Fan Video Bibliographies

Blankinship, E., B. Smith, H. Holtzman, and W. Bender. “Closed caption, open source.” BT Technology Journal 22, no. 4 (2004): 151–159.

Boulaire, Christele, and Guillaume Hervet. “Creativity chains and playing in the crossfire on the video-sharing site YouTube.” Journal of Research in Interactive Marketing 4, no. 2 (2010): 111-141.

Bradford, D., and J. Hull. “Another Blinding Documentary on Channel 4?” Journal of Visual Culture 10, no. 1 (April 2011): 125-133.

Bradshaw, Julia. “Borrowed and reborn.” Entrepreneur.com, August 2009. http://www.entrepreneur.com/tradejournals/article/205863249.html.

Burgess, Jean, and Joshua Green. YouTube: Online Video and Participatory Culture. Polity, 2009.

Busse, Kristina. “Affective Aesthetics.” The Symposium Blog, November 23, 2010. http://symposium.transformativeworks.org/2010/11/affective-aesthetics/.

———. “Supernatural ‘At the Movies’: Context, canon, and genre in AU vids.” In Media Res: A Media Commons Project, November 16, 2009. http://mediacommons.futureofthebook.org/imr/2009/11/16/supernatural-movi....

———. “‘Us’ - A multivid by Lim.” In Media Res: A Media Commons Project, February 1, 2008. http://mediacommons.futureofthebook.org/imr/2008/02/01/us-a-multivid-by-lim.

———. “vidding intro via imeem.” ephemeral traces, June 28, 2007. http://kbusse.wordpress.com/2007/06/28/vidding-intro-via-imeem/.

Carter, K. R, and C. Penley. “Freestyle, Flow, and Fanculture: Mapping the Technical Mediation of Fan Communities” (N.d.).

Coppa, Francesca. “A fannish taxonomy of hotness.” Cinema Journal 48, no. 4 (2009): 107-113.

———. “Celebrating Kandy Fong: Founder of fannish music video.” In Media Res: A Media Commons Project, November 19, 2007. http://mediacommons.futureofthebook.org/imr/2007/11/19/celebrating-kandy....

———. “DIY Media 2010: Fan Vids (Part Four).” Confessions of an Aca-Fan, December 1, 2010. http://henryjenkins.org/2010/12/diy_media_2010_fan_vids_part_f.html.

———. “DIY Media 2010: Fan Vids (Part One).” Confessions of an Aca-Fan, November 24, 2010. http://henryjenkins.org/2010/11/diy_media_2010_fan_vids.html.

———. “DIY Media 2010: Fan Vids (Part Three).” Confessions of an Aca-Fan, November 29, 2010. http://henryjenkins.org/2010/11/diy_media_2010_fan_vids_part_t_1.html.

———. “DIY Media 2010: Fan Vids (Part Two).” Confessions of an Aca-Fan, November 26, 2010. http://henryjenkins.org/2010/11/diy_media_2010_fan_vids_part_t.html.

———. “‘Mission Report’: The medium is the message.” In Media Res: A Media Commons Project, November 16, 2009. http://mediacommons.futureofthebook.org/imr/2009/11/16/mission-report-me....

———. MIT TechTV – OTW Fanvidding series: What is Vidding?, n.d. http://techtv.mit.edu/tags/1189-library/videos/1246-otw-fanvidding-serie....

———. “‘Pressure’: A metavid by the California Crew.” In Media Res: A Media Commons Project, January 28, 2008. http://mediacommons.futureofthebook.org/imr/2008/01/28/pressure-metavid-....

———. “Vidding.” In Women in Science Fiction and Fantasy, 313-315. Greenwood Publishing Group, 2009.

———. “Women, ‘Star Trek,’ and the early development of fannish vidding.” Transformative Works and Cultures 1 (2008). http://journal.transformativeworks.org/index.php/twc/article/viewArticle/44.

Cornblatt, M. “Censorship as Criticism: Performance Art and Fair Use in Virtual Territory.” Journal of Visual Culture 10, no. 1 (April 2011): 74-79.

Crypto. “I have heard the mermaids singing. So far, though, no suckling pigs or stray dogs yet.” Dreamwidth Journal. Frameshift, n.d. http://crypto.dreamwidth.org/67495.html.

Cupitt, Cathy. “Nothing but Net: When cultures collide.” Transformative Works and Cultures 1 (2008). http://journal.transformativeworks.org/index.php/twc/article/viewArticle....

Dellario, F. R. “The Future of Machinima as a Professional Animation Resource and its Growth as Real-Time Animation in Virtual Worlds.” Journal of Visual Culture 10, no. 1 (April 2011): 89-92.

Falkenstein, J. “Machinima as a Viable Commercial Medium.” Journal of Visual Culture 10, no. 1 (April 2011): 86-88.

Fosk, K. “Machinima is Growing Up.” Journal of Visual Culture 10, no. 1 (April 2011): 25-30.

Freund, Katharina. “I’m glad we got burned, think of all the things we learned‘: Fandom conflict and context in Counteragent’s ’Still Alive.” Transformative Works and Cultures 4 (2010). http://journal.transformativeworks.org/index.php/twc/article/viewArticle....

Furman, Charlie. “Dueling with Censorship: Yu-Gi-Oh: The Abridged Series’ Pastiche of Dubbing”, n.d. http://angelingo.usc.edu/index.php/humanities/dueling-with-censorship-yu....

Gayeton, D. “Molotov Alva’s Further Adventures: A Conversation Which Could’ve Happened (But Never Did).” Journal of Visual Culture 10, no. 1 (April 2011): 93-99.

Genealogy of Vidding with Francesca Coppa - “24/7 a DIY Video Summit”, 2009. http://www.youtube.com/watch?v=aYdllH7jZxg&feature=youtube_gdata_player.

Hackleman, C. “Where Were You the Day Onyxia Died?” Journal of Visual Culture 10, no. 1 (April 2011): 38-41.

Hancock, H. “Machinima: Limited, Ghettoized, and Spectacularly Promising.” Journal of Visual Culture 10, no. 1 (April 2011): 31-37.

Harwood, T. “Towards a Manifesto for Machinima.” Journal of Visual Culture 10, no. 1 (April 2011): 6-12.

Hill, Kathryn. “‘Easy to Associate Angsty Lyrics with Buffy’: An Introduction to a Participatory Fan Culture: Buffy the Vampire Slayer Vidders, Popular Music, and the Internet.” In Buffy and Angel Conquer the Internet, 172 - 96. McFarland, 2009.

Hill, Logan. “Q&A With Ultimate Fan Luminosity - Online Videos 2007 -- New York Magazine”, n.d. http://nymag.com/movies/features/videos/40622/.

Horwatt, Eli. “A Taxonomy of Digital Video Remixing: Contemporary Found Footage Practice on the Internet.” Scope: an online journal of film and tv studies June, no. 17 (2010). http://www.scope.nottingham.ac.uk/cultborr/chapter.php?id=8.

Ito, Mizuko. “Machinima in a Fanvid Ecology.” Journal of Visual Culture 10, no. 1 (01 2011): 51-54.

Itō, Mizuko. “The rewards of non–commercial production: Distinctions and status in the anime music video scene.” First Monday 15, no. 5 (2010). http://www.uic.edu/htbin/cgiwrap/bin/ojs/index.php/fm/article/viewArticl....

Jenkins, Henry. “DIY Media 2010: Anime Music Videos (Part Three)”, December 17, 2010. http://henryjenkins.org/2010/12/diy_media_2010_anime_music_vid_2.html.

———. “DIY Media 2010: Anime Music Videos (Part One)”, December 13, 2010. http://henryjenkins.org/2010/12/diy_media_2010_anime_music_vid.html.

———. “DIY Media 2010: Anime Music Videos (Part Two)”, December 15, 2010. http://henryjenkins.org/2010/12/diy_media_2010_anime_music_vid_1.html.

———. “Fan Vidding: A Labor Of Love (Part One).” Confessions of an Aca-Fan, December 5, 2008. http://henryjenkins.org/2008/12/fanvidding.html.

———. “Fan Vidding: A Labor Of Love (Part Two).” Confessions of an Aca-Fan, December 8, 2008. http://henryjenkins.org/2008/12/in_many_ways_the_emergence.html.

———. “How to watch a fan-vid.” Confessions of an Aca-Fan, September 18, 2006. http://www.henryjenkins.org/2006/09/how_to_watch_a_fanvid.html.

———. “How YouTube Became OurTube.” Confessions of an Aca-Fan, October 18, 2010. http://henryjenkins.org/2010/10/how_youtube_became_ourtube.html.

———. “‘Layers of meaning’: Fan music video and the poetrics of poaching.” In Textual Poachers. Routledge, 1992.

———. Textual Poachers: Television Fans and Participatory Culture. Studies in Culture and Communication. Routledge, 1992.

———. “Vidder Luminosity Profiled in New York Magazine.” Confessions of an Aca-Fan, November 20, 2007. http://henryjenkins.org/2007/11/vidder_luminosity_profiled_in.html.

———. “Vidding Kung Fu Panda in China.” Confessions of an Aca-Fan, March 10, 2010. http://henryjenkins.org/2010/03/vidding_kung_fu_panda_in_china.html.

———. “What the Chinese Are Making of Avatar.” Confessions of an Aca-Fan, March 12, 2010. http://henryjenkins.org/2010/03/avatar_and_chinese_fan_culture.html#comm....

———. “What’s Behind ‘The Glass’?” Confessions of an Aca-Fan, May 8, 2008. http://henryjenkins.org/2008/05/the_glass.html.

Jones, R. “Does Machinima Really Democratize?” Journal of Visual Culture 10, no. 1 (April 2011): 59-65.

Joshua Diltz, J. “journal of visual culture: Digital Voices.” Journal of Visual Culture 10, no. 1 (April 2011): 55-58.

Karpovich, A. I. “Reframing Fan Videos.” In Music, sound and multimedia: from the live to the virtual, 17-28, 2007.

Kirschner, F. “Machinima’s Promise.” Journal of Visual Culture 10, no. 1 (April 2011): 19-24.

Kjono, Jacqueline. “A Day in the Life: Using the Music - A ‘Dead Zone’ vid by Shalott and Speranza.” In Media Res: A Media Commons Project, January 30, 2008. http://mediacommons.futureofthebook.org/imr/2008/01/30/a-day-in-the-life....

Klink, Madeline LeNore. “Laugh out loud in real life : women’s humor and fan identity”, n.d. http://dspace.mit.edu/handle/1721.1/59730.

Knobel, Michele, and Lankshear, Colin. “Remix: The Art and Craft of Endless Hybridization.” Journal of Adolescent & Adult Literacy; 52 (2008): 22-33.

Kraus, K. “‘A Counter-Friction to the Machine’: What Game Scholars, Librarians, and Archivists Can Learn from Machinima Makers about User Activism.” Journal of Visual Culture 10, no. 1 (April 2011): 100-112.

Kuhn, Virginia. “The YouTube Gaze: Permission to Create?” Enculturation 7 (2010). http://enculturation.gmu.edu/the-youtube-gaze.

Lamerichs, N. “It’s a small world after all: Metafictional fan videos on YouTube.” Cultures of Arts, Science and Technology 1, no. 1 (2008): 52-60.

LantisEscudo. “The History of the Org.” Forum. AnimeMusicVideos.org, December 10, 2008. http://www.animemusicvideos.org/forum/viewtopic.php?f=2&t=91946&....

Lessig, Lawrence. Remix: Making Art and Commerce Thrive in the Hybrid Economy. Penguin (Non-Classics), 2009.

Lipton, Jacqueline D. “Copyright’s Twilight Zone: Digital Copyright Lessons from the Vampire Blogosphere.” SSRN eLibrary (n.d.). http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1574460##.

Lothian, Alexis. “Living in a den of thieves: Fan video and digital challenges to ownership.” Cinema Journal 48, no. 4 (2009): 130–136.

Lowood, H. “A ‘Different Technical Approach’? Introduction to the Special Issue on Machinima.” Journal of Visual Culture 10, no. 1 (April 2011): 3-5.

———. “Perfect Capture: Three Takes on Replay, Machinima and the History of Virtual Worlds.” Journal of Visual Culture 10, no. 1 (April 2011): 113-124.

Manovich, Lev. “The Practice of Everyday (Media) Life: From Mass Consumption to Mass Cultural Production?” Critical Inquiry 35, no. 2 (January 1, 2009): 319-331.

McCracken, Allison. “‘A Trek for our time’: The continuing relevance and resonance of ‘Star Trek: Deep Space Nine’.” In Media Res: A Media Commons Project, March 19, 2007. http://mediacommons.futureofthebook.org/imr/2007/03/19/a-trek-for-our-ti....

Methenitis, M. “Opportunity and Liability: The Two Sides of Machinima.” Journal of Visual Culture 10, no. 1 (April 2011): 80-85.

Micole. “Women’s Art and ‘Women’s Work’.” Ambling Along the Aqueduct, August 29, 2007. http://aqueductpress.blogspot.com/2007/08/womens-art-and-womens-work.html.

Middleton, Kim. “Alternate Universes on Video: Ficvid and the Future of Narrative.” In Writing and the Digital
Generation: Essays on New Media Rhetoric, 117-131. Jefferson, NC: McFarland, 2010.

Milstein, Dana. “Case Study: Anime Music Videos.” In Music, Sound and Multimedia: From the Live to the Virtual, 29-47. Edinburgh: Edinburgh University Press, 2007.

Mittell, Jason. “Understanding vidding.” Just TV, November 7, 2007. http://justtv.wordpress.com/2007/11/21/understanding-vidding/.

Monaghan, Whitney. “Identity scavengers: Queer girl fandom and ‘South of Nowhere’.” Jump Cut: A Review of Contemporary Media 52, no. Summer (2010). http://www.ejumpcut.org/currentissue/monaghanIndentityScav/text.html.

Ng, Eve. “Reading the Romance of Fan Cultural Production: Music Videos of a Television Lesbian Couple.” Popular Communication: The International Journal of Media and Culture 6, no. 2 (2008): 103.

Nideffer, R. F. “Eight Questions (and Answers) about Machinima.” Journal of Visual Culture 10, no. 1 (April 2011): 66-73.

Nitsche, M. “A Look Back at Machinima’s Potential.” Journal of Visual Culture 10, no. 1 (April 2011): 13-18.

Pandey, Ashish. “Definitions of Vidder, Vidding, vid-making, Vid-fic, Vids.” In Dictionary of Fiction, 273. Gyan Books, 2005.

Penrod, Diane. “Writing and rhetoric for a ludic democracy: YouTube, fandom, and participatory pleasure.” In Writing and the Digital Generation: Essays on New Media Rhetoric, 141-151. Jefferson, NC: McFarland, 2010.

Perez-Gomez, Miguel. “Fan-Made Vids: Una introducción al vidding, los song vids, el recut, los mash-ups, el fan edit y otros artefactos audiovisuales.” Text.Serial.Journal, 2009. http://fcom.us.es/revista-e/index.php/Admira/article/viewArticle/46.

Pitzer, Juli Stone. “Vids, Vlogs and Blogs: The Participatory Culture of Smallville's Digital Fan." In Lincoln Geraghty, ed. The Smallville Chronicles: Critical Essays on the Television Series, Lanham, MD: Scarecrow Press, 2011, pp. 109-128.

Pohnert, Vlad. “History of AMV.” Forum. AnimeMusicVideos.org, January 7, 2005. http://www.animemusicvideos.org/forum/viewtopic.php?f=2&t=44607&....

Russo, J. L. “‘Battlestar Redactica’: Visual revision of narrative error.” In Media Res: A Media Commons Project, November 17, 2009. http://mediacommons.futureofthebook.org/imr/2009/11/17/battlestar-redact....

———. “User-Penetrated Content: Fan Video in the Age of Convergence.” Cinema Journal 48, no. 4 (2009): 125–130.

Santo, Avi. “Make a fan vid for MTV and win cool prizes: Participatory pleasures and profits converge.” In Media Res: A Media Commons Project, May 11, 2005. http://mediacommons.futureofthebook.org/imr/2007/05/11/make-a-fan-vid-fo....

Sarkeesian, Anita. “‘Remixing Pop Culture’ event videos.” Feminist Frequency: Conversations With Pop Culture, August 11, 2010. http://www.feministfrequency.com/2010/08/remixing-pop-culture-event-videos/.

Sexton, Jamie. Music, sound and multimedia:from the live to the virtual. Edinburgh University Press, 2007.

Shannon, Tashery. “Move Over, MTV! Here Come the Song Vids! Fan Music Videos.” Strange New Worlds, October 1993. http://web.archive.org/web/20080215174645/http://www.strangenewworlds.co....

Springall, Dana. “Popular music meets Japanese cartoons: A history of the evolution of anime music videos”. Birmingham, Ala.: Samford University, 2004.

starlady. “AMVs versus vids (Can o’ worms? Check! Can opener? Check! Let’s rock and roll!).” Blog, April 10, 2010. http://starlady.dreamwidth.org/308172.html.

Stasi, Mafalda. “‘So Damn Hot’: A ‘From Eroica with Love’ vid by Diana Williams.” In Media Res: A Media Commons Project, November 15, 2009. http://mediacommons.futureofthebook.org/imr/2009/11/15/so-damn-hot-eroic....

Stein, L. E. “‘What you don’t know’:‘ Supernatural’ fan vids and millennial theology.” Transformative Works and Cultures 4 (2010).

Stein, Louisa. “‘Bricks’: A ‘Supernatural’ vid by Luminosity.” In Media Res: A Media Commons Project, January 31, 2008. http://mediacommons.futureofthebook.org/imr/2008/01/31/bricks-a-supernat....

Stern, E. “Massively Multiplayer Machinima Mikusuto.” Journal of Visual Culture 10, no. 1 (April 2011): 42-50.

Stevens, E. C. “Chasing semiotic rabbits: The proliferation of secondary meaning in‘ Doctor Who’ fanvids”. YORK UNIVERSITY, 2011.

Thornton, N. “YouTube: transnational fandom and Mexican divas.” Transnational Cinemas 1, no. 1 (2010): 53–67.

Trombley, S. “Visions and Revisions: Fanvids and Fair Use.” Cardozo Arts & Ent. LJ 25 (2007): 647.

Turk, Tisha. “Metalepsis in Fan Vids and Fan Fiction.” In Metalepsis in Popular Culture. Berlin: Walter de Gruyter, 2010.

———. “‘New Slang’: Happily ever after.” In Media Res: A Media Commons Project, November 20, 2009. http://mediacommons.futureofthebook.org/imr/2009/11/19/new-slang-happily....

———. “‘Not Only Human’: An ‘X-Files’ vid by Killa and Laura Shapiro.” In Media Res: A Media Commons Project, January 29, 2008. http://mediacommons.futureofthebook.org/imr/2008/01/29/not-only-human-x-....

———. “‘Your Own Imagination’: Vidding and Vidwatching as Collaborative Interpretation.” Film & Film Culture 5 (2010): 88-110.

Tushnet, Rebecca. “Creating in the Shadow of the Law: Media Fans and Intellectual Property.” In Intellectual Property and Information Wealth: Copyright and related rights. Vol. One. Greenwood Publishing Group, 2007.

———. “Hybrid Vigor: Mashups, Cyborgs, and Other Necessary Monsters.” Georgetown Law Faculty Publications and Other Works (January 25, 2010). http://scholarship.law.georgetown.edu/facpub/168.

———. “I Put You There: User-Generated Content and Anticircumvention.” Vanderbilt Journal of Entertainment and Technology Law 12, no. 4 (2010): 889.

———. “Payment in Credit: Copyright Law and Subcultural Creativity.” SSRN eLibrary (n.d.). http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1010395.

Ulaby, Neda. “Vidders Talk Back To Their Pop-Culture Muses : NPR.” All Things Considered. National Public Radio, February 25, 2009. http://www.npr.org/templates/story/story.php?storyId=101154811.

Walker, Jesse. “Remixing Television: Francesca Coppa on the vidding underground.” Reason Magazine, 2008. http://reason.com/archives/2008/07/18/remixing-television.

White, Michele. The body and the screen: theories of Internet spectatorship. MIT Press, 2006.

Wikipedia. “Vidding.” Wikipedia, the free encyclopedia, N.d. http://en.wikipedia.org/wiki/Vidding.

Williams, Kathleeen. “Never Coming to a Theatre near You: Recut Film Trailers” 12, no. 2 (2009). http://www.journal.media-culture.org.au/index.php/mcjournal/article/view....

Young, Clive. Homemade Hollywood: Fans Behind the Camera. Illustrated edition. Continuum, 2008.