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  • Links Roundup for 12 December 2011

    By Claudia Rebaza on Monday, 12 December 2011 - 7:04pm
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    Here's a roundup of stories on art and entertainment business models that might be of interest to fans:

    • In a series of posts, media scholar Henry Jenkins featured transmedia designer and theorist Brian Clark's discussion about business models for entertainment including "Fan Incubation" and "Fan Funding." "In the past, fan development was slow (for example, the way fan correspondence saved H.P. Lovecraft's works from disappearing) or physical (like the "make record and tour college towns" model of independent musicians like John Vanderslice). The age of the Internet has revolutionized the ability for creators and fans to have rich, meaningful interactions that have led to successes."
    • Many fans have embraced the idea of Creative Commons licenses for their work, but as this article points out, its terms are often misunderstood and misused. "Creative Commons has been a force for good on the web, letting people share their work with others and making it easier to let them define the terms of that sharing." However, "what does “noncommercial” mean? Creative Commons isn’t very helpful here. Their definition of “commercial” is “in any manner that is primarily intended for or directed toward commercial advantage or private monetary compensation.”...Selling the photo would certainly seem to count as “commercial.” But is using the photo on a web page that also has ads on it — is that commercial?"
    • Another post points out "Wired isn’t the only for-profit publisher using noncommercial CC images." Confusion exists over the purpose of a business and the use of a particular work. "[T]he question is whether noncommercial means the same thing as nonprofit. A nonprofit institution can still buy and sell things; a for-profit institution can engage in lots of behavior that isn’t explicitly commercial." As one science photographer pointed out "Creative Commons only functions properly when both content creators and content users have the same understanding of the simplified CC contract." This certainly calls into question how useful YouTube's move in June was to allow users to embed Creative Commons licenses, even beyond the fact that they only enabled one form of the license, which allows commercial re-use of the work.

    If you use Creative Commons licenses or are interested in fannish business models, why not contribute to Fanlore? Additions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup — on transformativeworks.org, LJ, or DW — or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links Roundup for 30 November 2011

    By Claudia Rebaza on Wednesday, 30 November 2011 - 4:25pm
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    Here's a roundup of stories on corporate decision making affecting gamers that might be of interest to fans:

    • Scottish journalist Rachael Carmen Simpson reported on a video game freebie for the game Assassin’s Creed that was offered only to those using a male avatar. "Essentially this is the online equivalent of [her sister] Eleanor visiting a real life game shop offering free cloaks with a purchase and being told she can’t have one as she is the wrong gender."
    • Microsoft has made changes to its X-Box consoles that prevents people from playing pirated games. Microsoft "made the silent update without user consent and without many being aware that it actually took place at all" and there are concerns that Microsoft will follow this with mass bans. "The last time Microsoft had carried out mass ban [sic] was in 2009, when the company had banned Xbox Live accounts playing pirated versions of Halo Reach. The company also does not approve of consoles that have been modded by users."
    • A non-profit organization ""dedicated to the appreciation and promotion of video game music as an art form,"" had its YouTube account suspended. While asking their users to protest the decision, the community's manager stated "We're all volunteers, and all of the work we've done since 1999 on OverClocked ReMix is to help promote the art of video game music, as well as the great musicians who create the OC ReMixes, which have always been distributed for free and with the artists' permission.""

    If you are part of a gaming fandom or have experienced a YouTube takedown of your fannish work, why not share your experiences on Fanlore? Additions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup — on transformativeworks.org, LJ, or DW — or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links Roundup for 2 November 2011

    By Claudia Rebaza on Wednesday, 2 November 2011 - 8:45pm
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    Here's a roundup of stories on how fandom is changing for fans that might be of interest to fans:

    • An article on author fan sites (confusingly termed "viral" sites) compares official sites for Twilight, Harry Potter, and Hunger Games and concludes that Twilight's is the most useful because it focuses on its audience instead of its canon. "Twilight Time Capsule is the best out of the three in terms of catering to the fandom. Time Capsule allows the fans to shape a website using their experiences in the fandom. It’s an extensive archive of moments from the rabid fans who are the reason Twilight exists in the first place."
    • The Guardian ran an article questioning the truth of the argument that "for young listeners music isn't as important as it used to be." Citing the previous generation as an aberration in music fan history, the author noted that money and scarcity once dominated music fandom. "Back when music fandom required major pocket money investment, it became a hobby, in competition with others: Airfix, football, stamp collecting. This hobbyist element – the "freaks" who stand out because of the proportion of their time and money they invest in music – may be dwindling."
    • Speaking of Twilight and music, YouTube blogger and author Kaleb Nation who maintains the site TwilightGuy will be the subject of a non-scripted television show which "will follow Kaleb Nation, as he develops … parodies, music videos, and pop culture commentary." A Daily Dot article on the announcement concludes "Nation’s jump from YouTube to Hollywood proves that a successful YouTube channel can lead to a television network program."

    If you're part of a music fandom, make videos, or are part of Twilight, Harry Potter, or Hunger Games fandom, why not contribute to Fanlore? Additions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about, comment on the most recent Links Roundup — on transformativeworks.org, LJ, or DW — or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links Roundup for 19 August 2011

    By Claudia Rebaza on Friday, 19 August 2011 - 11:11am
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    Here are a couple of recent stories we think are of interest to fans using video streaming sites:

    • One videomaker recounts how her video became part of YouTube's advertising program. YouTube's Content ID software identified the source materials and music she used and matched up ads based on what it found to run with her video. While she stated that she thought the ads were a good fit — they were for her favorite shows — she acknowledged that not everyone whose work had been made part of the advertising program would have the same reaction. Fans have been unhappy in the past with similar retroactive commercialization of their work done without notice or consent, including banner ads. Fan video on YouTube and elsewhere is also a frequent target of copyright holders, who take action such as deleting audio tracks while leaving the video intact or removing videos entirely.
    • Fans utilizing online streaming sites to share videos may also be affected by legislation submitted in the U.S. Congress which could make it a felony to reproduce copyrighted content online. The proposal doesn't stop at restricting the legality of posting content — it would include restrictions on embedding links to copyrighted video. A post made on GamePolitics took a good look at the legal implications of the bill as it's currently written and how it could affect gamers and machinima creators in particular.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about you can submit it in four easy ways: comment on the most recent Link Roundup on transformativeworks.org, LJ, DW, or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Fair Use School

    By .fcoppa on Friday, 15 July 2011 - 5:27pm
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    Kudos to Patrick McKay for winning Public Knowledge's "Copyright School" Video Challenge, a contest that asked remixers to come up with a more balanced education video than YouTube's "Copyright School" (which, notoriously, featured a squirrel in a pirate hat.) You can see the video here:

  • Links Roundup for May 24, 2011

    By .fcoppa on Tuesday, 24 May 2011 - 11:02pm
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    Here’s a roundup of stories that might be of interest to fans: news about Google Video, Blogger, "A Billion Wicked Thoughts," Creative Commons, and "Con or Bust," just beneath the cut!

    * Google Video is being subsumed into YouTube for all but "Google Video for Business" and "Google Video for Education" users. If fans are using Google Video to host their fanworks, they can either move them to YouTube or download and save copies. (This is, for the record, more courtesy than Imeem showed its users when it eliminated its video hosting service, as it did not give patrons the chance to download their works before deleting them.) You can find more information in this Google Video Help article.

    * Many fans have been closely following the coverage of the publication of Ogi Ogas and Sai Gaddam's book, "A Billion Wicked Thoughts: What the World's Largest Experiment Reveals about Human Desire." Ogas and Gaddam attempted to survey fans two years ago both individually and by means of an online survey that fans found to be a blunt and badly-designed instrument; many fans are now giving the resulting book a decisive thumbs-down. Read Doctor Science's article at Obsidian Wings, A Billion Made-Up Conclusions, for one fan's perspective.

    * For Blogger Users: While Blogger has moved to using the Google accounts system for logins, legacy users have up till now been able to maintain their own accounts. This will soon no longer be the case: if you have a Blogger account and haven’t logged in since 2007, you will lose access to the account and associated content permanently unless you update to the Google Account system before June 25th.

    * In its most recent alumni magazine, Cambridge University professor Dr. Rupert Gatti argues something that the OTW (and its gold standard, Open Access journal Transformative Works and Cultures) has believed for years: that Open Access models and Creative Commons are the future of academic scholarship. (See p. 40-41 for the whole article.)

    * Lastly, "Con or Bust" is taking applications to fund con attendance for fans of color. "Con or Bust" is a sub-project of the Carl Brandon Society, an organization whose goal is "is to increase racial and ethnic diversity in the production of and audience for speculative fiction." Grants are being administered by Kate Nepveu.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about you can submit it in three easy ways: comment on the most recent Link Roundup on transformativeworks.org, LJ, or DW, tag a link with "for:otw_news" on Delicious or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Links Roundup for April 27, 2011

    By .fcoppa on Wednesday, 27 April 2011 - 10:56pm
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    * The big news of the day: YouTube founders buy Delicious from Yahoo; this is also the big story on the blog at delicious.com. So far, there's not much in the way of details, though geek.com is reporting that users will have the ability to opt out when the service changes hands.

    * Fans, beware: Tumblr may push you out of your account name without warning if a corporation decides it wants it. danah boyd is reporting that Tumblr moved her account without notice or warning at the behest of a corporate entity who had trademarked her long-term internet handle, "zephoria." Gawker.com reports another case in their story Tumblr Screws Hipster Underclass to Appease Hipster Overlords at Pitchfork, reporting that the person who blogged at pitchfork before Pitchfork Magazine got involved was moved, without permission or notice, to pitchfork1.tumblr.com.

    * New Zealand snuck a '3 strikes you're out' copyright law into a larger emergency bill meant to help earthquake victims. Not only are these new amendments to the Copyright Act widely disliked, but there is resentment against the process of attaching them to an urgent emergency bill. A series of protests are planned for May 1st.

    * Alison Croggon's talk, The Rise of the Amateur, is now online; in it, Croggon argues that the internet has created new excitement in the arts - both in terms of amateur art and amateur criticism.

    * The Atlantic has published an interview with Kembrew McLeod, co-author of Creative License: The Law and Culture of Digital Sampling, called, How Copyright Law Hurts Music, From Chuck D to Girl Talk .

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about you can submit it in three easy ways: comment on the most recent Link Roundup on transformativeworks.org, LJ, or DW, tag a link with "for:otw_news" on Delicious or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • Copyright School Video Challenge!

    By .fcoppa on Friday, 22 April 2011 - 5:59pm
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    Calling all vidders and remix artists! Public Knowledge is holding a Copyright School Video Challenge: to explain what you can and can't do under fair use better than YouTube's "copyright school", which has been criticized for focusing more on the CAN'T than on the CAN. As Public Knowledge explains, "While 'Copyright School' does a great job of telling you what you can't do with copyrighted content, it does a very poor job of telling you what you can do with copyrighted content--namely, remix, reuse and repurpose it without permission from the rightsholder as allowed under the doctirine of fair use." The winning video will get a $1000 prize and be featured on the Public Knowledge website. Judges include political remixers Jonathan McIntosh and Elisa Kreisinger, activist and scholar Brian Rowe, and Kirby Ferguson, director of the web series Everything is a Remix.

    You can find out more at publicknowledge.org and at politicalremixvideo.com. (Important: the challenge deadline is May 23, 2011!)

  • Mixed Messages from YouTube’s "Copyright School"

    By .fcoppa on Thursday, 21 April 2011 - 12:32am
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    by Rachael Vaughn and the OTW Legal Committee

    Last week, YouTube announced revisions to its copyright policy, which may impact vidders and other fans using YouTube. In short, YouTube has eliminated its one-size-fits-all three strike termination policy in favor of a revamped Copyright Education Center and an official Copyright School. Unfortunately, the Copyright School is presented in the form of a very one-sided tutorial cartoon that attempts to summarize a complicated and constantly evolving area of law using a teal squirrel in a pirate hat.

    Before discussing the content of the Copyright School video, it is useful to review how YouTube’s policy has actually changed. Known as the “three strikes rule,” YouTube’s old policy stipulated automatic suspension of user accounts receiving three uncontested copyright takedown notifications. It is important to differentiate between copyright takedown notifications and content ID matches (http://www.youtube.com/t/copyright_strike), which do not result in “strikes,” but may lead to uploads being automatically blocked. Only notifications from a copyright owner result in strikes. YouTube’s new policy retains the basic “three strikes” framework, but adds two additional provisions. First, if a user receives a copyright notification, the user is required to view the Copyright School video and pass a corresponding quiz. Second, YouTube may remove strikes from an account if the user: (1) successfully completes Copyright School; and (2) has demonstrated good behavior over time.

    As characterized in an informative post from EFF, the end result of the policy change is a bit of a “mixed bag” for YouTube users. The new rules will arguably result in fewer account suspensions, but at what price? In exchange for removing the infamous strikes that lead to account suspension, users must graduate from a Copyright School with a questionable pedigree.

    Although the Copyright School video does not explicitly make statements that are legally incorrect, it does employ a number of traditional scare tactics to dissuade users from uploading certain types of content. Mashups and remixes are two examples of content that is portrayed in a particularly unfavorable light. In the video, the pirate squirrel is repeatedly warned by a voice-of-god narrator about the harsh penalties associated with uploading video that is not 100% original. When the poor little guy tries to make a suitably original video by recording a band performing in a park with his phone, he is told that he will be subjected to a variety of punishments including jail, lawsuits, and getting smashed over the head with a giant gavel.

    The video’s explanation of fair use is relegated to a short section in which the narrator reads portions of the statute in a humorously fast voice while the animations on the screen are replaced with cramped text, suggesting that fair use is just mumbo jumbo that no ordinary person should try to understand. Users are advised that if they do not understand fair use, that they should seek the counsel of a copyright attorney. As one blogger points out: “all children have copyright lawyers, so this is a workable solution.” (http://copyrightlitigation.blogspot.com/2011/04/fair-use-fridays-youtube-flunks.html)

    Generally YouTube’s Copyright School does a fantastic job educating users about what cannot be done with copyrighted content. Unfortunately, it neglects to acknowledge that there are many situations in which copyrighted content can be lawfully transformed to further the promotion of science and the useful arts. In those situations, YouTube’s copyright dispute processes and the DMCA counter notification procedures are available. For more information, EFF’s Fair Use Principles for User Generated content and the Center for Social Media’s code of Best Practices in Fair Use for Online Video provide useful principles for ordinary videomakers considering fair use.

    But that might be telling stories out of school.

  • Links Roundup for 23 March 2011

    By .allison morris on Wednesday, 23 March 2011 - 12:08pm
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    We've got a bumper crop of recent news items that are of interest to fans — a victory for fair use, a refreshingly positive take on fanworks and popular entertainment, and the reversal of a wrongful takedown.

    • Copyright troll Righthaven achieves spectacular "fair use" loss
      Ars Technica reports that Righthaven, known for their indiscriminate lawsuits on behalf of rights owners, lost a recent case when a federal judge ruled that the reproduction of an entire news article by a non-profit group was fair use. Righthaven follows a business model that relies on scare tactics, skipping over the cease and desist step entirely in favor of the spectre of a potentially costly lawsuit. Their gamble that targets will pay to settle out of court didn't pay off this time, and may actually and ironically have strengthened fair use in the US.
    • 5 Reasons Pop Culture Is Run by Fan-Fiction
      Cracked.com puts fanfiction into context, and presents a refreshingly positive spin on the topic, looking at the history, range, and omnipresence of fanworks. Hypocrisy is a theme of the article, as it points out again and again that there's little that divides many oft-mocked fannish tropes from oft-used (and highly successful) entertainment staples.
    • How I Fought a YouTube Takedown and (Eventually) Won
      When Anita Sarkeesian's remix video critiquing sexism in video games was removed by YouTube not for copyright violation, but for an unexplained Terms of Service violation, she googled, tweeted, and sought help. The tale of the takedown's reversal is a heartening example of a victory over wrongful removal of content, but the time, effort, and expert help she needed to overturn the miscategorization of her fanwork as spam is sobering.

    We want your suggestions! If you know of an essay, video, article, event, or link you think we should know about you can submit it in three easy ways: comment on the most recent Link Roundup on transformativeworks.org, LJ, or DW, tag a link with "for:otw_news" on Delicious or give @OTW_News a shoutout on Twitter. Links are welcome in all languages!

    Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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