other stories not published with Kindle Worlds.

    Finally, there are a number of contract terms that are important in publishing but not yet discussed on the Kindle Worlds page. For instance, editorial control—Amazon has provided "Content Guidelines" for works, but there's a lot about them that's unclear. They include prohibitions on crossovers, on "offensive content," and on "offensive depictions of graphic sexual acts." It's hard to know exactly what these mean, and whose standards will apply. We cannot predict how consistently these restrictions will be enforced or how fan-friendly the enforcement process will be. It's also not clear whether Amazon will claim the right to do anything more than reject a work for failing to meet those guidelines (like edit it against your will). And the terms may change depending on what happens next and whether the program expands. There is also mention of a Cover Creator, but no mention of whether it will cost you anything to use it, or whether you will have permission to use images from the show in question. Presumably, more of these will become clear when Amazon publishes the actual contract.

    As we said at the beginning, whether you want to participate in Kindle Worlds is up to you. If it meets your needs, great! We hope this post has helped you make up your mind in an informed fashion. Regardless, the OTW will continue to provide a platform and advocacy for noncommercial fanfiction.

  • OTW Fannews: Giving people what they want

    By Claudia Rebaza on Sunday, 28 April 2013 - 6:55pm
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    • Slate wrote about how badly the DMCA affects accessibility of technology from ebooks to online videos. "[P]ublishers, video programmers, and other copyright owners lock down digital content with digital rights management technology designed to limit users’ ability to access, copy, and adapt copyrighted works to specific circumstances. And copyright owners frequently fail to account for the need to adapt DRM-encumbered works to make them accessible to people with disabilities.

      For example, e-books often include DRM technology that prevents people who are blind or visually impaired from running e-books that they have lawfully purchased through a text-to-speech converter that reads the books aloud. Similarly, Internet-distributed video and DVD and Blu-ray discs include DRM features that prevent researchers from developing advanced closed captioning and video description technologies that make movies and television shows accessible."

      What's more the process is the same one the OTW has to follow to maintain its DMCA exemption for fan video makers. "Requiring nonprofit disability groups to ask permission from the government every three years and navigate a complex legal minefield to implement urgently needed accessibility technology is not compatible with progressive, conservative, or libertarian values; the goal of equal access for people with disabilities; or common sense.”

    • Two of the OTW's Legal Committee members, Heidi Tandy and Rebecca Tushnet, recently were on a fanfiction panel with Vice President and Senior Intellectual Property Counsel for Warner Bros, Dale Nelson at the 6th Annual PIPG Symposium. Tushnet wrote about the panel and Nelson's discussion of fan activities: "Fan activity is fans having fun. Are they legitimate, are they acting from love? Or do they see fan activity as a loophole—make a fan film to showcase talent without having read Harry Potter? It’s not fans commercializing the property. We have exclusive rights; commercialization/merchandising in particular will draw our attention. But we tolerate a lot, including fan films, websites (the Leaky Cauldron, popular HP site); Dallas fan site; Lord of the Rings fan site; Quiddich players." She also responded later that it was how they interpreted fan intentions that mattered the most. For example, running ads on a website was usually not an issue because "some fan activities/sites do involve costs, and if it couldn’t run ads/raise a little money it wouldn’t exist."
    • Techdirt posted about a White House petition aimed at changing copyright for the digital age. "The petition notes that the public has lost respect for copyright law, and the government should take steps to fix that, including securing first sale rights, more transparency and a right to remix." Fan rights are expressed in the following: "[A]s responsible creators we need to be able to freely remix existing music and other forms of creative expression to create new works without undue fear of prosecution. This upholds the original Constitutional purpose of copyright, which is to promote progress."
    • Popular bookmarking site Pinboard has made it easier for fans to use it. "For months now it's been possible to declare yourself a part of fandom on the Pinboard settings page, but apart from making people feel good, the checkbox had no practical effect. I've finally changed that by offering a version of the sitewide search engine scoped only to users who self-declare as fans. This should make it easier to find fic using common keywords that would get drowned out on the main search page."

    Do you have stories about fan-focused technology or legal developments? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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