The Organization for Transformative Works (OTW) is a nonprofit organization run by and for fans to provide access to and preserve the history of fanworks and fan cultures.
Newsletter, OTW Sections
For more information about the purview of our committees, please see the committee listing on our website.
I. LEGAL MOVES
Legal submitted the comments in support of our Digital Millennium Copyright Act exemption petition with the U.S. Copyright Office. This submission contained 93 pages of supporting content in appendices, and was part of the every-three-year process of renewing the exemption that makes it legal for fan video makers to break encryption on DVDs to create their work. This process will continue in coming months and, as always, these documents are available for fans to view on the OTW website.
Entertainment Industries, Fanfiction, Fannish Communities, OTW Sightings, Race, Ethnicity, and Nationality, Television, News of Note
Writer Shawna Benson examined patterns of fandom growth and activity that she'd observed while moderating social media for The 100's Writers’ Room, as well as social media lessons learned. "Yes, we sell the US shows to other countries, but what do we do to accommodate those fanbases which spring up in other countries? Suddenly, the 'official' accounts feel less useful. They don’t get the CW in the UK, Australia, Brazil, France or Spain, or even Canada — the main countries which outside of the U.S. watch The 100. How do we accommodate those fans? The official accounts are restricted in this. Guess what? Writers’ rooms are not."
Books, Commercial Works Authors, Entertainment Industries, Fanfiction, Gender and Sexuality, News of Note
The it-getters at PBS' Idea Channel released an episode focusing on fanfiction & LGBT representation. "Official writers are...gesturing at alternate universes, at relationships that could exist between characters -- were the world of the show...not what it actually is. I see this as the sacred charge of so much fanfiction, to express the love left unexpressed in so much popular culture." (No transcript available.)