Fannish Practices

  • OTW Fannews: Fans front and center

    By Claudia Rebaza on Vrijdag, 3 May 2013 - 10:52pm
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    • Television is increasingly turning to fandom to find viewers. The Los Angeles Times put a spotlight on AMC's The Talking Dead. "Broadcast directly after the phenomenally successful 'The Walking Dead,' 'The Talking Dead' has taken on a life of its own, evolving from a half-hour companion show into a full-fledged, hour-long monster mash whose ratings in the coveted 18-49 demographic surpass a host of prime-time shows on the major networks." It seems likely this recipe will be copied since "Even more significantly, 'The Talking Dead' is one of the least expensive series on AMC's prime-time slate — the set is spare, there's no band and the production is low-frills. While declining to say how much the show costs, Stillerman said 'it's a good business model. We get a nice return on our investment.'"
    • In a 2-part interview on Henry Jenkins' blog, several academics address the future of television, focusing in part on the Veronica Mars kickstarter campaign. "Fans are now Studios. Advertisers are Studios. Amazon is a studio. Netflix too. So, the roles are not only changing, they are blurred and the winner is the story. Because generally we don’t know what we want until a story is in front of us and we say: I want more of that. And I will pay with my time, my emotions, my network of friends and my money."
    • Other shows aren't just for fannish audiences, fans are the content as well. Articles about shows in development mentioned AMC's "Geek Out" and SyFy's "Cosworld" and "Fandemonium". "'Cosworld' will...follow some of the top people in the cosplay world as they come up with new and ever more imaginative and intricate costumes in an effort to win a cash prize and bragging rights" while "'Fandemonium'...will follow a group in Los Angeles as they try to balance their lives and their obsession with their heroes." However, people are more likely to want to appear on "Geek Out" which "aims to make the dreams of real-life Number One fans come true and give them an 'awesome, otherwise unattainable experience related to their obsession.'" The show will be taking a broad fandom approach, as "fans tracked down for the show will be of the sci-fi lover/videogame player/comic book reader/George Lucas-opinion-haver variety [but]...will also include aficionados of athletes, celebrities, and authors."

    Have you been tracking the development of fan-focused shows? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fannish expectations

    By Claudia Rebaza on Maandag, 11 March 2013 - 6:07pm
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    • Peter Guttierez wrote in School Library Journal that "[T]here’s probably no single better way to teach online citizenship to young people than through their participation in organized fandom." To him this involved a behavior checklist because "fans must take into account not just the short-term value of making a point or having the last word, but their long-term relationships with their fellow fans." Some of them include "Am I “adding value” through this interaction, either to an individual or to the wider community? Or am I making this online conversation almost entirely about myself?" and "Am I considerate of others’ privacy and safety?"
    • Other writers are concerned with the expectations fans have of celebrities. The Japan Times reported on the spectacle of Japanese pop star Minami Minegishi shaving her head in apology for having a relationship. "The deeper truth is that idol fan culture, as well as the closely related anime and manga fan culture, is institutionally incapable of dealing with independence in young women. It seeks out and fetishizes weaknesses and vulnerabilities and calls it moé, it demands submissiveness, endless tearful displays of gratitude, a lack of confidence, and complete control over their sexual independence...The danger is of this fantasy creeping out more widely into society: Japan currently ranks at 101 in the world gender-equality rankings (79 places below the United States, 32 below China, and two below Azerbaijan)."
    • The Telegraph wrote about fans' need to fix plot holes. "The web has made this stuff mainstream, but it’s not new: fans of Arthur Conan Doyle have been engaged in “higher criticism” since at least 1928, when Monsignor Ronald Knox published Studies in the Literature of Sherlock Holmes. His fellow “Sherlockians” have since built up a remarkable body of analysis, raising (and resolving) textual problems such as the fact that Watson’s war wound is in his shoulder in A Study in Scarlet, but in his leg in The Sign of Four. To some fans, simply calling it a continuity error, an author’s mistake, is not good enough. The psychologist Simon Baron Cohen says such people have “systematising brains”, good at finding and applying logical rules. To them, these moments of illogic stick out jarringly."
    • A cancelled show has never meant the end to fanfiction, but perhaps creators are more aware that fans will be on the lookout for more content. In the case of Luck "John Perrotta, the show's producer/story editor and a racing industry pro, is writing a teleplay-style blog for the website America's Best Racing that tells "an imagined racetrack-based story, an ongoing saga, which includes some of the characters depicted in the ill-fated 'Luck' series." The work will also be illustrated.

    What fannish expecations have caught your attention? Post about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom in the world

    By Claudia Rebaza on Dinsdag, 5 March 2013 - 10:06pm
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    • Media studies professor Henry Jenkins posted a three part discussion of Chinese fan culture at his blog. He interviews Xiqing Zheng, a PhD candidate studying the topic, asking such questions as: "You suggest that Chinese fans often see themselves as belonging to an elite group. In some other parts of the world, fans are considered anything but because of the low cultural status of the materials they embrace. In what ways have Chinese Otaku sought to legitimate their interests and activities through appeals to elite cultural status?"
    • NPR suggested that Netflix will change TV viewing because releasing a full season all at once will change "[t]he way we talk about what we watch, the way we share, the way reviewers critique shows, and even the ad model -- everything will have to change." The discussion focused largely on the commercial interests of ad sellers and critics. Left out of the discussion is how many fans around the world have binge watched seasons since the days of sharing shows through videotape, often cross-nationally when shows were not available in their viewing areas, and how this helped create wider communities around the shows.
    • Writing at AfterEllen, Dana Piccoli discussed femslash ships in European shows. "One thing I’ve learned during my travels as a gay lady is that if there is lesbian content somewhere, lesbians will find it. If there were a show with a lesbian character being broadcast solely from the North Pole, there would be an Olivia cruise ship full of lesbians on its way there right now."
    • AlJazeera's show The Stream aired an episode asking "Can online fandom make the world a better place?" Former board member Francesca Coppa was among the guests who discussed fan activism and online mobilization. Although no transcript is available, the episode has a Storify page.

    What stories can you tell about fandom around the world? Post them in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom investments

    By Claudia Rebaza on Dinsdag, 26 February 2013 - 10:18pm
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    • In The birth of a fanboy, writer Larry Sukernik talks about the rationalization people use for their investments in something, as the seed that shifts them from consumer to fan. "[Once] you buy your first iPhone...you’re invested in Apple. Apple’s success is now your success, Apple’s failure is your failure. But why?" The reason is the continuation of the fandom product, because its loss will negatively impact your investment in it. "Not only does that leave you with an abandoned phone, but it also means that you made the incorrect phone choice. You made a bad decision, and you were wrong. Nobody wants to be wrong."
    • A look at Girls' Generation fandom also discussed financial investment in a fandom. The group is "enjoyed by people of all walks of life. But within that is where we start to see sharp differences in fans: not in their love, but in their wealth. While there are individuals with high-paying jobs and disposable income, there are also students with nothing but a meager allowance attempting to import relatively expensive albums from halfway across the world. It’s situations like this that make us ask, 'Does merchandise and money spent on the group measure a person’s dedication?'"
    • While the creation of fanworks has its costs, these days it increasingly has its rewards as well. Fanfiction contests are fairly common but one held by the Oklahoma City Metropolitan Library has a focus on fan crafts as well. "The contest was started seven years ago by an anime club that met at the library and has grown to more than 100 entries in the two categories" with fan art comprising any non-text entry. "[L]ibrarian John Hilbert said. 'Someone baked a cake in the shape of a cat. We had a tree skirt that ended up winning. It can be any medium as long as it can fit through the door.'"
    • Of course these days a fanwork might make money for someone other than the creator. A review of Spank: The Musical, a parody of Fifty Shades of Grey, "pokes fun at James’ writing process and her roots in fan fiction. The musical centers on a woman named E.B. Janet (Suzanne Sole), who spends a weekend penning a steamy love story." The play caters to its "audience of mostly women" with fanservice, even if they don't know the term. "When Hugh performed a Batman-themed strip tease, and E.B. describes him as having the jaw line of, 'a pre-weight gain Val Kilmer,' the audience squawked and squealed. In another scene, Hugh and Tasha play out a 'Home Improvement' skit that E.B. writes as part of the show’s fan fiction while taking a break from her book."

    What fanworks, financial issues and fan practices have caught your attention? Tell us about it in Fanlore. Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom relationships

    By Claudia Rebaza on Donderdag, 14 February 2013 - 8:14pm
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    • After Ellen focused on femslash shipping. "The term femslash can be applied to really any female romantic/sexual pairing between characters, even OTPs, but its original purpose was as a reference to alternative lesbian romances based on subtext. Crackships, which is frankly just fun to say, are pairings that are very unlikely to ever occur. In a nutshell, it comes down to the difference between subtext and pure, fun fantasy."
    • Meanwhile Neon Tommy talked about fan relationships when they gather into fandoms. "In spite of the differences, petty feuds, ship wars, emotional turmoil and cyclical upheaval, fandoms exist to fulfill the desire for a community of peers and equals who share similar passions. But like a man, no fandom is an island." Instead they grow, shrink, merge and cross over. "Tenuous connections between families are created—"Firefly" and "The Avengers" are connected through Joss Whedon; actors and writers and directors cross over and expand the fandoms, bringing in new ideas and new points of view. New fans should not be excluded; rather, it should be the opposite. New fans keep the fandom's population up; but also, it prevents stagnation." And always important to keep in mind: "Even if your fandom isn't as well-known or visible as another, it's still fantastic, and, more importantly, it's yours."
    • Conversely Leverage actress Gina Bellman wrote in The Guardian about a fandom family from the celebrity side. "By seasons four and five, there was a constant flow of tweets, videos and photos posted from the set, trailers, writers' room, costume fittings and even the catering tent. Nowhere was out of bounds. We would gather in the studio to view the fan videos, made in homage to favourite characters or story lines. Hundreds, maybe even thousands of Leverage fan vids are posted on YouTube, some of them expertly edited little treasures in their own right and receiving up to 40,000 hits...At some point, we started referring to fans by their names and avatars."
    • Instead of using the family metaphor, The Atlantic chose religion when discussing sports fandom. "Durkheim, a pioneering sociologist, began digging through accounts of 'primitive' cultures like the Arunta tribe of Australia, hoping to excavate the ancient source of ties that bind. His conclusion—as revealed in The Elementary Forms of the Religious Life—remains as profound and relevant today as it is elegantly simple: Whenever a society (or, here, sports subculture) worships a divine form, it is, in fact, also simultaneously worshipping itself." Fandom objects are totems and "totems, while 'officially' symbolizing deities, also implicitly offer vessels for fellowship; licenses to congregate together." An article released the same day on Deadspin showed how Facebook data could provide an NFL fandom map.

    What femslash, OTP, shipping, ship war, or Jossverse story do you have to share? Write about it in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Is it Fanfic or Isn't It?

    By Claudia Rebaza on Dinsdag, 5 February 2013 - 4:19pm
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    • Not that fans haven't always known about published works that have had their serial numbers filed off, but apparently the wider world is taking notice. Book Riot took a tongue-in-cheek look at YA literature to speculate on which of its works might secretly be fanfiction. "By now we know that Twilight spawned not one but TWO works of fan-fiction that became hot publishing properties...What’s super-amusing about this is that all the books in the Twilight series are Stephenie Meyers’ fan-fiction-y versions of her favorite classics...I have a feeling there’s more popular YA out there that’s secretly fan-fiction and am going to put on my Girl Detective hunting cap and jump right in and start guessing." Among her choices: "The Fault in Our Stars is just Dawson’s Creek if both Pacey and Joey had cancer" and "Matched by Ally Condie is obviously just fan-fiction for The Selected Works of Dylan Thomas."
    • Le Figaro highlights some RPS written about George Hergé, author of Tintin and his friend Tchang Tchong-Jen. In Georges & Tchang : une histoire d'amour au XXe siècle the graphic novel speculates on the private life of Hergé "because of the ambiguous sexuality of Tintin." The creator, Laurent Colonnier describes himself as a fan of Hergé who was inspired to create the work after reading an interview given by Hergé where he describes his work "Tintin au Tibet" simply as a story of love and friendship. This made Colonnier wonder about the loves of Hergé, given his solidarity for Tchong-Jen's views of China. Similarly, Tchong-Jen praised Hergé's work as a magnificent lesson against racism.
    • Slashfilm.com started off its review of Bates Motel by saying "The line between prequel/sequel and fan fiction blurs further." They ponder what constitutes canon given that "[t]he movies don’t have the clearest story path with respect to what is 'official'." At the TCA's, producer Carlton Cuse "explained that, when it comes to the film series, “We don’t really view any of that as canon.” The show might be likened to another reboot, Sherlock, given that "[t]he TV show takes place in the modern day, rather than in the ’50s or ’60s, and...the origin of Norman Bates 'will not be what you expect it to be.'"

    What reboot, prequel, and fanficcy rewrite is among your favorites? Tell us something about them in Fanlore. Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom invisibility

    By Claudia Rebaza on Vrijdag, 18 January 2013 - 9:12pm
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    • While there have been a number of comedy troupes around the world doing shows based on fanfic readings, they have largely used fanfic written specifically for the shows by the performers themselves. A recent review of Black Swan Comedy in Toronto, a monthly comedy series focusing on fan fiction, made clear that the performers were reading material pulled from online sources instead. "'We find the best/worst fan fiction. We'll read it once to know that it's perfectly bad at the start, and then find out how horrible it is on stage together with the audience,' says Jeremy Woodcock of Rulers of the Universe." There was an aftershow by the Weaker Vessels which was labeled "a Harry Potter fan fic" making it unclear if it was simply a show based on Harry Potter or one which specialized in reading only from that fandom. Apparently the shortcut is doing well for Black Swan Comedy as the readings are a "sold-out event every month."
    • A recent story at The Daily Dot on finding community through porn gives only passing mention to written material, which perhaps explains why there is an assumption that such communities are a recent development thanks to the mainstreaming of porn. "The shock value and taboo is dissipating, and the more it does, the more porn appears. But do we understand why the rise of the group mentality in porn? Why porn consumers no longer want to be alone, but rather want to belong—to other like-minded porn consumers, and to make small talk and chat about their interests?" While the article acknowledges that women have their own communities -- "Slate writer Amanda Hess points out that 'Women who engage effectively online can find resources for critically assessing [pornography’s] most sexist tropes, join communities that don’t share those norms, and benefit from a kind of increased sexual mobility they can’t always find in real life'" -- it doesn't explore their history.
    • Another Daily Dot story instead focused on deliberate invisibility -- or at least an attempt to maintain a fourth wall. "In the world of theatre, the ‘fourth wall' refers to the invisible wall that divides the characters from the audience. In fanwork-based fandom, the fourth wall refers to the invisible 'wall' of silence, pseudonyms, and covert activity that shields fans from the judgment of the outside world." However, fandoms do not react in unison to outside observation, nor are the outsiders always negative about their discoveries, even when it's about themselves. "This isn't the first time Seguin and his fellow hockey players have found slash about themselves. In July, Toronto Marlies hockey player Jesse Blacker tweeted a link to adorable fanart of himself and Segs, calling it 'awesome.'" Cult film director Duncan Jones was delighted by finding fanfiction of his work. "'Wow! I did not know about this!' responded a delighted Jones. After sharing the link with his Twitter followers, Jones followed it to an AO3 fic with 'lots of robo-feels and some clone hugging.' After reading, he left a thoughtful and flattered review for the author, Wildgoosery."

    What fandom invisibility problems have you encountered? What fan collaborations have you taken part in? Tell us about it in Fanlore. Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: The Best of 2012

    By Claudia Rebaza on Dinsdag, 15 January 2013 - 6:26pm
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    • The end of the year always brings about many lists recognizing accomplishments, and quite a few sites make note of fans. VH-1 cited the Best Shipped Relationships of 2012 including both het and slash couples. "Maybe we just spent too much time on Tumblr over the last twelve months (we really, really did!), but 2012 seemed like a year where shipping was front and center. From New Girl to Sherlock, everywhere we looked shippers were building onto the fictional universes they loved, mostly with smooching. So we decided to pay homage to the most passionately shipped relationships of this year as part of our Best of 2012."
    • OTW staffer Aja Romano wrote various "top 2012" articles for The Daily Dot including The Top 10 Events in Fandom. "What events, people, and fandoms seemed to create larger discussions about fandom within pop culture? What and who created shifts in how the mainstream viewed and interacted with fandom? What were the far-reaching decisions and moments that will continue to impact fans long after 2012? Four of our most notable events this year involve fans fundraising. That three of them involved Kickstarter campaigns is interesting to say the least, and it suggests that in the future, even more creators may turn directly to their fanbases to fund projects instead of waiting on a studio or a publisher. Moreover, fans may seize even more control over projects in order to make their voices heard and have the shows they want."
    • For more formal recognition, the Hugo Awards have long been known for honoring scifi and fantasy works, but somewhat less known is that they also honor fanworks. The Hugos have awards for Best Fanzine, Best Fancast, Best Fan Writer, and Best Fan Artist and their nomination period is underway. "Any person who was or is a member of the 2012, 2013, or 2014 Worldcons as of January 31, 2013, is eligible to nominate for the 2013 Hugo Awards...If you are not a member of any of those conventions, you may join LoneStarCon 3 or Loncon 3, the 2014 Worldcon, before January 31, 2013 to become eligible."

    What fandom events, people, and fanworks did you find worth celebrating in 2012? Record them for posterity in Fanlore! Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Gatekeeping

    By Claudia Rebaza on Zaterdag, 8 December 2012 - 7:30pm
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    • One of the most discussed problems in fandom recently has been the "fake nerd girl" meme and it's not just women who are getting fed up about it. In the past month a number of male columnists have taken to task fellow fans about their negative behavior, whether through outright condemnation, by teaching-through-sarcasm, or simply trying to change the options a woman has. In a recent post one columnist noted "My sister and I, despite both being very geeky, are very different in how we approach it. Both of us love Horror, Disney, and roleplaying. However she is not a comic book fan and I am not into fanfiction...Now a gatekeeper is going to say that she is wrong. She needs to appreciate the Avengers for its appeal to the comic fans and that legacy and enjoying stories about Tony and Steve adopting Peter Parker is wrong and should be shunned." He closes with a particularly incisive reminder about how this behavior is fostered by the very industries people are fans of, by featuring a copy of a prominent ad in a Batman issue which depicted a female fan as one of the "Greatest Villains of Nerd Culture."
    • At SB Nation Cliff Corcoran wrote about a different way in which being too close to the industry of one's fandom can be a negative thing. "Along the way...[m]y Yankee fandom began to fade. The reasons for this were diverse...but they include [f]amiliarity breeds contempt...They say if you love something set it free. I went the opposite route and smothered it until it stopped breathing." In addition, "Would I feel different if the move to the new stadium hadn't cost me my bleacher ticket package? Would I feel different if I had been shown more respect by the team in my capacity as a blogger? Would I feel different if I hadn't heard horror stories from peers who worked for the team in non-media capacities? It's hard to say, but those things certainly helped to tip the balance."
    • Gatekeeping behavior isn't just performed by the industry or copied from it however. While politics can be the playground for some people's fandom, in The Daily Dot, Aja Romano wrote about how "[t]he touchiest subject in fandom isn’t about creepy pairings, odd kinks, or terribly written erotica. It’s politics." She cited several points of contention beginning with "a LiveJournal community called Wizards for Bush. The community, which is still active, had only a small number of supporters, but even so, some members of fandom, astonished to find members of their communities joining the group, unleashed anger and mockery upon those who did so. “For those Americans in fandom who follow a different political leaning than liberal-democratic,” wrote sidewinder in a post about the incident on Fanhistory, “Fandom can become a rather unfriendly place for the months leading up to the actual election, as the common assumption seems to become ‘you’re either with us politically, or you’re not one of us at all.’”

    If you have stories about gatekeeping in fandom, why not share them on Fanlore? Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

  • OTW Fannews: Fandom as the Solution

    By Claudia Rebaza on Maandag, 19 November 2012 - 9:29pm
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    • Vulture recently did a long feature on fans and fandoms which included rating "devoted" fandoms, profiling particularly active fans from major fandoms, and a few other fandom-related stories which focused largely on obsessive fan behavior. A number of fans took issue with the conclusions reached, while other publications such as Slate echoed many fans' complaints about poorly defined fannish behavior. "[I]n my experience, intense fandom often leads to a spike in creativity, as anyone who has perused the costumes people make for comic book conventions can tell you. Repeatedly in this article, fandom is flagged as an obstacle for living your life and developing your relationships with others."
    • A good counterexample of "fandom as a life obstacle" comes from an Illinois State feature on one of its grads who got his dream job thanks to fandom. "Chicago Cubs fans are a passionate, loyal bunch, and they all have their own story about how they became a fan. For Brad Nagel ’07, it was his grandparents, die-hard fans who never missed a game." Nagel now gets to be the team's fandom liaison. "Nagel pitched some ideas for bridging what he thought was disconnect between the Cubs’ front office and its loyal fans. The Cubs called him in 2009 and brought him on board as a full-time customer relations coordinator, capturing fan feedback through emails, calls and letters. When the Ricketts family bought the team toward the end of 2009, one of their first initiatives was the creation of a Fan Experiences Department, where Nagel eventually landed."
    • The Cubs are not alone. On the entertainment industry side, creators, networks and studios want to better understand fans and how to market to them. "'One of the things we have developed here at ITV is a needs-based model looking at how and why people get engaged with certain programmes away from the linear broadcast, and what’s driving that behaviour - whether it’s buying a magazine or looking at websites. This really helps identify the [communications] opportunities for us,' says Watson. 'Tactically, we’re looking at identifying the big opportunities for creating, converting and engaging with fans - helping us direct communications strategies.'"
    • Media outlets are also seeing the personal connection as the best point of focus. The Nieman Journalism Lab recently featured a piece on gaming site Polygon and how they plan to set themselves apart as video game journalists. "Justin McElroy, Polygon’s managing editor, said they wanted to take an approach to video game coverage that wasn’t as product-centric — which is difficult since games are items which are bought and sold. McElroy said their challenge is to think bigger, to find unexpected stories about people who make games and people who love games. 'With our features especially, we have an opportunity to change the story and make it about people,' he said. 'People are infinitely more interesting than products and brands.'"

    If you're a gaming fan, a sports fan, or have your own story about how fandom put you ahead in life, why not write about it in Fanlore? Contributions are welcome from all fans.

    We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

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