Legal Advocacy

  • April Membership Drive: Defending the legality of fanworks

    By Claudia Rebaza on Saturday, 6 April 2013 - 4:08pm
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    The OTW is committed to defending the right to create and distribute fanworks, and our Legal Advocacy project is at the forefront of these efforts.

    We're particularly proud of our work on Digital Millennium Copyright Act (DMCA) exemptions for makers of noncommercial remix videos such as fan vids, AMVs, and political remix videos. OTW staffers testified before the US Copyright Office in 2009 and 2012 to help win these exemptions, in partnership with the Electronic Frontier Foundation (EFF) and other like-minded organizations, and we were victorious both times. The noncommercial remix exemption takes away the threat that vidders' works — though transformative, fair uses — would still be considered unlawful under US law because of the way in which they may have acquired their source footage.

    We're also gaining a valuable network of allies in the larger free-expression, pro-fair-use activist world. As well as working closely with EFF, we've had positive interactions with groups such as the Documentary Filmmakers' Association and USC-Annenberg's Norman Lear Center.

    Volunteers from Legal have also worked on contributing to the Wikipedia page on legal issues in fanfiction to provide a more law-based discussion of fans' rights; advising fans who have received DMCA takedown notifications; and filing amicus briefs in three cases with implications for fans and fanworks.

    The Legal committee is also happy to assist fans who have questions regarding non-commercial fanworks. You can contact the Legal committee here.

    The OTW is a dedicated champion of fans' rights, with an established track record of success — but there are many battles, large and small, still to be fought. Help us fight those battles — please donate today.

  • OTW Weighs In on Fox v. DISH

    By Claudia Rebaza on Wednesday, 6 February 2013 - 6:21pm
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    A lot of what the Legal Committee does is behind-the-scenes, so it's always exciting to be able to share a bit of public advocacy. On January 24, the OTW, together with the Electronic Frontier Foundation and Public Knowledge, filed an amicus brief in the U.S. 9th Circuit Court of Appeals in the case of Fox v. DISH Network.

    The Fox v. DISH case concerns DISH's "Hopper" DVR, which--like VCRs and DVRs before it--allows users to skip commercials on recorded television programming. In some ways, the Hopper makes commercial-skipping more convenient than other DVRs, and Fox has sued DISH, arguing that the Hopper's DVR features violate U.S. Copyright law. Fox's position directly conflicts with the U.S. Supreme Court's landmark decision in Sony v. Universal ("the Betamax Case") in 1984, which held that home recording for the purpose of "time-shifting" is a lawful fair use.

    Fox asked the District Court in California to shut down DISH's Hopper Service. The District Court denied Fox's request, ruling for DISH on most issues. But one holding caught the OTW's attention: the District Court said that when DISH's engineers made "intermediate" copies of television programs to ensure that the Hopper system was functioning properly, they were infringing. The court said that DISH's intermediate copies did not have a "transformative" purpose in that they did not alter the expression, meaning, or message of the original television programs.

    The case is now on appeal to the 9th Circuit Court of Appeals--and the OTW thought it was important to speak out. Although Fox has argued that its case is just about DISH, Fox's argument could be extended to the sort of "intermediate" copying that vidders must do in order to make transformative vids. Thanks to the OTW and its allies, the Copyright Office has recognized that transformative vids constitute fair use, and that high-quality intermediate copying is necessary to create such transformative uses. Among the OTW's arguments in the brief was that when copying is done for purposes of fair use--such as the creation of transformative vids--that copying itself constitutes fair use. Fox wants to extend copyright to control the way that people watch TV, and its arguments could have wide-ranging effects if accepted. Fortunately, the law is not on Fox's side. The OTW filed this brief to help keep Fox from trying to change the law.

    A PDF copy of the brief is available on our website.

  • The Rebellious Pixels Chain of Takedowns

    By Claudia Rebaza on Monday, 14 January 2013 - 12:42am
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    Last week remix artist Jonathan McIntosh had a troubling story to tell which put a spotlight on the current problems facing transformative works creators. In our current environment of automated copyright claims and the layers of entities users may have to go through to assert fair use rights, it takes real dedication sometimes to be heard.

    McIntosh's work, Buffy vs. Edward, is a well known video which has, as he cites in his post, been used on numerous occasions in academic settings. It is also among the Test Suite of Fair Use Vids that the OTW assembled as part of their successful case for a renewal of the DMCA exemption for vidders.

    McIntosh details months of effort to get his video reinstated which would, ironically, have been much simpler had he been making an effort to profit from the video. It was because ad placements have been disabled on his account that he was targeted by a subcontractor for Lionsgate, MovieClips, to either permit them or have the video deleted. Yet as a matter of U.S. copyright law, the non-commercial nature of Jonathan's video bolsters its status as copyright fair use.

    Though his video was eventually reinstated, it’s striking how much effort McIntosh had to put into dealing with the problem. Jonathan's video has been cited by the U.S. Copyright Office as an example of transformative fair use, yet he has had to defend it from numerous attacks and accusations. For every artist like him who is very familiar with the law and is willing to fight for his rights again and again, how many people are simply seeing their work disappear?

    This is one of the reasons we can see chilling effects, especially since this situation is a reminder that even clear cases of fair use aren’t safe from this kind of action. In fact, it appears that the video that was the subject of Lenz v. Universal, the case that established that copyright holders have to consider whether something is fair use before sending a DMCA take down notice, has once again been removed due to a copyright claim –- and this was a video which has already been litigated and determined to be fair use.

    The OTW wants to remind fans that its legal advocacy project is a possible resource for someone who finds themselves in a situation where their work has received takedown notices, and offers recommendations for vidders in particular on our Fan Video and Multimedia section of our website.

  • Fans: Help the EFF Help You!

    By .fcoppa on Friday, 9 November 2012 - 5:34pm
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    Did you lose fanworks or other files in the Megaupload seizure? The EFF wants to help!

    Fans - particularly podficcers and vidders - were among the groups hit hard by the Megaupload seizure, and the OTW wants to help the EFF connect with fans who lost files. The EFF has already begun to take action on behalf of people who've had their files seized: if you lost files when Megaupload went down, the EFF would like to hear from you. Please contact megauploadmissing@eff.org and tell them your story!

  • Spotlight on Legal

    By Claudia Rebaza on Friday, 2 November 2012 - 6:58pm
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    Since OTW's inception over five years ago, our Legal Committee has made significant contributions to the world of transformative works. Most recently, our Legal Committee (with the Electronic Frontier Foundation) secured a DMCA exemption from the U.S. Copyright Office for fanvidders and other non-commercial vid makers. You can read more about this legal victory below or here. The purpose of this Spotlight is to familiarize the public with our legal eagles. The Communications Committee contacted Legal, and Professor Betsy Rosenblatt graciously volunteered to do this Q & A.

    Q: What do you do when you're not volunteering for the OTW?

    Job-wise, I'm a law professor. I teach intellectual property courses (trademarks, patents, video game law...) and civil procedure, and run the intellectual property law program at Whittier Law School in Southern California. Before I started teaching, I practiced intellectual property and entertainment litigation at a firm in Los Angeles, California. In addition to teaching, I'm affiliated with a firm, but I do very little client work. I'm also a TV junkie, Sherlockian, crocheter, hiker, gamer and an all-around geek. In addition to volunteering for the OTW, I also volunteer for the Comic Book Legal Defense Fund and the Beacon Society (a Sherlockian literacy organization).

    Q: So who exactly comprises the Legal team at OTW? Could you give us a brief rundown of maybe the wide variety of backgrounds that members of the Legal Committee have?

    Everyone on Legal (like all the committees) is a volunteer. It's a small committee, and most of the members are attorneys. Of course the Committee Chair, Rebecca Tushnet, is a law professor. Some of the other members work at firms or companies; others have law degrees but aren't practicing law. Most have some background in intellectual property law and experience with either litigation or transactions, although that's not true for everyone on the committee. Right now most of our members are U.S. lawyers, and we're always on the lookout for good people with expertise in non-U.S. law.

    Q: How long have you been with OTW?

    I've been a member for several years, but didn't volunteer until joining Legal about 3 years ago.

    Q: How are you enjoying your time so far?

    I love being involved with the OTW. I'm an avid TV watcher and long-time fan in various ways, so fandom is close to my heart. And as someone with a background in intellectual property law, I'm particularly passionate about supporting fan expression and care deeply about the OTW's mission of fan advocacy. I love that fandom is a community of communities, and I love that there's a resource that can help fans in the ways that the OTW does. So really, I feel privileged to be able to contribute my experience and expertise to the organization. I'm also glad that we have other great people on Legal, so no single person has to do all of the work!

    Q: What is a current project that Legal is working on now, and what significance does it have with transformative works?

    Earlier this year, the OTW testified before a Copyright Office committee regarding an exemption to the Digital Millennium Copyright Act. The DMCA bans circumvention of anticopying technologies (like the copy protection on DVDs) regardless of the purpose for circumvention and even if you make a fair use. The Copyright Office can make temporary exceptions to this rule when it interferes too much with lawful uses, including fair uses. Several years ago--partly in response to advocacy from the OTW--the Copyright Office instituted an exception allowing people to rip DVDs to make non-commercial, transformative videos. Since instituting that policy the Copyright Office has been scheduled to reexamine it. The reexamination happened earlier this year, and we provided information and advocacy to encourage the Office to continue the policy and expand it to reflect new technologies. My role in that project was relatively small; I commented on some of the drafts, and attended one of the hearings and reported back to the committee. As I listened to the Office's questions at the hearing, I was struck by how important our testimony was to helping them understand what vids and vidders do, why vids are valuable expression, and why vidders need legal access to high-quality source material.

    The best news of all is that just a few days ago, the Copyright Office released its decision, and it has recommended an extension of the policy exempting noncommercial, transformative vid-making from the DMCA's anticircumvention provisions. Success!

    Q: Aside from the current project, what are some issues or projects that frequently get sent to Legal?

    What doesn't get sent to legal? Our informal mantra is "If, at any point, you wonder whether you should send something to Legal, you should send it." And we're very glad that the organization as a whole has taken that to heart--better to ask and learn that there's no problem than to learn too late that there was one! So we handle lots of internal questions about what various other committees are doing. We also handle inquiries from fans and others with fannish projects asking for legal advice, information on the relevant laws, or help responding to take-down requests. Often, the questions are outside the OTW's mission, in which case we try to refer the questioners to people who can help them.

    Q: Favorite legal project of the Legal Committee?

    The DMCA exemption one, I think. But I also love that we're a resource for fans with questions about transformative works--whatever those questions might be.

    Q: As a lawyer, what do you find most fascinating about the law related to transformative works?

    That's one of those questions I could wax rhapsodic about for far longer than anyone wants to read. Law professors tend to focus on particular topics when they write articles--publish or perish!--and my scholarship focuses primarily on settings in which intellectual property law doesn't necessarily promote creation and innovation. Fandom is one of those areas--huge communities of people create fan fiction without any desire for payment or exclusivity. They create for self-expression, for community, for recognition...for all sorts of reasons that have nothing to do with intellectual property protection. I'm interested in the way that fandom creates its own rules and customs, different from the rules of formal intellectual property law, and the ways in which those rules govern behavior even more powerfully than law does. So I guess what I find most fascinating about the law related to transformative works is how the law influences, but doesn't necessarily govern, fan behavior.

    So that's my rhapsodic answer. My practical answer, informed by my work with the OTW, is that one of the things I find most fascinating about the law related to transformative works is how vigilant we all need to be in order to protect our right to express ourselves.

    Q: Lastly, do you have an OTP? And if yes, then who!

    We are all products of our youth: my OTP is probably MacGyver/Pete Thornton. But the better answer is that I am a total sucker for chosen family and the "I would die for you" friendship.

  • OTW Secures DMCA Exemption from U.S. Copyright Office

    By Claudia Rebaza on Saturday, 27 October 2012 - 1:18pm
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    The OTW is proud to announce an important legal victory for fan vidders and other makers of noncommercial remix videos, achieved in conjunction with our friends at the Electronic Frontier Foundation: the Register of Copyrights has recommended that the Librarian of Congress maintain the vidders' exemption from certain provisions of the Digital Millennium Copyright Act (DMCA).

    As you probably know, the OTW is committed to the legal position that fanworks, including vids, generally represent "fair use" of their source material under U.S. copyright law. Although this theory has not been tested in the courts yet, it means that vidders ought to be able to use parts of their source in their works without being liable for copyright infringement. However, since the passage of the DMCA, vidders have had an additional legal problem. The DMCA forbids circumvention of access controls to protected works—in other words, ripping DVDs or source purchased from online services (like Amazon Unbox) to get the source to make the vids in the first place. The statute applies even if the ripper was going to put the source to a legal use, like making a vid. So while a copyright owner might not be able to sue a vidder for infringement, it still might be able to sue her just for accessing the source.

    The DMCA is a bad law in general, not only for vidders. Fortunately, every three years, the Librarian of Congress has the responsibility of considering proposed exemptions to the DMCA which are technically necessary for otherwise legitimate uses. This means that individuals whose uses are covered by the exemption will not be legally liable just for circumventing access controls to get the source they need. In the last round, the OTW sought, and won, an exemption for vids. But each exemption must be re-approved each time, and so the OTW had to apply again this year, in the face of industry opposition that was much stronger than before.

    Drafting work was done by the Legal committee, and Francesa Coppa, Tisha Turk, and Rebecca Tushnet appeared before the agency to testify. They were able to point to many examples of vids that hinged on access to high-quality source for their full effect, such as giandujakiss's "It Depends on What You Pay." And, in the end, the OTW once again persuaded the appropriate official to formally recommend renewal of the exemption—keeping the U.S. safe for vidders.

    For those interested you can read the full decision (in PDF format) on the U.S. Copyright Office site or you can see an HTML version at Cryptome.

    The application for the exemption is a great example of a project that benefits all of fandom and which would have been impossible without an organization that let us tap our combined resources. The OTW is grateful to all its members, whose support makes its legal work possible, and to the many others who assisted us!

  • Board Meeting Minutes: August 4, 2012

    By .blue_meridian on Sunday, 12 August 2012 - 2:51am
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    ORGANIZATION FOR TRANSFORMATIVE WORKS
    BOARD OF DIRECTORS

    MINUTES OF THE REGULAR MEETING
    August 4th, 2012, 14:00 UTC

    PRESENT: Ira Gladkova, Nikisha Sanders, Jenny Scott-Thompson, Kristen Murphy.

    GUESTS: Eylul, sunusn, Aja, FishieMishie, James_.

    ABSENT: Julia Beck, Naomi Novik, Francesca Coppa.

    DECISIONS TAKEN SINCE THE LAST MEETING

    1. Approved a new staff member for Comms.
    2. Approved an expense from Systems to use the managed firewall services from our colo host, as a setup cost of $100 and monthly fee of $50.
    3. Approved two new staff members for Wiki with MediaWiki PHP experience.
    4. Discussed board job description and minimum standards of work.
    5. Discussed org structure.
    6. Approved in principle a proposal from Comms for a video and podcast, and asked them to give us more details.
    7. Discussed a proposal for sharing individual board member opinions as part of major decision announcements on the OTW blog.

    OPEN SESSION

    1. Elz proposed on All-chairs mailing list that we add in some time for giving recognition to folks for help/work at the org wides. We did in the last one and it went reasonably well from a facilitation standpoint. We discussed how to balance positive celebration with constructive criticism, and agreed to continue the recognition time.
    2. Category Change are preparing for a public announcement.
    3. No update on the meta on AO3 discussion yet, as it is still being debated on the mailing list.
    4. Webmasters presented a proposal for managed Drupal hosting. tw.org's migration to the newest version of our Content Management System has been delayed due to concerns about the resourcing that would be required to handle the upgrade. As such, we are considering engaging a vendor to 1) handle the upgrade process and 2) take on primary responsibility for security and other upgrades going forward. We will vote over email, to give people time to read it properly.
    5. Emerita and advisory board proposals are being discussed via email. Concerns were raised by staff after the last minutes, and these are addressed in the draft already.

    CLOSED SESSION

    1. We approved Tara as new chair for Grants, as Kate has had to step down.
    2. megcwalsh has stepped down as lead of the Strategic Planning workgroup. We agreed to appoint Anna as the new lead, and will discuss staff position of workgroup leads on the mailing list.
    3. If we do designate workgroup leads as staff, it will only apply from the point they became lead forward. It would not be retroactive to before they were lead or apply to non-lead workgroup members.
    4. We reminded each other that appointments to the board are exempt from the eligibility requirements for elections, and that being on board qualifies as a staff position with regard to future elections.
    5. Some staff were upset by the bylaws change going public without a prior warning to staff. We agreed to apologise for that, and work with Comms to manage the balance between giving staff warning, and giving transparent public notice as rapidly as possible.

    The meeting was adjourned at 16:00 UTC.

    Minutes approved by the board on 11th August.

  • Reason magazine interview with Rebecca Tushnet

    By Claudia Rebaza on Thursday, 26 July 2012 - 6:36pm
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    OTW Legal Committee chair Rebecca Tushnet was recently interviewed by Reason magazine and a 7 1/2 minute video of it was posted on their site as well as on their YouTube channel.

    Tushnet discusses the origins of copyright law in the United States and explains the fair use principle, including what factors are looked at when judging whether or not something is infringing. She then points out how fanworks can co-exist with the material produced by content owners as they provide a broader spectrum of storytelling, which many content creators are realizing amplify the reach of their own work.

    Interviewer Nick Gillespie then asks Tushnet about the OTW and its work, and they finish by discussing where the good ideas on copyright law are expected to come from. Tushnet says that it is unlikely to come from the U.S. due to its legislative gridlock, but instead Canadian law offers a more hopeful outlook. While some of its more restrictive copyright law elements were forced on it by the U.S., Canada provides "much more robust protection for personal uses" especially for education and research. (No transcript available)

  • Board Meeting Minutes: May 26th, 2012

    By Natalie on Thursday, 12 July 2012 - 3:21pm
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    ORGANIZATION FOR TRANSFORMATIVE WORKS
    BOARD OF DIRECTORS

    MINUTES OF THE REGULAR MEETING

    May 26th, 2012, 14:00 UTC

    PRESENT: Naomi Novik, Julia Beck, Kristen Murphy.

    GUESTS: Aja, Katherine Darnell.

    ABSENT: Nikisha Sanders, Ira Gladkova, Jenny Scott-Thompson, Francesca Coppa.

    DECISIONS TAKEN SINCE THE LAST MEETING

    1. We agreed to open a second bank account with branches nearer our treasurer.
    2. We agreed to reprint the tote bags for donation premiums.
    3. We also approved 3 new staffers for Translation.

    OPEN SESSION

    1. Wiki are progressing with the forums
    2. Discussed options for outside coding help:
      1. Hiring employees is a massive commitment, huge complex overhead (taxes, insurance, management), and also just too expensive
      2. Hiring indie contractors for specific assignments is cheap, difficult, unreliable, slightly less but still bad overhead & tax issues
      3. Hiring developers via a reliable consulting company is expensive, but no overhead/tax issues and all-round easier
    3. We agreed that that basically option #3 is the only realistic one at the moment, but it's a pretty big paradigm shift, and we could not afford to hire someone for anything like full time. This would not be a way of replacing our own volunteers, it would be a way to accomplish a particular task or provide a short-term resource to our own people.
    4. It would be a new element in the org ecosystem, so we would need to consider the implications first, and think about how it integrates.
    5. We considered how to revive the Curriculum project, to consider, support and expand educational resources related to fandom, including EFF's similar work.

    CLOSED SESSION

    1. We raised the idea of adding two seats to the board, to cope with liaising for the increase in committees as the org has grown since its start 4 years ago. We will consider more in future sessions.
    2. We discussed the general idea of personnel conflicts and when staff have to be moved around the org, and how this could be handled better. In particular, we know some volunteers are intimidated by the process and worried or scared about what might happen to them, and we'd like to make the process clearer in an effort to ameliorate this.

    The meeting was adjourned at 15:45 UTC.

    Minutes approved by the board on 10th July.

  • Alert to Podfic Makers and Fanfic Writers!

    By Curtis Jefferson on Wednesday, 11 July 2012 - 12:33pm
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    There are a number of discussions in fan circles right now regarding the Random House Audio Fan Fiction Contest being held at this year's San Diego Comic-Con International. The publisher is offering fan fiction authors the opportunity to record their own original work of fan fiction during Comic-Con for a chance to have their work published as a downloadable audio book on their website or featured in a Random House podcast.

    The Organization for Transformative Works was initially contacted by Random House in May asking if the OTW could help promote the contest through its various news outlets. At that time, we asked for additional details - including the terms of the contest and a copy of the participant agreement. Random House responded indicating that the details were not yet complete, but that it would forward the requested information once it was available. That was the last direct communication we received from the publisher two months ago.

    Over the past few days, the OTW has received inquiries from fans regarding the terms of the contest, particularly the Submission Form/Release participants are being asked to sign. We suggest that participants should carefully read and consider the terms before signing the agreement. The form asks participants to acknowledge that they have no right to create their fan fiction--even fan fiction they're not submitting to the contest--without permission from the author of the original work (for example, "I acknowledge and agree that I may not use the Underlying Copyrighted Work, in any other manner or for any other purpose."). We think that's not accurate, and we think it's unfortunate that Random House isn't fully supporting the freedom of fans to create noncommercial transformative works. Language like this, though it doesn't bind people who don't participate, also has the potential to increase confusion over fair use. In the future, it would be much more fan-friendly to use principles like those of Creative Commons licenses, which specifically provide that they don't attempt to restrict fair use.

    The form also says that submissions are "works made for hire," which is a specific category in U.S. law: the creator of a "work for hire" is never considered an author; the person or entity for whom the work was created is deemed to be the author. While we aren't convinced that it's possible to call a submission like this a work for hire, that's not really the issue; the form provides that even if the submission isn't really a work for hire the fan author still gives up all her rights. The overall terms reflect the view of some authors and publishers that all transformative works inherently 'belong' to the publisher who bought rights to the original work. Of course even standard publishing contracts involve trading away many rights of authorship, but signing over all rights to one's creative work is not a decision that should be entered into lightly.

    The Organization for Transformative Works is always excited to see recognition of talented fans involved in the creation of transformative works. At the same time, however, it is important that fans be well-informed, especially as publishers experiment with new models and sometimes try to assert greater control over fan activities. We would suggest that interested fans read the agreement carefully and consider their level of comfort in complying with its terms.

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