The Organization for Transformative Works (OTW) is a nonprofit organization run by and for fans to provide access to and preserve the history of fanworks and fan cultures.
Comics, Fan Conventions, Fanfiction, Gender and Sexuality, News of Note
Comic Book Resources reported on a NYCC panel about female fandom in which Kelly Sue DeConnick said, "'I think that there's an important thing to remember too, that what you're seeing now, the influx of female readership and female creators is not a revolution, it's a restoration...Back in the '30s and '40s there was a girls' magazine that had a distribution of 300,000 copies per month and it was comics... [In the decades since] women were discouraged, dissuaded, made unwelcome, and now for a plethora of reasons, women are returning...There are enough comics for everyone...Say it with me now: equality is not a loss.'"
Fanfiction, Fanfilms, Gender and Sexuality, Theater, News of Note
NPR's "Pop Culture Happy Hour" featured a look at fanfiction with "resident fan-fiction expert, Petra Mayer" who was asked for some recs. Mayer herself reviewed After, and a discussion ensued among listeners as to whether or not RPF qualified as a fanwork. (Partial transcript available).
Audio Fanworks, Business Models, Fanfiction, Intellectual Property, Music, Technology, Television, Twitter, News of Note
The Wall Street Journal wrote about different fandom activities on different social media platforms. "[T]he CW is trying just about everything in social media. Interestingly, once its fans tell the network which platform they want to use to interact with their favorite shows, the network leans in hard. 'We attack all the social media,' said Rick Haskins, the CW’s executive vice president of marketing and digital programs. 'Very, very quickly, the consumer says ‘this is the social platform we like [this particular show] on.’ When we see upticks, that’s when we move in quickly.'"