Takedowns

  • Links Roundup for 23 March 2011

    By .allison morris on Wednesday, 23 March 2011 - 12:08pm
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    We've got a bumper crop of recent news items that are of interest to fans — a victory for fair use, a refreshingly positive take on fanworks and popular entertainment, and the reversal of a wrongful takedown.

    • Copyright troll Righthaven achieves spectacular "fair use" loss
      Ars Technica reports that Righthaven, known for their indiscriminate lawsuits on behalf of rights owners, lost a recent case when a federal judge ruled that the reproduction of an entire news article by a non-profit group was fair use. Righthaven follows a business model that relies on scare tactics, skipping over the cease and desist step entirely in favor of the spectre of a potentially costly lawsuit. Their gamble that targets will pay to settle out of court didn't pay off this time, and may actually and ironically have strengthened fair use in the US.
    • 5 Reasons Pop Culture Is Run by Fan-Fiction
      Cracked.com puts fanfiction into context, and presents a refreshingly positive spin on the topic, looking at the history, range, and omnipresence of fanworks. Hypocrisy is a theme of the article, as it points out again and again that there's little that divides many oft-mocked fannish tropes from oft-used (and highly successful) entertainment staples.
    • How I Fought a YouTube Takedown and (Eventually) Won
      When Anita Sarkeesian's remix video critiquing sexism in video games was removed by YouTube not for copyright violation, but for an unexplained Terms of Service violation, she googled, tweeted, and sought help. The tale of the takedown's reversal is a heartening example of a victory over wrongful removal of content, but the time, effort, and expert help she needed to overturn the miscategorization of her fanwork as spam is sobering.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about you can submit it in three easy ways: comment on the most recent Link Roundup on transformativeworks.org, LJ, or DW, tag a link with "for:otw_news" on Delicious or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Ley de Derechos de Autor revisada sigue siendo fuente de preocupación para los fans españoles

    By .Helka Lantto on Wednesday, 9 March 2011 - 10:04am
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    Escrito por Tanaqui, con reportes adicionales por hele

    Los propietarios de sitios de fans acusados de infracción a los derechos de autor o a una marca comercial (trademark) pueden haber obtenido alguna protección adicional limitada en la versión más reciente de la nuevas leyes de propiedad intelectual de España, pero algunos grupos de defensa argumentan que la nueva ley es innecesariamente restrictiva y otros, que da origen a procedimientos engorrosos que no protegerán a los titulares de los derechos en cuestión.

    La Ley Sinde revisada, llamada así en honor a la Ministra de Cultura Ángeles González-Sinde, fue pasada al Senado español en Febrero, y será remitida a la otra cámara española, el Congreso de Diputados, en marzo. Bajo la nueva Ley--una sección de la más amplia Ley de Economía Sostenible – las solicitudes de aquellos que tienen los Derechos de Autor para que sitios de web o páginas individuales sean bajadas deberán ser sometidas a una revisión judicial antes de que los ISPs (proveedores de servicios de Internet) puedan actuar.

    La ley ha sido promulgada en el contexto del Paquete Telecom aprobado por el Parlamento Europeo en noviembre de 2009 y bajo la presión ejercida por la embajada de los Estados Unidos en España, como fue revelado a través de cables publicados por wikileaks. La misma González-Sinde ha sido acusada de tener un conflicto de intereses, habiendo trabajado como guionista y directora antes de ser nombrada Ministra de Cultura.

    Mientras que la mayoría de las objeciones a la ley se han enfocado en el intercambio de archivos, la ley en sí simplemente se refiere a los “derechos de propiedad intelectual”, lo que significa que un amplio espectro de las actividades de los fans, incluyendo arte, vids, fanfic y podfic podrían estar en peligro bajo ella. Más aún, las revisiones a la Ley Sinde ni siquiera pueden proporcionar la protección limitada que pretenden ofrecer a los sitios mantenidos desde España en dominios .com. Las autoridades de Estados Unidos han recientemente tomado control sobre el dominio Rojadirecta.com [NT: en inglés], derribando el sitio Rojadirecta en forma absoluta, a pesar de que las actividades de Rojadirecta habían sido declaradas legales luego de una prolongada batalla en las cortes españolas.

  • La révision de la loi sur le copyright continue d'inquiéter les fans espagnols

    By .Helka Lantto on Wednesday, 9 March 2011 - 10:01am
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    Écrit par Tanaqui, avec le concours de hele.

    (Remarque: la majorité des liens mènent vers des pages en espagnol.)

    Les propriétaires de sites de fans espagnols accusés de violation de copyright pourraient avoir obtenu davantage de protection, même si elle reste limitée, grâce à la nouvelle version de la nouvelle loi espagnole sur la propriété intellectuelle; mais certains groupes contestent, argumentant que la nouvelle loi est inutilement restrictive et d'autres que cela crée des procédures interminables qui ne protègeront pas les propriétaires des droits.

    La version révisée de la Loi Sinde, nommée ainsi en l'honneur de la ministre de la Culture Ángeles González-Sinde, a été passée au Sénat espagnol en février, et elle doit maintenant retourner à l'autre chambre du système législatif espagnol, le Congrès des Députés. Sous la nouvelle loi - une section de la plus vaste Ley de Economia Sostenible - les demandes pour la fermeture de sites ou de pages individuelles, soumises par les propriétaires des droits, doivent maintenant être présentées pour un examen judiciaire avant que les fournisseurs d'accès à Internet puissent agir.

    La loi a été décrétée sur fond du Paquet Télécom, passé par le Parlement Européen en novembre 2009 and sous pression exercée par l'ambassade américaine en Espagne, comme il a été prouvé par des révélations publiées par Wikileaks. González-Sinde a elle-même été accusée de conflit d'intérêt, ayant travaillé comme scénariste et réalisatrice avant d'occuper son poste de ministre de la Culture.

    Si la majorité des objections à la nouvelle loi a été centrée sur la question du partage de fichiers, la loi même réfère simplement aux “derechos de propiedad intelectual” ou droits de propriété intellectuelle, incluant ainsi un large panel d'activités de fans, y compris des créations graphiques, vidéos, fanfictions et podfictions, comme cibles potentielles. Par ailleurs, les révisions de la loi Sinde pourraient même ne pas offrir les protections limitées qu'elles proposent pour les sites gérés depuis l'Espagne sur des domaines .com. Les autorités américaines ont récemment pris contrôle du domaine Rojadirecta.com, fermant le site de Rojadirecta de manière effective, malgré le résultat d'une bataille juridique en Espagne, ayant finalement décrété les activités de Rojadirecta légales.

  • Revised copyright law continues to provide major concerns for Spanish fans

    By .Helka Lantto on Wednesday, 9 March 2011 - 9:57am
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    Written by Tanaqui, with additional reporting by hele

    (Please note that many of the links lead to web pages in Spanish.)

    Owners of fansites accused of copyright or trademark infringement may have gained some limited extra protection in the latest version of Spain’s new intellectual property laws, but some advocacy groups argue the new law is unnecessarily restrictive and others that it creates cumbersome procedures that won’t protect rights holders.

    The revised Sinde law, which is named after culture minister Ángeles González-Sinde, was passed in the Spanish Senate in February and will now be sent back to Spain’s other chamber, the Congress of Deputies, in March. Under the new law--a section of the wider Ley de Economía Sostenible – requests by copyright holders for sites or individual webpages to be taken down must now be subjected to judicial review before ISPs can act.

    The law has been enacted against a background of the Telecoms Reform Package passed by the European Parliament in November 2009 and pressure exerted by the USA embassy in Spain, as revealed in leaked cables published by wikileaks. González-Sinde herself has been accused of a conflict of interest, having worked as a scriptwriter and director before being appointed Culture Minister.

    While most objections to the law have focused on filesharing, the law itself simply refers to “derechos de propiedad intelectual” or intellectual property rights, meaning that a wide range of fan activities, including art, vids, fanfic and podfic could all be targeted under it. Moreover, the revisions to the Sinde law may not even provide the limited protections they purport to offer for sites run from Spain on .com domains. US authorities recently seized control of the Rojadirecta.com domain, effectively taking down Rojadirecta’s website, despite Rojadirecta's activities having been declared legal after a protracted battle in the Spanish courts.

  • Links Roundup for January 17, 2011

    By .fcoppa on Monday, 17 January 2011 - 2:32pm
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    Here’s a roundup of links that might be of interest to fans: stories about the Catcher in the Rye sequel, video parodies and edits, more inexplicable takedowns, editable videos on iTunes and more beneath the cut!

    * Frederick Colting has cut a deal with the Salinger estate to publish his sequel, 60 Years Later, in most of the world--but not in North America. In the U.S. and Canada, he has agreed to wait until the expiry of copyright on the original.

    * Warner Brothers isn't going to fight a viral YouTube parody of their new 3D Yogi Bear film even though its dark in tone (spoiler: death warning for major character!) The studio acknowledged that the video was a protected work of parody.

    * The New York Public Library is running the 90 Second Newbery Video Contest, which invites people to "make a video that compresses the story of a Newbery award-winning book into 90 seconds or less." Remix seems to be becoming a standard pedagogical practice.

    * iTunes & Sony Are Experimenting With Searchable, Clippable Movies: new features include the ability to search the video for exact phrases, and "clip and share."

    * Anita Sarkeesian of Feminist Frequency is trying to find out why her political remix video, a video game vid made to Too Many Dicks on the Dance Floor, was removed as a content violation of YouTube's terms of service.

    * Lastly, Henry Jenkins is continuing to host exhibits of various kinds of remix video at his blog. Both vidders and amv-makers might be interested in this in-depth comparison between vidding and amv, and gamers might enjoy Part 1 and Part 2 of the Video and Gaming Culture segment.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about you can submit it in three easy ways: comment on the most recent Link Roundup on LJ, IJ or DW, tag a link with "for:otw_news" on Delicious or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • La opinión de la corte alemana refuerza la creciente diferencia entre la responsabilidad de los hospedadores webs norteamericanos y europeos.

    By .Helka Lantto on Wednesday, 27 October 2010 - 6:20pm
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    Las cortes alemanas han indicado que podrían obligar a las empresas de hospedaje de vídeo como YouTube a buscar y eliminar de forma proactiva [NT: en inglés] videos de música que infrinjan los derechos de autor, en lugar de exigir a los titulares de derechos de autor y a los organismos de derechos de cobro que presenten avisos antes de que se eliminen los vídeos.

    Esto viene a sumarse a la condena, el febrero pasado, de tres ejecutivos de YouTube en Italia, donde la decisión del tribunal italiano incluyó una clara implicación de que todos los videos albergados en su sitio deben ser pre-seleccionados. [NT: en inglés]

    Aunque la agencia alemana de derechos de autor GEMA, perdió una solicitud de carácter urgente a finales de agosto de 2010, solicitando que el acceso a ciertos videos sea bloqueado, esto fue un pequeño consuelo para los sitios de hospedaje alemanes. El fallo se realizó sólo sobre la base de que una orden de emergencia en sí misma era inadecuada, siendo que GEMA sabía de hace mucho tiempo que los videos estaban disponibles en YouTube. El juez invitó a GEMA a solicitar una resolución en los procedimientos regulares, indicando que su reclamo en ese caso probablemente fuera exitoso. El ha sido publicado diciendo que "existen algunas buenas razones para pensar que YouTube tiene cierto deber de detectar las subidas de archivos ilegales".

    GEMA indicó [NT: en inglés] a principios de octubre del 2010 que tiene planes para presentar una nueva demanda.

    Según algunos observadores legales [NT: en inglés], el dictamen del tribunal alemán parece ser el último de varios [NT: en inglés] ejemplos [NT: en inglés] de una diferencia emergente entre la forma que una misma ley se interpreta en Europa y los EE.UU. [NT: en inglés], donde YouTube y otras empresas están cubiertas por el concepto "puerto seguro" de las disposiciones de la Digital Millennium Copyright Act (DMCA). Sitios web de hospedaje basados en Europa parecen estar en mayor riesgo de ser considerados responsables por las acciones de los usuarios antes de recibir avisos de eliminación.

  • Urteilsbegründung eines deutschen Gerichts verstärkt Unterschiede in der Haftpflicht für Webhosts in den USA und Europa

    By .Helka Lantto on Wednesday, 27 October 2010 - 6:19pm
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    Deutsche Gerichte haben angedeutet, dass sie in Zukunft gewerbliche Videoportale wie YouTube dazu zwingen werden, vorsorglich Musikvideos aufzuspüren und zu löschen, die gegen das Urheberrecht verstoßen, anstatt erst zu reagieren, wenn Rechteinhaber und -verwertungsgesellschaften formal Einspruch einlegen.

    Dieser Richterspruch folgt auf eine Verurteilung von drei YouTube-Managern im Februar dieses Jahres in Italien. Das Urteil des italienischen Gerichts impliziert deutlich, dass jedes gehostete Video vor der Veröffentlichung überprüft werden sollte.

    Obwohl die deutsche Rechteverwertungsgesellschaft GEMA mit ihrem Antrag auf eine einstweilige Verfügung Ende August 2010 gescheitert war, in dem sie die Löschung und Sperrung bestimmter Videos forderte, ist das nur ein schwacher Trost für deutsche Webhosts. Das Urteil kam nur dadurch zustande, dass das Gericht eine einstweilige Verfügung für unangebracht hielt, da die GEMA schon lange wusste, dass die Videos auf YouTube abrufbar waren. Der vorsitzende Richter forderte die GEMA dazu auf, den Anspruch in einem Hauptsacheverfahren geltend zu machen, und deutete an, dass der Erfolg in diesem Fall wahrscheinlich wäre. In der Pressemeldung des Landgerichts Hamburg steht, es "liege nahe, dass die Antragsgegnerin zumutbare Prüfungspflichten bzw. Maßnahmen zur Verhinderung erneuter Rechtsverletzungen nicht wahr- bzw. vorgenommen habe."

    Die GEMA gab Ende September 2010 bekannt, dass sie eine erneute Klage plane.

    Laut einigen Beobachtern [englisch] handelt es sich bei dem deutschen Urteil um das neueste Beispiel [englisch] einer ganzen Reihe von Urteilen, die deutlich machen, dass ähnliche Gesetze in den USA und Europa immer unterschiedlicher ausgelegt werden. In den USA fallen YouTube und andere Firmen unter die Klausel für "sichere Häfen" im Digital Millenium Copyright Act (DMCA). Für Webhosts in Europa dagegen ist das Risiko viel größer, für die Taten von NutzerInnen belangt zu werden, bevor überhaupt eine Abmahnung erteilt wird.

  • Advies Duitse rechter versterkt groeiende kloof aansprakelijkheid van Amerikaanse en Europese web hosts

    By .Helka Lantto on Wednesday, 27 October 2010 - 6:17pm
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    Duitse rechters hebben aangegeven dat ze misschien video hosting bedrijven zoals YouTube zullen dwingen om proactief op zoek te gaan naar muziekvideo's die inbreuk maken op auteursrecht en deze te verwijderen, in plaats dat houders van auteursrechten en de rechtenorganisaties eerst een verzoek moeten indienen vóórdat video's worden verwijderd.

    Dit komt bovenop de veroordeling van drie YouTube executives in Italië afgelopen februari, waar de uitspraak van het Italiaanse gerecht een duidelijke implicatie inhield dat elke gehoste video vooraf gescreend zou moeten worden.

    Hoewel de Duitse auteursrechtenorganisatie GEMA eind augustus het kort geding verloren heeft, waarin ze vroegen om de toegang tot bepaalde video's te blokkeren, is dit een schrale troost voor Duitse web hosts. De uitspraak werd gedaan op de grond dat een kort geding niet toepasselijk was, omdat GEMA al lange tijd wist dat de video's beschikbaar waren op YouTube. De rechter in de zaak heeft GEMA uitgenodigd een uitspraak in een bodemprocedure te vragen, met daarbij de mededeling dat zo'n aanvraag kans van slagen heeft. De rechter verklaarde dat "er goede redenen zijn te menen dat YouTube inderdaad een plicht heeft illegale uploads op te sporen."

    GEMA heeft begin oktober aangegeven dat zij van plan zijn een bodemprocedure te starten.

    Volgens sommige juridische waarnemers is het advies van de Duitse rechter het laatste in een reeks voorbeelden van een groeiende kloof tussen de manier waarop vergelijkbare wetten worden geïnterpreteerd in Europa en de VS, waar YouTube en andere bedrijven worden gedekt door de "veilige haven"-bepalingen van de Digital Millennium Copyright Act (DMCA). Web hosts in Europa lijken een groter risico te lopen aansprakelijk te worden gesteld voor acties van gebruikers die plaatsvinden voordat ze een verzoek tot verwijdering ontvangen.

  • German court opinion reinforces growing gap between liability faced by US and European web hosts

    By .Helka Lantto on Wednesday, 27 October 2010 - 6:16pm
    Message type:

    Written by Tanaqui

    German courts have indicated that they may force video hosting companies such as YouTube to proactively search out and delete music videos that infringe copyright, rather than requiring copyright holders and rights collection agencies to submit takedown notices before videos are removed.

    This comes on top of the conviction last February of three YouTube executives in Italy where the ruling of the Italian court included a clear implication that every hosted video should be pre-screened.

    Although German rights collection agency GEMA may have lost an application for an emergency order at the end of August 2010 asking for access to certain videos to be blocked, this is small comfort for German web hosts. The ruling was made only on the basis that an emergency order in itself was inappropriate, as GEMA had known for a long time that the videos were available on YouTube. The presiding judge in the case invited GEMA to ask for a ruling in regular proceedings, indicating their claim was likely to be successful in that event. He is reported as stating that "There are some good reasons to think that YouTube indeed has some duty to take care of detecting illegal uploads."

    GEMA indicated at the start of October 2010 that it does plan to file a new suit.

    According to some legal observers, the opinion of the German court appears to be the latest of several examples of an emerging gap between the way similar laws are being interpreted in Europe and the US, where YouTube and other companies are covered by the "safe harbor" provisions of the Digital Millenium Copyright Act (DMCA). Web hosts based in Europe appear to be at greater risk of being held liable for users' actions prior to receiving takedown notices.

  • Links Roundup for August 19, 2010

    By .fcoppa on Thursday, 19 August 2010 - 10:40pm
    Message type:

    Here’s a roundup of stories that might be of interest to fans: we've got stories from A (Afghanistan) to Z (the Zombie Beatles!) beneath the cut!

    * In international news, the Afghan Ministry of Communications has mandated that all ISPs filter websites that fall under the categories of "alcohol," "dating/social networking," "gambling," and "pornography. This has resulted in countrywide blockages of Facebook, Gmail, YouTube, and Twitter, and follows similar censorious moves in Pakistan and Turkey.

    * Boing Boing indeed! A parody Twilight game hosted on YouTube that was BoingBoinged was taken down for copyright infringment by Summit Entertainment, then put up again! And has now been taken down again! Ironically, BoingBoing's latest post compliments Summit by saying, "good to see a digital department at a traditional company being helpful." Spoke too soon! The Washington Post has also criticized Summit for "lobbing lawsuits at pretty much anyone who uses Twilight's name or images without its permission", including not only the game, but an unofficial Twilight-magazine, fan-made Twilight t-shirts, and even the makers of a documentary about Forks, Washington, the real-life town where the story is set. Apparently Summit thinks it should be able to control who sparkles and who doesn't!

    * In RPF news, we bring you notice of the publication of Paul is Undead by Alan Goldsher, subtitled "The British Zombie Invasion." The book charts "the rise and fall of the zombie Beatles... through eyewitness accounts, newspaper clippings, and interviews." Oh, and Ringo is a ninja lord. Obviously.

    * Zazzle has enforced a c&d against a fan who made an SPN keychain featuring only the single, fan-coined word, "Metallicar!" Crazily, even though TPTB at SPN didn't invent the word, they're claiming trademark over it (and it's really unlikely that the WB owns a word so closely associated with the band Metallica--but that's another story!) Alas, Zazzle—being a private company—can enforce any rules it wants, but, as with the Twilight case above, this is really a classic case of overstepping to no purpose.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about you can submit it in three easy ways: comment on the most recent Link Roundup on LJ, IJ or DW, tag a link with "for:otw_news" on Delicious or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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